Black Mass - L'ultimo gangster

Black Mass: A Near Miss

'Black Mass' is another is a line of crime dramas set in Boston. The film will inevitable be compared to 'The Departed.' And it falls short in the comparison. The acting is top rate, and Depp is much better, not as hammy, than the comic portrait of a crime boss by Nicholson in 'The Departed.' Depp is genuinely threatening in the film and the make-up job given him in the film adds to the fright.

'Black Mass' has the look of a 70s television show, and that works in its favor. In fact, the overall look of the film is exquisite. That, and the acting, are the two best things in the film. However, the movie is both too much and not enough.

'Black Mass' tries to cover too much and thus it lacks focus. This is where 'The Departed' succeeds. While 'The Departed' has many layers and character, it has a focus: the Southie, Billy. 'Black Mass' doesn't have a main theme, a main character, a main protagonist or antagonist. There are a bunch of characters in tense situations with some irony and symbolism. However, in the end, there is nothing to hold onto, no lessons, no emotions, love or hate, for any characters.

As I was watching, both my film buddy and I thought the same thing: Scorsese could have made this story work with his writing and directing. We also thought that in an era of long- form television that it could have made a great 10-20 episode show. Then it could have gone into depth about the childhood relationships between crime boss Bulger, his FBI friend Connolly and Whitey's brother, State Senator Billy Bulger.

As miniseries, it could have more deeply explored the racial tensions between the Irish and Italians with the African Americans stuck in the middle. It could have taken a deeper look into Boston politics and corruption, police corruption, and more. The miniseries could have also gone further into the Irish American funding of the IRA. As it was, it touched on each of those issues in an unsatisfactory fashion. If the film had taken a deeper look into any ONE of those themes, it would have made for a better movie.

Rating: Matinée

For the great look and outstanding acting, I suggest you see it on the big screen. Otherwise, wait for the miniseries. Hey, a man can dream.

Peace, Tex Shelters

I was very interested in watching this film as a true-crime buff. We all understand that there will be a certain amount of theatrical license taken whenever dealing with such subject matter. I didn't expect it to be too far off base from reality since the Whitey Bulger fiasco has been highly publicized. Johnny Depp was a little odd choice in my opinion by his been known to pull bigger rabbits on the hat (even literally). Good to have Johnny Depp reminders every once in while he's a legitimate actor not just trying to fund additional island property.

The problem in films of this nature tend to be how familiar the general public is with the issues and our opinions of what we believe reality to be. We hold film a little too stringently against reality or at least what the media has presented as reality to most of us. I would like to think that enough due diligence has gone into whatever form of dramaturgy has happened by responsible parties to present a relatively balanced film. But in general we want the grit and grime without regard for legalities or implications.

True, the film focuses on alliances and the levity provided that we have always suspected. And we have seen a ton of films in this genre with such focus and we have fabricated our own concepts of how such organizations work, how such unholy alliances are formed, and therefore have an expectation of what we should see. This past history in turn doesn't really provide a fair shake for any film in the current time frame as we have so much the compare it to.

I believe that the real demystification of this spell (not to say the cast wasn't good or to question the deftness of Depp) is that we seem to have seen this story a lot. We know how it ends, we realize there's very little arc and we'd like to see a twist to the hat trick that we haven't seen before... If it sticks to the reality of the situation, it's simply not gonna happen.

Does it deliver? Yes. Is it a Tarantino yarn? Not remotely. Will you be entertained, to a greater extent? Yes.

I think this year DiCaprio may have Depp on this one.

Black Mass serves as a nice redemption for the floundering career of Johnny Depp, who has leaned more on quirky voices and loud makeup than his actual skills in recent years. His portrayal of mob boss Whitey Bulger is a powerhouse performance and easily his best since he first introduced the world to Jack Sparrow. It's too bad the movie as a whole doesn't fair quite as well. Despite a great cast and some interestingly insane source material, somehow a movie about one of America's most infamous criminals feels more like small claims court. Director Cooper focuses his narrative on Bulger's less-than-legal partnership with the FBI. It's a fascinatingly close-knit community we witness (agents, felons, politicians, and families alike) in which loyalty and corruption go hand-in-hand. It's a grimy yet quiet 70's-feel gangster film that engages its audience nearly as much as it reminds them of better films. Therein lies its big problem: What is Black Mass offering that hasn't already been perfected in other gangster films? Unfortunately, instead of a true movie-making vision, it's like a guy watched every crime drama from the last 40 years and just spit out a less-interesting copycat. Not that a counterfeit of something great can't still have its positives: the score is beautiful and the performances from the top-notch cast around Depp are nearly as superb as his, all of whom nail the oft-parodied Bostonian accent with aplomb. But with too many side plots to juggle, not enough cohesion to the storytelling, and an unfortunate lack of auteur vision, Black Mass just can't stand against the great American crime films of yore (Chinatown, Godfather, Goodfellas).

Black Mass (2015)

*** (out of 4)

Violent telling of Boston criminal James 'Whitey' Bulger (Johnny Depp) who started as just a small crook but quickly rose to be one of the biggest crime lords out there. A lot of this was due to his childhood friend John Connolly (Joel Edgerton), a FBI agent, who began working with the criminal in exchange for information.

BLACK MASS really wasn't as great as I was hoping it would be but there's no question that it's a solid film that managed to features some very good performances. I think the film falls short of being great for a number of reasons but one of the biggest is the fact that we've seen this type of gangster film countless times before and there's really nothing here that separates this film from various others out there.

I will say that the best thing about the film was the performance from Depp who really sinks his teeth into this role. Depp had been criticized for some of his film choices over the past few years but this is certainly him jumping back into the game and showing what he can do. I thought he was extremely good here and especially with that coldness he brought the character. He's surrounding by some nice support from Edgerton, Benedict Cumberbatch, Kevin Bacon, Peter Sarsgaard, Rory Cochrane and Dakota Johnson.

The gangster genre has delivered some of the greatest movies ever made and it's created some rather by-the-number films that were quickly forgotten. I wouldn't say this film is going to be forgotten but it's certainly not going to reach the levels of GOODFELLAS, THE GODFATHER or WHITE HEAT. With that said, there's a nice little story here, some great performances and some graphic violence that makes it worth watching.

Despite it's generic approach to it's story, Black Mass is still a great crime drama that's tense, thrilling and chilling. Johnny Depp gives an incredible lead performance and one of the best performances of his career. Joel Edgerton, Benedict Cumberbatch, Kevin Bacon and Corey Stoll all give great supporting performances. Scott Cooper's direction is also great, it's well filmed and extremely well paced. The music by Tom Holkenborg and the soundtrack are both good.