Nanjing! Nanjing!

I'm an overseas Chinese, growing up listening to my grandfather telling the stories about how bad the Japanese Military treating the Chinese people in WWII.

I saw some of the movies made back in the 80's/90's about the rape of Nanking, to me they are exploitation movies and never affected me or leave me with profound experience. I'm actually disgusted with them making such low movies. Also most of the documentaries I watched never really does anything.

I watched Nanjing! Nanjing! - City of Life and Death tonight and it really drained me emotionally, the movie really depicting the real face/real ugly side of war, where the victims are always the people, doesn't matter what wars or which countries.

The movie itself doesn't really do the finger pointing like other movies, but it just showing, in my opinion, the fair view on what was going on back then without taking sides.

And it's show one thing, the most profound thing to me, that The Chinese people can endure a lot of hardship that life throw at them and that's possibly why their cultures and civilization last for a long time.

Highly recommended for people who never really know this part of history, as Chinese I know about it, but for lot of my westerners friends who never been to China, they only heard about it but didn't realize how crazy it was and how significant is this event for the Chinese people. Most people know the atrocities the Nazis did in WWII, but not the Japanese Atrocities.

Watched it and let's pray there won't be WW III or any wars at all actually.

A very fine movie, strong and rather heavy. I was relatively familiar with the events that took place in Nanjing therefore I was not surprised by the atrocities I saw reenacted on the big screen.The device of shooting the film in black and white was effective, in the sense that it created an impression akin to a documentary or a current affairs reportage of the age. Alessandro Ahmenabar may have said that he wanted "Agora" to give the impression that it reported events from 4th century A.D. Alexandria like a CNN live correspondence but I think "The City of Life and Death" was the movie that succeeded on that, giving to the spectator the impression of watching the events in live coverage.

Although it portrayed numerous atrocities, it masterfully avoided the trap of succumbing to "pornography of violence". It also tried to treat the incidences of mass rape and "comfort women", which after all are the reasons that the conquest of Nanking became notorious and was named The Rape of Nanking, in a relatively discreet manner, the only one possible.

The actors were expressive and one must note that this multi-person drama, lacking a protagonist was reminiscent of the technique of the films of Robert Altman also lacking a protagonist.

It was also a good idea to create a positive and repentant Japanese character in order to alleviate the obnoxious impression that the viewer would form about the Japenese people in general.

I do not know whether there is a propaganda value in this movie but judging it a work of art, being not involved in Sino-Japanese affairs, I find it outstanding.

The last Rape of Nanking event film I had watched, was the docu-drama Nanking back in 2006 during the Hong Kong International Film Festival. With interviews conducted with real survivors, I was riveted to listen to their account of the atrocities conducted by the Japanese soldiers, and you empathize with them as they relive their memory and make them known. The dramatic elements were nicely presented as well, with notable names reading off memoirs and letters pertaining to individual episodes, which collectively make up the brutal horror, a living hell if you would, of the conditions of occupation.

Lu Chuan of Kekexili fame has crafted this fine film that looks into 2 broad episodes – the first few hours of occupation which will satisfy action junkies, and the later half which looked into the atrocities that were committed some 1 week into occupation, from within an international safety zone set up by Westerners, led by German John Rabe, who gets some concession by virtue of Nazi Germany being Japan's ally.

There's the controversial aspect of the film though, where it doesn't demonize the invading force right away. Instead, I lauded its realistic portrayal of the human condition of Fear when we go into the unknown, and this emotion gets vividly captured in the first few minutes of the movie, setting the tone of the entire film, where fear drives us to do inhumane, barbaric acts. That being said, it doesn't shy away from reenacting the atrocities committed against the Chinese, from bayonet stabbings, mass burials of breathing souls, burning and the machine gunning of surviving soldiers, and rape.

Filled with plenty of characters each given a specific purpose in the film, either representative of an historical legend, or collectively as a group, it makes you feel for the individual with documentary-like precision, and I am somewhat intrigued at how one can feel so much through the simple camera work of going real close to the actor's face, and lingering onwards to capture moments of despair and bewilderment.

If there's one film you should see this year, then don't miss this one. I only hope that it gets played in a decent cinema hall with a great sound system, otherwise it'll do this film no justice. Certainly a contender for one of my films of the year, and comes highly recommended!

It is said that evil can only manifest itself when we do nothing to stop it. When we simply allow for it to happen whether in our lives or in the lives of others. The Japanese soldiers who invaded Nanking justified their horrific acts by claiming pride and duty towards their beloved country. Barbaric and without mercy, these troops of doom descended upon the city like the worst nightmare ever conjured by humans. Imagine an army of serial killers and rapists wreaking havoc without being reined in and you'll get an idea. Kudos and hats off to the director for having the courage to bring this shameful blemish in world history to life. Unflinching, painful and without apologies.

CITY OF LIFE AND DEATH is a masterpiece - of film making, of finding the midline of response to war from both sides, of cautiously but successfully blending intimate stories with the gory atrocities of war, and of recreating a period of history we too soon forget unless prodded by works such as this. Lu Chuan both wrote and directed this vision of the 1937 decimation of Nanking, the capital of China, by the Japanese that lasted in action for only six weeks but that has been a permanent festering wound on the history of mankind that will always be a reminder to what War is about.

Subtitled NANKING! NANKING! the audience is led to expect a film honoring the Chinese who bravely fought to resist of the Japanese invasion and ultimate destruction of the then capital of China. Instead the writer/director elects to put us in the midst of the war, showing all aspects of how war changes and affects and destroys people. The black and white film is able to create the illusion that we are actually in 1937 Nanking. We meet several important personalities from that time: the Chinese Resistance leader Lu Jianxiong (the inordinately gifted and handsome actor Ye Liu), the Chinese schoolteacher Miss Jiang (Yuanyuan Gao) who fights constantly to save her people, the Nazi German John Rabe (John Paisley) who maintains a Safety Zone to protect the Chinese until the Nazis recall him to avoid insulting their Japanese allies, Rabe's Chinese assistant and translator Mr Tang (Wei Fan) and his wife (Lan Qin) who despite the suffering they endure from the Japanese still are selfless in the choices they make to help their people, and Kadokawa (and impressive Hideo Nakaizumi) who as a Japanese soldier is a symbol for those warriors who are conflicted about the cruelty inflicted on the Chinese. These individuals provide stories with the story that allow the viewer to connect to the human aspect of the victims and the perpetrators of the annihilation we are witnessing. There are devastating scenes of the forced 'comfort houses' created to keep the Japanese soldiers happy, the demanded selection of 100 Chinese women to provide physical gratification to the enemy, the massacre of thousands of citizens - men, women, children - and the destruction of the very city itself. But Lu Chuan balances these with some very tender moments, such as the first sexual encounter of a virgin soldier with a prostitute and how he interprets this experience as love to the point of providing as much gratitude and safety to the prostitute as he can, and the incredibly tender scenes between Lu Jianxiong and a little boy who brings him bullets.

The cast is stunning and while many of us do not recognize the faces, they are obviously some of the cream of the crop of Chinese and Japanese actors. Yu Cao is in charge of the very realistic and photographically perfect cinematography and the musical score by Tony Liu is not only appropriate for the theme of the film but also provides some very simple Western piano music for the intimate scenes. There are multiple choices of subtitles including English. CITY OF LIFE AND DEATH not only documents a piece of martial history that is important to remember, but it is also another way of viewing how WAR can alter the minds and lives of those on both side of the battle. Highly Recommended.

Grady Harp