The Last House on Cemetery Lane

From ever having ANY involvement in ANY film making, directing, writing, story boarding etc, etc. His films must have a budget of about 10p and I assume his 'band' of actors work for free because nobody in possession of their senses would EVER finance any of his films, but he never lists the budget but his Film Company DO write the storyline which doesn't give correct info. Also, as several reviews exceeded 5 I doubt these also.

... I give another Netflix new-released horror film any of my time left on this planet. They say nothing in life is guaranteed. Not true. Any new, unheard-of horror film on Netflix is bound to disappoint - just like this one.

The screenwriter John Davies (Lee Bane) leaves London and rents an isolated manor in the countryside for two months in a location where he used to visit when he was a child. The real estate agent Mrs. Connelly (Tessa Wood) shows the two-floor house but informs that in the attic lives another tenant, the reclusive Agnes (Vivien Bridson) that is blind. John decides to stay and in the afternoon he meets the beautiful neighbor Cassie Konrad (Georgina Blackledge) in the garden. John invites Cassie for a tea and soon they get close to each other. However, during the night, John is haunted by nightmares and supernatural events. One night, he decides to break in the attic and Agnes discloses the secrets of the manor.

"The Last House on Cemetery Lane" is a very low budget horror movie with a story of haunted house. The storyline has potential but the cinematography, camera and effects are very poor and the plot is confused. Who is haunting the house and consequently John is the most important unanswered question since Cassie has fallen in love with John. My vote is four.

Title (Brazil): Not Available

Should be labeled as a comedy because we spent the whole time laughing. Several minutes of bad music with ridiculous shots of main character.

Dumb, dumb, dumb. A limited budget is not an excuse for this junk. I'm angry that we even sat through the first few minutes, let alone the whole "movie". This "film" shouldn't ever have seen the light of day, let alone on a major streaming service.

Writer and director should be ashamed and needs to hide away into oblivion for this crap. Trust me, you would be more entertained by looking out into the dark sky or an American soap opera for more drama or entertainment.

This is a one of those Christian message films being deliberately mis- marketed as a horror movie. And everyone has been given the Christian message and knows it by the time our brains begin retaining memories. So let's BE HONEST about what kind of movie we're trying to shove down people's throats. Especially horror aficionados, who want to watch something evil! We know where the church is like everyone else, and we'll see you there on Sunday like everyone else. Where we should talk about the good works that could have been done with the money it took to produce and distribute a movie!

As for the watch, its surprise final act and clever after-twist with the Christian message (again) had no chance of overcoming either its filler drag or the fact that Christian "horror" movies are a bad idea, no matter how well they're done.