The Italian Job

The original 1969 film offered something different. Set mostly in Turin-Italy the film is about a group of clumsy English villains who set out to grab a stash of gold bullion during transit. They find themselves up against it with both the Mafia and the Italian authorities. Much of the film is very typically British from the cast and their accents to the Austin Mini cars (red, white and blue with GB stickers on the back!).

This is one of the few films I can think of that doesn't have a happy ending but it does have the feel good factor and an excellent cliff hanger to boot. When viewed today it obviously lacks some of the refinements we have come to expect from the typical Hollywood blockbuster, some of the acting and camera shots are laughable. However 35 years on it still hold it's own and has many merits including...

Good music Lovely cars 60's Fashion Stunning backdrops Good stunts Original and plausible plot Memorable cliff hanger

A very British film with plenty of character 8/10

The new film is very different to the original movie. In fact most of the good features that the original had going for it were lost. In it's place is a blatant marketing exercise for the new BMW mini mixed in with some good but uninspiring action sequences. The new film starts in Italy but then moves to the U.S. which for me misses the point slightly. I found that the plot involving the traffic light control method used in the new film to be rather geeky and unbelievable at best (another feature that worked better in the old film).

Despite it's faults the film contains some nice action sequences and is watchable (although one viewing is more than enough).

If I hadn't already seen it all before, by itself this might be a great film. However I have and this isn't. 5/10

A few years ago I saw this remake of the sixties classic with the Mini Coopers for the first time and I remember liking it a lot. Now, about two years later it was shown on television and I just wanted to know whether I would still like it as much as when I saw it in the cinema. Well, the answer is yes.

The movie is about a team of robbers that will do one final job in Venice, Italy. The plan is flawless and the execution perfect. They escape and won't have to work for the rest of their lives. But there is one problem they didn't take into account: Someone within their own ranks doesn't like to split the loot, but wants to keep it all for himself, even when that means he will have to kill the rest of the crew. But all but one survive and they are out for revenge. One year later, in Los Angeles this time, the surviving team members create a smart and devious plan to steal back the gold and get their revenge on the traitor...

The story on itself is of course not very original, since this is a remake of the original 1969 movie, but it has plenty of goodies to offer to make you forget about that. This is a typical heist / action movie but it certainly is one of the better ones in its kind. The action is very nice, the landscapes and Venice are real eye-candy, the story is OK and the special effects are stunning. Even the acting is very good, something which you'll not often see in an action movie. I must admit that I really liked what I saw and I give this movie a well deserved 7.5/10.

If you are looking for a film that is quick witted and won't bore you then this is the place. It is fast paced and funny with some decent acting comeing from the characters. It is always hard for me to see Mark Walhberg as anything except Marky Mark. That image is burned in my mind forever. As an actor though he is pretty good. This movie is a must see for action fans who like to see a few little twists and turns. I will have to pick this movie up one day and buy it.

Greetings again from the darkness. Today's giant movie screens and earth rumbling sound systems make action films an exhilarating experience. Throw in a nice story and some eye candy and it is truly a blast. OK the story is just a reshaping of the original with Michael Caine, but the added humor - mostly supplied by Seth Green ("Austin Powers" and "Knockaround Guys") and the super cool guys - Jason Statham, Marky Mark and veteran Donald Sutherland add a punch to this one. Who am I kidding? The big difference here is the eye candy! The mini-Coopers and Charlize Theron add a touch of Bond. Whether the stunner is driving the fun cars or cracking a safe in her hotel room, she is captivating. The films weak link is the usually dependable Edward Norton who seems to be sleep walking through his role. Maybe he has reached the point where he feels he deserves more screen time. His role is important, but his lackluster performance doesn't ruin the film at all. Would have enjoyed seeing what a meatier performance could have added to the film, though. Anyway, enjoy the ride and the view!

My reaction to this remake of "The Italian Job" is probably hopelessly mixed up with the events occurring in my life when I saw it; This is the first movie I saw after I had just landed a job after 8 months of unemployment and going back to school for retraining. Money was still tight, but I no longer had to choose between seeing a movie in the theaters and paying bills (or eating lunch), and the sense of relief and gratitude I was feeling at the time was enormous. In consequence, my enjoyment of "Italian Job" was probably far out of proportion to its actual worth.

Still, I picked it up used on DVD a few weeks ago and watched it again, and I still enjoyed it immensely. I have never seen the original (though I have heard it is an absolute classic), but its modern day counterpart is eminently watchable if you have a taste for modern day production values applied to older films plots and themes.

What initially won me over to this movie was the soundtrack - IMO Don Davis writes some of the most supple, textured and aurally pleasing soundtracks around. IJ opens with a sly, witty, pulsing arrangement that combines strings, guitar harmonics, brush work and quiet moments - it won me over completely from the opening seconds. And the whole movie is like this - I haven't heard this kind of ringing, chiming, pulsing soundtrack music since Stewart Copeland left the Police and started doing soundtracks for movies like "Rumble Fish". There are at least a dozen irresistibly scored motifs in here, along with some pop song remakes that range from "all right" to "inspired". For people to whom the soundtrack is important, this movie is a delight.

On to the movie: I can take or leave Mark Wahlberg, but he's okay here as the leading man, and the movie doesn't ask him to do anything he can't do well. He's the weakest "major" actor in the film, but that's because the rest of supporting cast is so strong, especially Donald Sutherland in a bit part. Mos Def, Jason Steadham, Ed Norton, Seth Green and Charlize Theron all turn in solid, fat-free performances. Norton seems to mostly be phoning it in (rumor has it that he didn't really want to be in the film), but he's still a natural even at 1/2 power. My one quibble with the casting and acting is with the character "Wrench", who seems to be a male model pretending to be an actor. His part seems to be shoehorned into the movie, and he has little chemistry with the rest of the cast (although you can blame some of that on the size of the part and the "late walk on" nature of the character). If I were a cynical sort,I would wonder who the actor slept with to get put into this movie in such a supernumerary role? Nah, never happen...

Production values, camera work, stunts, plot...everything cooks along quite nicely and Gray and his production crew pull things together pretty seamlessly (with the exception of the "Wrench" character, see above).

The dialog has a nice, light touch that rewards your indulgence, and there are several satisfying major and minor plot payoffs along the way. (My favorite moment - when Norton's character tells Wahlberg's character that he's just lost the element of surprise. Wahlberg proceeds to cold cock Norton with a right cross, and then asks him, "Were you surprised??" Hmmm, maybe you had to be there...)

Of course the movie requires a certain level of "suspension of disbelief" to work, but if you just relax and go along with it (and don't think too hard about the mechanics of cracking a safe underwater, or the likelihood of anyone being able to successfully hack and manipulate LA traffic via a laptop, etc), you'll have a fun ride.

"The Italian Job": it's lightweight summer fluff, but it's very good for what it is, and it doesn't try to be anything else. It isn't good enough for an "8" but I'd give it a "7.5".