Dopo che un patteggiamento in tribunale consente all'assassino della sua famiglia di tornare in libertà, un uomo decide di farsi giustizia da solo, colpendo non soltanto il killer ma anche i... Leggi tuttoDopo che un patteggiamento in tribunale consente all'assassino della sua famiglia di tornare in libertà, un uomo decide di farsi giustizia da solo, colpendo non soltanto il killer ma anche il procuratore distrettuale e tutti coloro che sono coinvolti nell'accordo.Dopo che un patteggiamento in tribunale consente all'assassino della sua famiglia di tornare in libertà, un uomo decide di farsi giustizia da solo, colpendo non soltanto il killer ma anche il procuratore distrettuale e tutti coloro che sono coinvolti nell'accordo.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 5 candidature totali
- Denise Rice
- (as Emerald Angel Young)
- Rupert Ames
- (as Joshua Stewart)
Recensioni in evidenza
The problem is, with about 30 minutes to go, the movie wants us to stop cheering on Clyde (Gerry Butler) and suddenly start thinking of Nick (Jamie Foxx) as the hero. That's not going to work, the audience has just invested about 90 minutes of wanting Clyde to continue with his vengeance. Damn right too.
The plot should have continued to its logical conclusion. Clyde was trying to teach Nick a lesson, that the system was so broken that it could only be fixed by being destroyed first. Rather than the squeaky-Hollywood-ending-slop they served up, here's what should have happened...
In the solitary confinement cell at the end, Jamie Foxx's character Nick should have taken the cell-phone from Clyde then remote-detonated the bomb at city hall, blowing up the mayor, the brass, the whole rotten system, then gone off to watch his daughter's cello recital.
Now, that ending would have been really insane, but it would have taken the movie to its logical conclusion. Nick's conversion would have been complete. As an ending, it would be right up there with Jimmy Cagney at the end of White Heat, 'Made it Ma, top of the world!' Morally dubious, yes, but it would have given us a bona-fide classic. It would be rating 9.8 here on IMDb rather than this insipid seven-point-bleh.
Oh, and the movie loses a point for Gerard Butler not using his own voice. Gerry is a Scot and has a fine Glasgow accent, he should use it.
I am trying to avoid spoilers here, because it is a definite film you must check out because it is a great new take on the prison based thriller genre, which provides 90 odd minutes of great entertainment with lots of twists and turns to keep the story fresh.
My main criticism is that the story seems to twist and turn so much it gets itself into a nasty tangle. The base of any thriller for an audience, is to want the protagonist to prosper at the downfall of the antagonist, but at the end, i was unsure which of one of the two mains, Nick Rice (foxx) or Clyde Shelton (butler) i should be 'cheering' for.
Each Character has their fair amount of being the good guy, but both were more of the bad guy, a very confusing aspect to a thriller.
Never-the-less, there are some brilliant performances and a very entertaining fresh story kept me glued to the screen for the entirety of the movie.
****/5
The movie stands firmly in the long tradition of wish-fulfillment fantasies in which the victim of a broken legal system - functioning as a stand-in for an equally frustrated and helpless audience - finally says enough is enough and takes matters into his own hands, even going outside the limits of the law, if that's what it takes, to achieve justice.
As with the Charles Bronson character in "Death Wish," Gerard Butler's Clyde Shelton witnesses his wife and daughter being brutally raped and murdered by a couple of armed intruders. When the worst of the perpetrators cops a plea and is back out on the streets after a mere three years behind bars, Clyde is forced to take matters into his own hands. But he isn't content merely to bring down the killers themselves but to systematically go after everyone in the legal system – from strict-constructionist judges to hamstrung attorneys - who helped facilitate the injustice. That's where Nick Rice, well played by Jamie Foxx, comes in, the decent but by-the-book prosecutor who helped set up the deal and has now, along with everyone else involved with the case, become a prime target for Clyde's take-no-prisoners reign of terror and retribution.
The one thing that distinguishes "Law Abiding Citizen" from similar films in the genre is that it's not afraid to have a deeply troubled, possibly even psychotic, character at its core. For Clyde does not fit the mold of the typically lovable antihero. The audience is, in the early stages at least, asked to root him on as a conventional Angel of Retribution dispensing the justice that the court system saw fit to deny him, but so much of what he winds up doing steps so far over the line that we eventually balk at his tactics. It's this moral ambiguity that helps to mitigate some of the implausibility of Kurt Wimmer's screenplay, which often goes for effect at the expense of credibility. Indeed the movie's insistence at making him a sort of omnipotent, omnipresent existential force of nature to be reckoned with takes the movie out of the realm of reality and cheapens some of what it is trying to do. And, in the process of reaching its climax, the movie takes a plot turn so ludicrous and credibility-defying that the whole thing pretty much crashes and burns at the end.
That being said, Nick's interactions with Clyde are fun to watch and, thanks to taut direction by F. Gary Gray, there are some moments of genuine suspense scattered along the way. So if you can put your skepticism and critical-thinking skills on hold for the duration, you can have a pretty decent time with "Law Abiding Citizen."
Lo sapevi?
- QuizDirector F. Gary Gray decided to use Del Frisco's Double Eagle Steakhouse as the restaurant that caters Clyde's lunch after dining there several times during filming. The restaurant was also the location of the film's after-party following its screening at the Philadelphia Film Festival.
- BlooperThe instant the neurotoxin hit Darby's system he would have fallen down due to being paralyzed. He would not have been able to just stand there, motionless, as muscles are still used when standing still. He also would not be shaking while lying on the table, even when Clyde injected the adrenaline.
- Citazioni
Jonas Cantrell: Tell us what we're dealing with. Shelton was a spy?
Bray: Look, spies are a dime a dozen. I'm a spy. Clyde is a brain. He's a think tank-type guy. His specialty was low-impact kinetic operations.
Nick Rice: That's a hell of a fancy way to say that he kills people.
Bray: We kill people. He figured out how to do it without ever being in the same room. It was his gift, and he was the best. One time, we're tasking this tricky target. I mean, we're usin' cruise missiles and Predators, and we even had a B-2 Bomber flatten this guy's villa with JDAM. Alright, we're burnin' up millions in ordnance and we're gettin' nowhere with this guy. So we call Clyde, and we ask him to solve our problem. Clyde develops a Kevlar thread with a high-tech ratchet made of carbon fiber. Put it in a necktie. Two days later, Mrs. Bad Guy comes home, finds Mr. Bad Guy dead on the bathroom tile, choked to death. What I'm sayin' is, just assume that this guy can hear and see everything that you're doing.
Nick Rice: No. We got him locked away; maximum security.
Bray: He's in jail, it's because he wants to be in jail. He's a born tactician. Every move that he makes, it means something. That cellmate that he killed, what, you think that was random? No. That's a pawn being moved off the board. If I were you, I'd be lookin' for the next piece. Anybody who had anything to do with that case, he's gonna be comin' after you.
Nick Rice: So what are you sayin'? You sayin' we can't stop him?
Bray: Walk into his cell, and put a bullet in his head. Aside from that, no, you can't stop him. If Clyde wants you dead, you're dead.
- ConnessioniFeatured in The Jay Leno Show: Episodio #1.19 (2009)
- Colonne sonoreMr. Tambourine Man
Written by Bob Dylan
Performed by The Studio Sound Ensemble
Courtesy of Countdown Media GmbH
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
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- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Budget
- 50.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 73.357.727 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.039.502 USD
- 18 ott 2009
- Lordo in tutto il mondo
- 127.944.208 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1