Nel 1961, Kempton Bunton, un tassista di 60 anni, ruba il ritratto di Goya del Duca di Wellington dalla National Gallery di Londra.Nel 1961, Kempton Bunton, un tassista di 60 anni, ruba il ritratto di Goya del Duca di Wellington dalla National Gallery di Londra.Nel 1961, Kempton Bunton, un tassista di 60 anni, ruba il ritratto di Goya del Duca di Wellington dalla National Gallery di Londra.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
Recensioni in evidenza
The Duke: A true crime film. Jim Broadbent plays 60 year old Kempton Bunton who in 1961 stole Goya's Duke of Wellington from the National Gallery, Helen Mirren is his wife, Dorothy. Mirren has to put with a lot, Bunton finds it hard to keep a job, is an aspiring playwright and campaigns for free tv licenses for OAPs and war veterans. His high jinks gets him into constant trouble with the authorities. Some great comical scenes but the best are the courtroom antics. An enjoyable comedy drama with impressive performances by Broadbent and Mirren alongside a strong supporting cast. A few interesting plot twists. Directed by Roger Michell from a screenplay by Richard Bean and Clive Coleman. 8/10.
This movie put a smile on my face. It was nice to watch something so uplifting and entertaining. Great cast and good characters. I gave it an 8 because the court scenes were so great, the rest of the film is probably a 6.5/7.
I really wasn't expecting to enjoy 'The Duke' as much as I did, but found myself enthralled and charmed by the lighthearted screenplay that also carries a heartwarming message.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
The performances from Jim Broadbent and Helen Mirren (occasionally dodgy accents aside) are great. Broadbent in particular shines in his role as the lovable rogue Kempton Bunton.
The story is very enjoyable. Lots of effective comedy, some strong messages around social justice that feel very pertinent today, and a central conceit that you won't believe is based on real events!
At only 90 minutes long, the film has a great pace to it, keeping things moving and not getting bogged down in any unnecessary detail. There's nothing particularly flashy in the film making, but it is all very effective.
A brilliant British film and much better than I would have thought.
I must admit I went into this film not expecting much but I was pleasantly surprised at how much fun it was. I'm sure many non-UK viewers will probably only recognize Helen Mirren's name out of the cast but to me Jim Broadbent, a superb actor who mysteriously never really became an international star, (despite having won an Oscar) totally steals it with a charming excellent central performance and a twinkle in his eye.
The whole cast to be fair are excellent all round and the script has lots of witty humour, some of which is particularly British and may be lost on foreign audiences (such as the joke he tells in court which plays on the Newcastle/Sunderland rivalry). Both Broadbent and Mirren pull off very credible North East accents and the films relatively low budget gives the film an 'intimate' feel that, as another reviewer pointed out, makes this film feel a little like an Ealing black comedy.
The film does have some occasional fruity language and a sex scene so it may not be entirely suitable for children or prudish viewers but if that doesn't bother you and you like the kind of big hearted, low key British crime capers with a twist in the tale from yesteryear such as 'The Lavender Hill Mob' or 'Kind Hearts and Coronets' then you may well enjoy this tale.
The whole cast to be fair are excellent all round and the script has lots of witty humour, some of which is particularly British and may be lost on foreign audiences (such as the joke he tells in court which plays on the Newcastle/Sunderland rivalry). Both Broadbent and Mirren pull off very credible North East accents and the films relatively low budget gives the film an 'intimate' feel that, as another reviewer pointed out, makes this film feel a little like an Ealing black comedy.
The film does have some occasional fruity language and a sex scene so it may not be entirely suitable for children or prudish viewers but if that doesn't bother you and you like the kind of big hearted, low key British crime capers with a twist in the tale from yesteryear such as 'The Lavender Hill Mob' or 'Kind Hearts and Coronets' then you may well enjoy this tale.
A good story which is told well and has some great acting performances. It wasn't as funny as I was expecting with a fair bit of focus on a tragedy and everyday life, but it was still pretty humorous and enjoyable throughout. The setting and style felt authentic and the seamless use of stock footage complemented this.
Lo sapevi?
- QuizEON productions, who are the producers of the official James Bond film series are notoriously protective of their property and rarely give permission for clips to be used in other studio's movies for fear of the clips being misused or lampooned. In this case Dame Helen Mirren and director Roger Michell personally asked the Bond producers Barbara Broccoli and Michael G. Wilson for permission to use the Scene from Agente 007 - Licenza di uccidere (1962) and promised the scene would be used in context and not adulterated in any way. A small fee was paid (which was donated to charity) and Broccoli and Wilson were allowed to view the finished film with the promise of that if they didn't like how the scene was used then it would be removed before release. Fortunately, they had no complaints.
- BlooperWhen visiting Kempton in his remand cell to discuss his ongoing court case, his QC leans on the "brick" cell wall, which clearly bends and rebounds, seemingly made of a rubberised material cast to resemble old painted brickwork.
- Citazioni
Kempton Bunton: I'd just finished reading Joseph Conrad's Heart Of Darkness and I felt a need to explore Sunderland.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 1.526.970 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.776 USD
- 24 apr 2022
- Lordo in tutto il mondo
- 14.233.027 USD
- Tempo di esecuzione1 ora 35 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Il ritratto del duca (2020) officially released in India in English?
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