VALUTAZIONE IMDb
6,4/10
15.788
LA TUA VALUTAZIONE
Troppo imbarazzante per corteggiare lui stesso Roxanne, il paroliere Cyrano de Bergerac, aiuta il giovane Christian, a conquistare il cuore della ragazza attraverso lettere d'amore.Troppo imbarazzante per corteggiare lui stesso Roxanne, il paroliere Cyrano de Bergerac, aiuta il giovane Christian, a conquistare il cuore della ragazza attraverso lettere d'amore.Troppo imbarazzante per corteggiare lui stesso Roxanne, il paroliere Cyrano de Bergerac, aiuta il giovane Christian, a conquistare il cuore della ragazza attraverso lettere d'amore.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 9 vittorie e 47 candidature totali
Recensioni in evidenza
I'm a big fan of both Peter Dinklage and Ben Mendelssohn. Peter Dinklage simply cannot sing. Unfortunately, that fact plays prominently into a musical when the person who cannot sing is the lead. It took away my attention from pretty much anything else on the screen whenever he would sing. Haley Bennett as Roxanne was charming in the role and has a beautiful singing voice. Also, strangely, at a meandering 2 hours, the ending still felt rushed. I watched it on an industry streaming screener. Perhaps on the big screen it plays better.
Rostand's play is a durable one, even if it does seem implausible.... but in drawing the character of Cyrano de Bergerac, was accurate. De Bergerac was a French officer with an enormous nose, who wrote excellent poetry, dramas, and even a novel about a trip to the moon. I don't know how accurate the story of his duelling ten people in one night was, but no one ever called him a liar on it while he lived.
In casting Peter Dinklage as Cyrano -- without the nose -- director Joe Wright has expanded the character's touchy honor to all the physical slurs people undergo; that's not a bad idea. Dinklage is a problematic choice, given that someone his size would not have been enlisted in the French Army in this period. Once, however, you accept this, his expressive features reveal everything about the character. Haley Bennett as Roxanne is enchanting, and Kelvin Harrison Jr. As Christian is a kindly if slow-witted young fellow: a perfect tenor for Grand Opera.
I'm not fond of the music for the songs, which seem to be largely recitative, and only one song had first-class lyrics: "Where I Fall". Nonetheless, Wright and his cameraman, Seamus McGarvey, understand that the songs in a musical are about what's going on inside the performers' heads, and use a highly mobile camera to obliterate the space. In between those, they find a lot of beautiful scenes to shoot, looking like ancien regime paintings. It's not the best take I've seen; that would be the one with Gérard Depardieu. But this is a very good one too.
In casting Peter Dinklage as Cyrano -- without the nose -- director Joe Wright has expanded the character's touchy honor to all the physical slurs people undergo; that's not a bad idea. Dinklage is a problematic choice, given that someone his size would not have been enlisted in the French Army in this period. Once, however, you accept this, his expressive features reveal everything about the character. Haley Bennett as Roxanne is enchanting, and Kelvin Harrison Jr. As Christian is a kindly if slow-witted young fellow: a perfect tenor for Grand Opera.
I'm not fond of the music for the songs, which seem to be largely recitative, and only one song had first-class lyrics: "Where I Fall". Nonetheless, Wright and his cameraman, Seamus McGarvey, understand that the songs in a musical are about what's going on inside the performers' heads, and use a highly mobile camera to obliterate the space. In between those, they find a lot of beautiful scenes to shoot, looking like ancien regime paintings. It's not the best take I've seen; that would be the one with Gérard Depardieu. But this is a very good one too.
Peter Dinklage, awesome actor, as for singing....all I could compare it to, is Pierce Brosnan in Mama Mia.
I feel a bit of a fraud seeing this, as I'm not a fan of musicals, and I wasn't aware that this was a musical, until the first number. For me, the music was poor, and actually detracted from the film.
Visually, amazing, the sets and costumes were the best element, it looked phenomenal.
Acting, very good, it is Dinklage who impressed me the most.
If you're expecting something along the lines of Les miserables, I fear you may be a little disappointed.
I'm glad I went to see it, it's not a film I'd want to watch again. 6/10.
I feel a bit of a fraud seeing this, as I'm not a fan of musicals, and I wasn't aware that this was a musical, until the first number. For me, the music was poor, and actually detracted from the film.
Visually, amazing, the sets and costumes were the best element, it looked phenomenal.
Acting, very good, it is Dinklage who impressed me the most.
If you're expecting something along the lines of Les miserables, I fear you may be a little disappointed.
I'm glad I went to see it, it's not a film I'd want to watch again. 6/10.
Beautifully filmed period piece and retelling of the classic play with some changes. Dinkledge gives a heart-wrenching performance as Cyrano (obviously his stature is substituted for the big nose), supported by a mostly decent cast. Lots of reviews here bemoan the musical aspect of the film and I will agree I didn't expect it to be one. However, I thought the music and lyrics were fantastic, with such raw emotion pouring out (I dare anyone not to get a lump in their throat at the soldiers singing their farewell letters song). I give this film a 8/10 for its music, risk taking and emotional gravitas.
First of all, only cowards dislike this movie. On to the review:
So, Dinklage is not a strong singer. A couple of the people aren't. Mostly basic compositions. There's a historical context most people probably aren't aware of. Pretty damn good duels. Fantastic cinematography. And the basic Cyrano story without much aplomb.
It's actually really weird, for a musical. Which I didn't know it was going in. The thing that makes it work is that everyone gives a heartfelt performance, especially Donklage, who outshines in acting but isn't killing it in the voice department. They know it's simple. They knows it's awkward. There's a song about it being awkward.
But it just does work for me. Especially with 3 of the numbers that are completely fantastic and absolutely land. I imagine they were going for an idiosyncratic movie that reflects the character. They nailed it. Only cowards and snobs couldn't give it the props it deserves.
So, Dinklage is not a strong singer. A couple of the people aren't. Mostly basic compositions. There's a historical context most people probably aren't aware of. Pretty damn good duels. Fantastic cinematography. And the basic Cyrano story without much aplomb.
It's actually really weird, for a musical. Which I didn't know it was going in. The thing that makes it work is that everyone gives a heartfelt performance, especially Donklage, who outshines in acting but isn't killing it in the voice department. They know it's simple. They knows it's awkward. There's a song about it being awkward.
But it just does work for me. Especially with 3 of the numbers that are completely fantastic and absolutely land. I imagine they were going for an idiosyncratic movie that reflects the character. They nailed it. Only cowards and snobs couldn't give it the props it deserves.
Lo sapevi?
- QuizHaley Bennett and Peter Dinklage reprise their roles from the 2018 Connecticut-based Goodspeed Musicals production of Cyrano, which also had a limited run off-Broadway in New York in late 2019.
- BlooperRagueneau the baker says "Jupiter and Pluto are planets". Pluto was discovered and named in 1930, but the film is set in the 1600s.
- Curiosità sui creditiThe first two minutes or so of the ending credits appear atop close-up images of Cyrano/Christian and Roxanne's letters being written as if by an unseen hand leaving wet ink and tears, ending with "I love you now."
- ConnessioniFeatured in MsMojo: Top 10 Best Musical Movies of 2021 (2021)
- Colonne sonoreMarche Pour Les Trompettes H.547/1
Written by Marc-Antoine Charpentier
Performed by Hervé Niquet & Le Concert Spirituel
Courtesy of Glessa / Nete 1 Music GmbH
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Сірано
- Luoghi delle riprese
- Castello Maniace, Syracuse, Sicily, Italia(Cadets barracks)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 3.873.124 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.385.995 USD
- 27 feb 2022
- Lordo in tutto il mondo
- 6.397.112 USD
- Tempo di esecuzione
- 2h 3min(123 min)
- Mix di suoni
- Proporzioni
- 2.39 : 1
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