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Una lunga domenica di passioni

Titolo originale: Un long dimanche de fiançailles
  • 2004
  • T
  • 2h 13min
VALUTAZIONE IMDb
7,6/10
77.150
LA TUA VALUTAZIONE
Audrey Tautou and Gaspard Ulliel in Una lunga domenica di passioni (2004)
Home Video Trailer from Warner Home Video
Riproduci trailer2:10
1 video
99+ foto
DrammaDrammi storiciEpica di guerraEpica romanticaGuerraMisteroRomanticismo

Una giovane tenta disperatamente di trovare il fidanzato scomparso nella regione della Somme durante la prima guerra mondiale.Una giovane tenta disperatamente di trovare il fidanzato scomparso nella regione della Somme durante la prima guerra mondiale.Una giovane tenta disperatamente di trovare il fidanzato scomparso nella regione della Somme durante la prima guerra mondiale.

  • Regia
    • Jean-Pierre Jeunet
  • Sceneggiatura
    • Sébastien Japrisot
    • Jean-Pierre Jeunet
    • Guillaume Laurant
  • Star
    • Audrey Tautou
    • Gaspard Ulliel
    • Jodie Foster
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,6/10
    77.150
    LA TUA VALUTAZIONE
    • Regia
      • Jean-Pierre Jeunet
    • Sceneggiatura
      • Sébastien Japrisot
      • Jean-Pierre Jeunet
      • Guillaume Laurant
    • Star
      • Audrey Tautou
      • Gaspard Ulliel
      • Jodie Foster
    • 261Recensioni degli utenti
    • 164Recensioni della critica
    • 76Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 17 vittorie e 35 candidature totali

    Video1

    A Very Long Engagement
    Trailer 2:10
    A Very Long Engagement

    Foto159

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    + 154
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    Interpreti principali80

    Modifica
    Audrey Tautou
    Audrey Tautou
    • Mathilde
    Gaspard Ulliel
    Gaspard Ulliel
    • Manech
    Jodie Foster
    Jodie Foster
    • Elodie Gordes
    Dominique Pinon
    Dominique Pinon
    • Sylvain
    Chantal Neuwirth
    Chantal Neuwirth
    • Bénédicte
    André Dussollier
    André Dussollier
    • Pierre-Marie Rouvières
    Ticky Holgado
    Ticky Holgado
    • Germain Pire
    Marion Cotillard
    Marion Cotillard
    • Tina Lombardi
    Dominique Bettenfeld
    Dominique Bettenfeld
    • Ange Bassignano
    Jean-Pierre Darroussin
    Jean-Pierre Darroussin
    • Benjamin Gordes
    • (as Jean Pierre Darroussin)
    Clovis Cornillac
    Clovis Cornillac
    • Benoît Notre-Dame
    Jean-Pierre Becker
    Jean-Pierre Becker
    • Esperanza
    • (as Jean Pierre Becker)
    Denis Lavant
    Denis Lavant
    • Six-Soux
    Jérôme Kircher
    Jérôme Kircher
    • Bastoche
    Albert Dupontel
    Albert Dupontel
    • Célestin Poux
    Jean-Paul Rouve
    Jean-Paul Rouve
    • Le facteur
    • (as Jean Paul Rouve)
    Elina Löwensohn
    Elina Löwensohn
    • La femme allemande
    • (as Elina Lowensohn)
    Julie Depardieu
    Julie Depardieu
    • Véronique Passavant
    • Regia
      • Jean-Pierre Jeunet
    • Sceneggiatura
      • Sébastien Japrisot
      • Jean-Pierre Jeunet
      • Guillaume Laurant
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti261

    7,677.1K
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    Recensioni in evidenza

    8sam_perera

    Best movie this year

    I had the pleasure of seeing this movie on a special preview last night and I was enthralled at its story line and cinematic experience. I wasn't a great fan of Amelie and hence was not expecting any particular out-of-body experience in viewing this. But I was wrong. It is a wonderful piece of story telling – somewhat difficult to follow if you do have a short memory span for character names – and flashbacks. Yet at the end, it seamlessly closes the web in a beautifully written script that has been well acted and filmed. It is particularly gory in the WWI battle scenes but probably accurate in depiction whilst the locations where the film was shot seem out of this world (hoped they were not computer generated). Quaint towns, fields, beaches and houses lend a beautiful touch to the story of a love that will not die whilst Audrey Tautou delivers a spellbinding performance in a child-like heroine with a will of steel. A special mention must be given to Bruno Delbonnel's camera work which simply is amazing. Can't wait for the DVD.
    CalRhys

    A Harrowing And Emotional War Drama

    A powerful and emotional war drama from French auteur Jean-Pierre Jeunet. Audrey Tautou leads us through an engaging and well-crafted story which sweeps us into the world of its characters, whom are established and well developed as the story progresses. The film itself is visually arresting with stunning cinematography. It was actually Bruno Delbonnel's visuals that acted as one of the man aspects that allured my interest in the film, it's a visual powerhouse blending the gritty conventions of war with scenes of a more romantic and dramatic style. A harrowing and emotional account of World War I from the perspective of French soldiers and civilians.
    8seaview1

    A Very Long Engagement is well worth the trip

    Lovely Audrey Tautou and director Jean-Pierre Jeunet reteam (having previously made the delightful comedy Amelie) in the epic war drama, A Very Long Engagement, based on the novel by Sebastien Japrisot. It is a visual powerhouse of a film that defies conventional genres by melding together different themes and injecting a generous dose of period authenticity. This French language film is an emotional odyssey that keeps you guessing while it never loses sight of its humanity and even humor.

    Childhood friends and then lovers, Mathilde (Tatout) and Manech (Gaspard Ulliel) are separated when duty calls in World War One France. War is hell and the trench fighting that will claim countless lives begins to take its toll on men's sanity and tolerance. Manech becomes one of five soldiers arrested for cowardice because each has a self inflicted hand wound to evade the deadly fighting. But instead of execution by firing squad, the condemned men are forced into no man's land to be fodder for the German line.

    It is almost certain that all the prisoners died that day, but years later, in 1920, Mathilde continues in her quest to find the truth and her lover. Aided by her aunt and uncle, she enlists the help of an investigative agency and lawyer to track down the people who knew Manech. Slowly the list grows and one clue connects with another as more witnesses emerge. What starts out as a somber war romance develops into a fascinating adventure of love and mystery of fate as Mathilde follows the trail. Sure, she does get frustrated as a couple of clues are dead ends, but when a connection is established, the story leaps forward. At times the help comes from an unexpected source and at other times, sheer coincidence saves the day. There is even a subplot involving treachery and betrayal. Before long, the audience will become caught up in her journey. Is Manech alive and will Mathilde ever find him? The film's structure weaves back and forth through flashbacks with great ease and clarity. An occasional voice over narration ties up the loose ends. As the plot begins to make more sense, key scenes are retold from different viewpoints in the Rashomon style of storytelling. The battle scenes, quite grim and realistic (Saving Private Ryan type of action), are light years ahead of Paths of Glory's anthill scenes, although the opening march through the trenches is almost identical to Kubrick's 1957 classic. There is even a hint of the older favorite, Random Harvest, which also dealt with a wartime romance and search.

    A Very Long Engagement is blessed with a strong ensemble cast although it may require a score card to keep track of all the names. Andrey Tautou is quite good as the anxious searcher. Her beauty never detracts from her acting talent. Gaspard Ulliel reminds one of a young Ethan Hawke in his innocence amid difficult circumstances. As the wife of a key character, Jodie Foster is effective as she corresponds with Mathilde. Yes, Jodie does the French thing well, but her appearance is a bit jarring. Dominique Pinon, a favorite of Jeunet's (Alien: Resurrection, Amelie), lends good support as the uncle. Even the smaller roles are well rounded and memorable, a testament to good casting, strong writing, and Jeunet's direction.

    This big budget film is lengthy, but it does have the sweep of a big time novel. The production is outstanding in the authentic costumes and historic set designs of 1920. Jeunet employs cinematography and computer graphics effectively to recreate the era magnificently. He has always been a marvelous director of eye candy, and the film is wonderful to look at. Angelo Badalamenti who has spent a lot of time scoring the moody thrillers for David Lynch is allowed to flourish here with a lushly romantic, emotional soundtrack.

    Doubtless this is very likely the ultimate French tearjerker, a kind of Gone with the Wind meets Cold Mountain type of film. It serves as a commentary on war, a romantic fable, a revenge tale, and an intricate mystery. It is a film that defies pigeonholing and that's part of the fun. It also has well defined characters and nice touches of detail and exposition. In short, it is one powerful movie to close out 2004.

    ***1/2 stars out of ****
    DigitalKarma911

    Pleasant, visually satisfying.

    Dazzling, never before have I seen such a visually pleasing picture. Jeunet has mastered the film medium giving 'A Very Long Engagement' a unique and fairy tale like visual style. Though rushed, the fantasy romance that Jeunet paints through flashbacks is inspiring. The graphic World War I trenches, provide an excellent contrast to the simple but charming mystery that Mathilde embarks on through the film.

    Although Jeunet relies heavily on Audrey Tautou's performance, it is ultimately his one of a kind visual style that emotionally ties the viewer. This said, the latter portion of 'Long Engagement' feels very rushed and isn't treated to the same elegance that so well defines the first half. There are moments in the film where the visuals far overshadow the emotional intensity intended for the scene. This is perhaps 'Long Engagements' only fault, as it becomes unbalanced. The stylized and even cartoonish artistic direction that Jeunet leans to, although brilliant seems I'll fit for this wartime drama. Even so, 'A Very Long Engagement' comes off genuine and it's mix of fantasy romance and war will let you leave the theater fulfilled.
    10gort-8

    Jaw Droppingly Wonderful

    This is one of those times that a rating system breaks down. I gave this film a "10" only because there were no "20's" available.

    This film, in its own way, seems to be able to fire on those same diverse cylinders that William Shakespeare so often did. It's a light and airy comedy. It's the bitterest of tragedies. It's a beautiful romance. It's an unfolding mystery. At it's heart it is a film of war. War, in all its boiling chaos, touches on all those experiences and more.

    When I left the theater I was both elated and depressed. My elation came from having just had such a pure cinematic experience. My depression came from glancing at the marquee and reminding myself that I'll have to survive on the sort of cinema half-life provided by the pablum that normally makes it to the screen. Every now and again it's great to be reminded just how good a movie can be.

    Trama

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    Lo sapevi?

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    • Quiz
      When casting Jodie Foster, Jean-Pierre Jeunet met her in Paris at the café which was used to shoot the scenes in Il favoloso mondo di Amélie (2001) which is near where he lives. Some tourists were at the café, knowing it was featured in the film, asked Jeunet and Foster to move out of the way (not recognizing them) so that they could take a photograph of the café.
    • Blooper
      In the film there is an important storyline about an albatross. However, throughout the film in all footage depicting the albatross a gannet is shown. Though a gannet is also a large seabird, it looks nothing like an albatross.
    • Citazioni

      Ange Bassignano: [writes] "Revenge is pointless. Try to be happy and don't ruin your life for me."

    • Connessioni
      Edited from Il popolo migratore (2001)
    • Colonne sonore
      Ça ne Vaut pas l'Amour
      Music by François Perpignan

      Lyrics by Alexandre Trébitsch

      Performed by Esther Lekain

    I più visti

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    Domande frequenti20

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    Dettagli

    Modifica
    • Data di uscita
      • 11 febbraio 2005 (Italia)
    • Paesi di origine
      • Francia
      • Stati Uniti
    • Lingue
      • Francese
      • Tedesco
      • Corso
    • Celebre anche come
      • A Very Long Engagement
    • Luoghi delle riprese
      • Héaux de Bréhat, Côtes-d'Armor, Francia(lighthouse exteriors)
    • Aziende produttrici
      • 2003 Productions
      • Warner Bros.
      • Tapioca Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 56.600.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 6.524.389 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 101.749 USD
      • 28 nov 2004
    • Lordo in tutto il mondo
      • 69.424.389 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 13min(133 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 2.35 : 1

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