La vera storia di Danny Greene, un duro delinquente irlandese che lavorava per i mafiosi a Cleveland negli anni '70.La vera storia di Danny Greene, un duro delinquente irlandese che lavorava per i mafiosi a Cleveland negli anni '70.La vera storia di Danny Greene, un duro delinquente irlandese che lavorava per i mafiosi a Cleveland negli anni '70.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
- Mike Frato
- (as Steven R. Schirripa)
- Frank Brancato
- (as Vinny Vella Sr.)
Recensioni in evidenza
Even though they were gangsters, Greene and Nardi were surprisingly likable characters—for killers, that is—mostly because of the charismatic acting of the two leads, Ray Stevenson and Vincent D'Onofrio. The supporting characters were interesting also, including the talents of Christopher Walken, Val Kilmer, Steve Schirripa, Paul Sorvino, Tony Lo Bianco, and Mike Starr.
Interspersed with the actors' scenes were actual clips of film footage from local newscasts of the day, which added authenticity and a touchstone to the amazing story that unfolded in Cleveland some 30-40 years ago.
I highly recommend "Kill the Irishman" as an action-packed, escapist, period piece, featuring superior acting and excellent film editing. It was a thoroughly enjoyable 100+ minutes!
Greene became entangled with the traditional Italian-American La Cosa Nostra with his own crew of criminals who ran gambling operations in competition with the already established gangsters. A series of bomb explosions made Cleveland one of the most violent American cities of the era.
The movie is brutal but also has great wit and Stevenson is as charming as can be as Danny Greene. The supporting cast includes Vincent D'Onofrio, Val Kilmer and Christopher Walken, and all are as good as expected. This may very well be the best unknown and unseen crime drama ever released.
The downfall of this film is the script and the way it rushes through time and space without ever focusing enough on the characters and their relationship with each other (and in the case of Greene with society) to really get us connected into the world they inhabit. We see scene after scene that remind us of gangster movie staples. Greene beaten by Italian kids as a boy, Greene standing up to the crooked Union leadership, Greene making deals with the mafia, Greene gets a girl and they wind up married, Greene beats up bikers, Greene gets a partner out of hot water and tells him never to gamble again...and duh..he gambles again. Unfortunately, we always stay on the surface of people's motivations as these scenes fly by, we never stop and get a sense of why with the characters. And we never connect with them.
The acting is fine, Ray Stevenson's Greene is tough and smart and world-worn, everyone else is fine but they just stay on the periphery and play stock characters who come and go for the most part.
If the script had made a choice to either be the story through the eyes of Val Kilmer's Cleveland police detective, or the story through the eyes of Irish Danny Greene, instead of just a linear montage of standard gangster film clichés, we all could have been treated to a top-notch tale.
The movie just proves you need a great script to make a great movie, and it didn't have one.
The film has a great story to tell and I can only imagine how amazing the film would have been if they had a director like Martin Scorsese behind the camera. That's what I kept feeling while I watched this film, that it was a Scorsese wannabe. That's not exactly a bad thing, because I did enjoy the film, but I wanted to enjoy it so much more.
There are aspects of the film that are great and if a masterful craftsman were behind the camera than I can honestly see this film being one of the best of the year. The film feels short on a lot of things, mainly the small things that would have made this film great. The relationship between him and his wife was nonexistent. The smaller characters played by Christopher Walken, Val Kilmer and Vinnie Jones deserved more screen time. There was a relationship between Stevenson and Kilmer that was interesting, as one was a cop and the other a known mobster, but the film decided not to dive any further than two scenes. I hate to throw Goodfellas into the mix, but had the story been crafted more like that film, then this could have been great.
The story is based on true events, with some liberties of course. Some of the special effects, like the car bombings are incredibly poor. A story like this deserves a bit more attention to detail from the writer and director. It felt like they loved the story, but didn't know exactly how to tell it. Again, if they had proper backing in the budget department, then this film would have been really great. The car bombing scenes are really poorly done and this is such an integral part of the film. Some of them are actual explosions, others aren't. It's poor production values, stick with the real thing.
Kill the Irishman is a good movie when it should be a great movie. In terms of gangster flicks, it's one of the better ones. It's nowhere near the calibre of Goodfellas or Donnie Brasco. It feels like the odd film that wants to be apart of the family. It just falls short of admittance. A good film is good film though.
I must confess that I haven't heard anything about this movie before I read that there will be free theater screenings of "Kill the Irishman" in my hometown. As far as i know, the film also had a very limited theater release in the USA, which is a sad thing because this movie was surprisingly good and well-crafted and was one of the best films I've seen in the last months.
The film tells the true story of Danny Greene, a tough irish gangster - and let me tell you, it is definitely a story worth telling.
I guess many of you are informed about the story of Danny Greene, so i won't go further into the story.
The movie features an impressive cast including Ray Stevenson, Val Kilmer, Christopher Walken and many other familiar faces known from other mob movies. Ray Stevenson gives an incredibly good performance as Danny Greene and manages to keep his character really violent, but also likable. This movie could give him a career boost for bigger roles.
The direction and the cinematography are very nice and i'm hoping this movie will enable Jonathan Hensleigh more work soon, because he's definitely a talented craftsman.
In some reviews i read that other people complained that this movie is just a ripoff of Goodfellas. That isn't true. The movie stands well on his own, despite featuring some actors known from Goodfellas, and wasn't that also the case in Shows like The Sopranos? Why complain about that? And last but not least, it IS a true story and who grows sick of seeing good mobster movies? Definitely not me.
Lo sapevi?
- QuizDue to budget limits and to add to the realism to the movie, the director and producers chose to use real news clips from the Cleveland area from the actual events that took place in the movie.
- BlooperSt. Malachi's Church in Cleveland is spelled with an 'i,' not a "y" as shown in the movie.
- Citazioni
Reporter: This is about the fourth time someone's tried to kill you. How do you account for the fact that you survive each time?
Danny Greene: I'm an Irish Catholic with the grace of God on my shoulder. I'm not going anywhere until he says so. You see the trailer behind me? It's where I work. See the bar at the end of the street there? Get a shot of that. I live on the top floor. Let me tell you something. If any of these maggots from the so-called Mafia wanna come after me, I'm not a hard man to find.
- ConnessioniFeatured in Youngstown: Still Standing (2010)
- Colonne sonoreI'm Gonna Keep on Loving You
Written by Norman Whiteside, DJ Will Gill (as William Gilbert) and John Primm
Performed by Kool Blues
Courtesy of Numero Group
By arrangement with Bank Robber Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Maten al irlandés
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.188.194 USD
- Fine settimana di apertura Stati Uniti e Canada
- 145.430 USD
- 13 mar 2011
- Lordo in tutto il mondo
- 1.188.194 USD
- Tempo di esecuzione1 ora 46 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1