Psalm 21

A fairly good attempt of venturing into the genre of modern Asian horror, although, with a Scandinavian touch to it. In the story line, we follow when a young priest battles his personal stand point alongside with the modern theology, involving the issue that hell does not exist! However, he will soon experience the contrary when he visits the village where his father recently died.

The move contains some chilling scenes when normal people transforms into demon like characters. These special effects are regurgitated throughout the movie, which, in the end loses its supposed scariness.

Due to this, my drowsy eyes gains control and the only thing that is occupying my mind is the need of a good night rest. That night, I slept like a baby!

I can see perfectly well why certain people would reject this movie out of hand, since - in spite of their possible expectations - this is not a horror film, but a scathing indictment of fundamentalist religion and an examination of the destrucive impact that the sexual abuse of children will have on many lives.

If I had to criticise the film I would have to observe that the tone is somewhat over-emotional at times, in many of the characters, including the main lead, whose inner "demons" have produced a volcano of repressed feelings which are obvious throughout the movie.

The performances are strong, the writing is decent, the imagery and the direction are effective and the message is laudable.

Do the nay-sayers really believe that this is a bad movie, or do they regard it as simply striking too close to home.?

In the interests of balance, I have given this a rating of ten, but it actually deserves a seven.

I had to give this a higher rating than it deserves because so many have not managed to figure out what this film is and what its purpose seems to be.

This ain't a supernatural horror movie!

This is commentary on abuse, hypocrisy, elitism, and the blind respect of privileged authority figures by the masses, which is made possible by the creation and the manipulation of superstitious beliefs.

The imagery which is used to make these statements belong to the horror genre, but supernatural horror is not the point of the film.

The performances of the actors are very strong, although the director has coaxed out more histrionics from some of them than was probably wise, and the final denouncement in the church is definitely too on-the-nose to be subtle.

But the lessons here are important ones to take on board, for those who - incredibly - still haven't managed to learn them.

Saw this one yesterday at a filmfestival in Lund.

The script itself wasn't anything out of the ordinary (I won't spoil it, but you know the drill), you follow a person going to the middle of nowhere because something happened to someone close to him and during the story remembers frightening stuff.

The acting was the good part of the film, especially Jonas Malmsjö who was close to being over the top but never reached it, it was a good balance he held almost all the way through. The supporting actors where mostly good, though they didn't all the time have the best material to work with, but during the better parts they shined. Especially well did Per Ragnar (Låt den rätte komma in) who even though only had a minor roll got good material and also made the best out of it.

I need to see this movie a second time to reflect on my first thoughts but I think I will stand by my review without any alterations after a second viewing.

Judging by the low score and less than impressive discussions on IMDb, i went into Psalm 21 expecting a disaster, but in the end what i got was the complete opposite! Comparing this to the Scandinavian standard, this Swedish horror film doesn't really keep it company, but on its own ,its a generic horror film idea, mixed in with a soul searching look into the destruction that religion can bring. Brilliant cinematography, along with solid performances in the acting department, make Psalm 21 appear to be a well executed movie. Unfortunately, my biggest problem with the movie was the repetitive horror set pieces, which allows the audience time to desensitize themselves to what is happening, due to the frequency of scares. Having said that, thankfully Psalm 21 saves itself by the thought provoking material, underneath the generic surface!