Survival of the Dead - L'isola dei sopravvissuti

As an avid watcher of zombie movies, particularly George A. Romero's Of The Dead movies, I was optimistic for this latest instalment. Survival of the Dead is Romero's sixth Of The Dead movie, but after 2007's disappointing Diary of the Dead it's beginning to show that he's running out of ideas.

Survival of the Dead does try to put an original spin on things though, with a group of people attempting to get the zombies to feast upon something other than human flesh. It's an interesting idea, too bad it isn't played out as well as it could be. The acting isn't as bad as in Diary of the Dead, despite its relatively low budget feel and slow story progression, it manages to outdo Diary of the Dead in literally every way.

Another major flaw: it's not scary at all. Romero's previous Of The Dead instalments (we'll forget Diary) have all been, at least, a little scary. This, sadly, is where Survival fails. There isn't anything even remotely scary here, and the jumps are far in between and very, very few. Romero leaves the scare factor box well and truly unchecked.

As you may have gathered, it's not terribly amazing stuff, but the cast all play likable characters and there's enough gore in here to satisfy. Nothing on Dawn of the Dead but miles better than Diary of the Dead.

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But George Romero should just stop. No, not stop altogether. But stop making "...Of The Dead" movies. It's become so generic that even the name of the studio is "Blank Of The Dead Productions". People seem to forget that Romero ever did anything besides zombie flicks. He did...and he did them damn well. Just look at the original version of the recently remade The Crazies. When "Land..." came out, I thought it was a rare miss. Then came "Diary..." and I thought it was weak, but I was still hopeful. Now with "Survival..." I'm about ready to give up.

The story is pretty standard zombie stuff...a group of living folks just looking for a place to be zombie free. Fair enough. The problem is that it's just that...standard. Romero's earlier work, even when lacking in gore, was great because it was full of some subtle but still heavy social commentary. The only thing going on here is a second half plot line that turns into an Irish version of a Hatfield vs. McCoy situation. Sure, there's a lame last minute attempt to teach us a lesson that revenge doesn't get you anywhere, but it's too little too late. The film is certainly better than a lot of zombie films we've been treated to as of late, but that's sure not saying much.

Truth be told I was really excited to see another Romero flick (and not Cameron Romero). Now I'm just kind of wishing the elder Romero would leave well enough alone and move onto something besides beating this dead horse.

A military group that has turned into bandits during the zombie infestation decides to follow an online infomercial and tries to make it to the peaceful island it promises. At the harbor they realize they have been ambushed by the guy pitching the island. He robs the potential clients and dumps them on the island, which is nothing but zombie-free.

Earlier in the movie we meet this guy O'Flynn, a fisherman on the island. He's runs one of the two Irish clans on the island. His nemesis is Seamus. When zombies infest the island, O'Flynn opts to eliminate them all while Seamus wants to keep them "alive" and chained. They kick O'Flynn of the island leaving his daughter behind.

Now the military guys make it to the island followed by O'Flynn who sees this as an opportunity to avenge himself from Seamus. They find that Seamus is trying to domesticate the zombies, enchained and treated like cattle or horses. His special project is trying to teach zombies to eat animal meat and not human. So far he has been unsuccessful.

Eventually we have the confrontation between the two clans plus the zombies in a bloody and brutal outcome.

As all Romero movies, this one is smart, sometimes funny and with plenty of zombie violence. Even what should be a lame scene, Romero manages to make it interesting. He's particularly good as showing human interaction. And of course there is the usual criticism of human inhumanity in how they treat the zombies. The last minutes are particularly entertaining for those who are into gore. The only problem I have with this movie is that the final zombie mayhem is presented as a comedy. It's unnecessary and doesn't suit the violent tone of the content. Otherwise this is classic Romero in a quickly paced and gory zombie movie.

I've always complained about so called "Zombie movies" that are actually just movies from any other genre with zombies. That's what this movie is: A shooter with zombies. Romero defined the Zombie genre, and he's now out of it. This was officially not a zombie movie.

There's been many attempts before. When-bugs-attack + zombies, teen flick + zombies, prom-night + zombies, etc,etc. Out of all those weird cross-gender movies, this is one of the best I've ever seen. It'll still get many negative reviews for a simple reason: People is judging it as a Romero movie, and at that, it sucks. And it's fair that people do that. They go to the movies expecting a Romero movie, and they get this. I would've been disappointed too if I'd expected that. I watched this sort of expecting a crappy movie, and I got a better-than-expected non-zombie flick. Not a bad deal.

The plot is certainly shallow, but the characters are still interesting, even if a little bit more empty than the usual lead roles from good old George A.

The deal is, there's nothing more to look for in Romero's movies. The social commentary is still there, except this time it doesn't really make sense. At a point, it looked like it was heading towards an anti- religious view of things (euthanasia), which looked interesting, but it dissipated into an old cheap western ending.

My theory:

George died at the end of the shooting of Land of the Dead, and both Diary and Survival where delivered but the Zombie of George Romero. Not bad (for a zombie).

25 years ago, I sat open-mouthed in awe of the intense visceral horror experience that was George Romero's Day of the Dead; today, I sat jaw agape once more at the director's latest zombie flick, Survival of the Dead, although for a very different reason: utter disbelief!

How could George Romero, the creator of the modern movie zombie, get everything so totally wrong?

With Survival, it looks like the director has finally taken on board the criticism aimed at his last two films and ditched the heavy-handed social commentary (the messages are still there, but are far less 'in-your-face'); unfortunately, somewhere during the creative process, he's also unwisely opted to up the level of comedy, meaning that much of this film plays the global zombie threat for laughs.

Remember how Romero used the slapstick custard pie scene in Dawn of the Dead to momentarily relieve the tension? Well in this one, it's all 'custard pie' and absolutely no tension. During the course of the film, we get to witness several cringe-worthy comedy zombie slayings, a hilarious bitter feud between two stereotypical Irish clans, a zombie woman on horseback, a car ferry strangely moored in six feet of water, zombie fishing, plus loads of other nonsense that beggars belief. Not once, however, do we get a sense of dread. The closest Romero ever comes to delivering the goods is with a couple of cheap jump scares that are accompanied by loud noises and some admittedly splattery gore (that relies a little too heavily on CGI for my liking).

Had Survival of the Dead been made by anyone other than Romero, then I may have rated it as high as 5/10: it's never boring, I suppose. But coming from the guy who practically invented the genre, the film can only be seen as a massive disappointment—easily the worst of his 'Dead' films to date—and therefore fully deserves my lower score of 3/10.