VALUTAZIONE IMDb
5,5/10
11.077
LA TUA VALUTAZIONE
Nel 2045 gli umani hanno delegato quasi ogni attività all'IA, anche a casa della nostalgica Alice. Quando i robot si ribellano, i suoi androidi cercano di proteggerla.Nel 2045 gli umani hanno delegato quasi ogni attività all'IA, anche a casa della nostalgica Alice. Quando i robot si ribellano, i suoi androidi cercano di proteggerla.Nel 2045 gli umani hanno delegato quasi ogni attività all'IA, anche a casa della nostalgica Alice. Quando i robot si ribellano, i suoi androidi cercano di proteggerla.
- Regia
- Sceneggiatura
- Star
Hélie Thonnat
- Léo
- (as Helie Thonnat)
André Dussollier
- Einstein
- (voce)
Benoît Allemane
- Nestor
- (voce)
Corinne Martin
- Tom
- (voce)
Recensioni in evidenza
Very French and very funny film that even manages to give beautiful reflections on life and humanity with an ironic and negativist look at the technology of the future. The plot is very nice and the film is very good even if shot in one place, all the characters are characterized very well and the robots are also very well done.
I was very hopeful when this movie started but as it got further along it never really took off. There doesn't ever seem to be a real point to this movie. The goal of getting out of the house is limited and does not occupy the movie enough. The movie seems to be all over the place with no real direction. There is all the flirting with no conclusion and it does not keep attention for the movie to be worth watching. The robots "taking over" is also a weak theme in the show and not captivating enough to make the movie worth while.
The pacing was a little off at parts, many the film was a little too long, but overall it was very enjoyable. It was pretty unexpected and weird for a dystopian future, but it had a lot of nice touches.
I loved the fact their was AI that wanted to help the humans in the situation. The humour was pretty cool too, and it certainly was an interesting watch.
The ending was pretty great too!
I loved the fact their was AI that wanted to help the humans in the situation. The humour was pretty cool too, and it certainly was an interesting watch.
The ending was pretty great too!
I watched this film because I loved Amélie". It is NOT Amélie, but just as delightful in many different ways on its own.
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
The colors and CGI are what pulled me in and wouldn't let me stop watching if I wanted to. The inventiveness of this futuristic space is fascinating - and one I kinda like!
The AIs he created are very much their own characters and they play a big part in this film about .......... AIs.
It is whimsical, funny, silly. And you're invited along for the ride!! Hope you enjoy it as much, if not more than I did!
While "BigBug" could work great as an opera, musical or theater play, Netflix put this dystopian view of an AI controlled future right into their streaming service. It is about a family and their peers trapped in a suburban home. Most of the story takes place in the living room reminding me of old sitcoms. Sure it must be more fun to watch it in the original French language, since the tone of voices and the grimaces of the actors work best this way.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
The visual presentation is great, considering the small budget of roughly 13.000.000 EUR. What amazes me is that the faces of the robots are constantly manipulated through facial AI or some sort of enhanced sfx. The music is held mostly classical with orchestral instruments. Fans of G. Rossini will certainly be pleased.
However the story could have been more entertaining. The characters are well enough drawn, but the repetition of events like the misshapen new romance always goes back to square one and this stretches the movie for too long. Anyway if you are in the age of the cast you might have a good laugh with this dystopian comedy.
Lo sapevi?
- QuizContains a number of Blade Runner references including an android picking a boiled egg out of boiling water and androids having a date of their planned obsolescence.
- ConnessioniReferenced in Film Junk Podcast: Episode 835: Kimi + SexWorld (2022)
- Colonne sonoreTheme From a Summer Place
Performed by Percy Faith
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Dettagli
Botteghino
- Budget
- 13.000.000 € (previsto)
- Tempo di esecuzione1 ora 51 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.00 : 1
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