La notte dei morti viventi

This is "the" film that changed the way zombie films were created - more horrifying than ever before. Almost all zombie films that came after this one were patterned after this movie. "Night of the Living Dead" is the most iconic zombie film ever made.

The movie is outstanding for it's genre and film type. I feel the black & white really enhanced this flick - it gave it an eerier effect than a colour film ever could. The B&W gave the zombies an almost ghostly and most definitely a ghastly appearance. I think if this movie would have been in colour then it would not have the strong appeal and overall creepiness to it that the B&W gave.

This is a wonderful late at night film that I would highly recommend to fans of the horror genre. If you have not seen this film yet then you should find a copy to rent, buy or borrow because you will not be disappointed.

8.5/10

A film that has influenced so much, there's nothing new to be said about it that can be meaningfully added here. Coming so late to it, it's clear how it has cast its shadow over so much I've seen before this. I was deeply struck - in the context of 2019's political situation - how radical it must have been to have had a black character take positive control of the situation, to become the most level-headed and able person in the crisis. Let down by some poor supporting performances; but essential and classic nonetheless.

A wave of mass murder sweeps across America as the recently dead return to life to kill and feast on their victims. A group of people board themselves up in an abandoned house to try and hold out against a small army of the undead. This is the classic low-budget horror film that is the model for recent hits such as the Evil Dead and The Blair Witch Project. George Romero stages a national disaster but reduces it to a single house for greater effect. The story focuses on the weaknesses of each of the characters in the house - their cowardice, their greedy, their stupidity etc. This makes the drama inside the house almost as palatable as the danger from outside and makes the characters more believable and important.

The undead are not huge works of special effects, nor are they anything other than lumbering beasts. But the threat they pose is well demonstrated - the film makes them feel unstoppable and relentless and makes their lingering presence more menacing and less comical than it could have been. The use of an unknown cast also makes it more realistic as none of them have any baggage. Duane Jones is the standout actor as Ben - who is not without flaws himself.

The downbeat, realistic atmosphere to the film gives it a greater sense of tension and continues right through to the very depressing conclusion. An excellent flagship for low budget horrors.

A car drives up a road, towards a graveyard. Cut to the graveyard, a woman and her brother have brought flowers to their mother's grave. Soon the brother starts taunting his sister, saying: "They're coming to get you, Barbara". Barbara laughs it off and after her brother runs away, she heads to the seemingly innocent man visiting a family member's grave to apologize, and out of nowhere he grabs her. Her brother attempts to fight him off but ends up being killed in the process and Barbara escapes to a farmhouse nearby.

That's how this incredible, highly influential masterclass in horror film making begins. What is still so fascinating about this film is that it retains its ability to genuinely, truly scare the crap out of you. It's not just a 'jump moment' film, George A. Romero sets the mood perfectly with a sublime script and truly effective use of music. As far as modern low budget horror films go, this is nearly the best of them, surpassed only by Sam Raimi's masterpiece "The Evil Dead".

"Night of the Living Dead" isn't scary because of the zombies (although the flesh eating sequences are still among the greatest and most horrifying horror scenes ever made). The film is still effective because it all has a feeling of impending doom. It seems hopeless, disturbing, terrifying because of the claustrophobic mood it sets. It's not the zombies that scare us, it's the idea of being trapped in a small area with nowhere to go and death itself standing right outside your door. What a brilliant film!

8/10

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.