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Il collezionista di carte

Titolo originale: The Card Counter
  • 2021
  • T
  • 1h 51min
VALUTAZIONE IMDb
6,2/10
45.763
LA TUA VALUTAZIONE
POPOLARITÀ
3756
2589
Oscar Isaac, Tiffany Haddish, and Tye Sheridan in Il collezionista di carte (2021)
Redemption is the long game in Paul Schrader's THE CARD COUNTER. Told with Schrader's trademark cinematic intensity, the revenge thriller tells the story of an ex-military interrogator turned gambler haunted by the ghosts of his past decisions, and features riveting performances from stars Oscar Isaac, Tiffany Haddish, Tye Sheridan and Willem Dafoe.
Riproduci trailer2: 29
8 video
99+ foto
Psychological DramaPsychological ThrillerTragedyCrimeDramaThriller

Un ex interrogatore militare diventato giocatore d'azzardo è perseguitato dai fantasmi del suo passato.Un ex interrogatore militare diventato giocatore d'azzardo è perseguitato dai fantasmi del suo passato.Un ex interrogatore militare diventato giocatore d'azzardo è perseguitato dai fantasmi del suo passato.

  • Regia
    • Paul Schrader
  • Sceneggiatura
    • Paul Schrader
  • Star
    • Oscar Isaac
    • Tiffany Haddish
    • Tye Sheridan
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,2/10
    45.763
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3756
    2589
    • Regia
      • Paul Schrader
    • Sceneggiatura
      • Paul Schrader
    • Star
      • Oscar Isaac
      • Tiffany Haddish
      • Tye Sheridan
    • 522Recensioni degli utenti
    • 216Recensioni della critica
    • 78Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 22 candidature totali

    Video8

    Official Trailer
    Trailer 2:29
    Official Trailer
    The Card Counter
    Trailer 2:26
    The Card Counter
    The Card Counter
    Trailer 2:26
    The Card Counter
    The Card Counter
    Trailer 2:26
    The Card Counter
    Ethan Hawke Inspired by Paul Schrader for Grim Opening Ritual of "Moon Knight"
    Clip 3:38
    Ethan Hawke Inspired by Paul Schrader for Grim Opening Ritual of "Moon Knight"
    The Card Counter: You Should Read Some Books
    Clip 1:19
    The Card Counter: You Should Read Some Books
    The Card Counter: Lucky Lady
    Clip 0:34
    The Card Counter: Lucky Lady

    Foto162

    Visualizza poster
    Visualizza poster
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    + 154
    Visualizza poster

    Interpreti principali49

    Modifica
    Oscar Isaac
    Oscar Isaac
    • William Tell
    Tiffany Haddish
    Tiffany Haddish
    • La Linda
    Tye Sheridan
    Tye Sheridan
    • Cirk
    Willem Dafoe
    Willem Dafoe
    • Gordo
    Alexander Babara
    Alexander Babara
    • Mr. USA
    Bobby C. King
    Bobby C. King
    • Slippery Joe
    Ekaterina Baker
    Ekaterina Baker
    • Sara
    • (as Kat Baker)
    Bryan Truong
    Bryan Truong
    • Minnesota
    Dylan Flashner
    Dylan Flashner
    • Sergeant Hoskins
    Adrienne Lau
    Adrienne Lau
    • Crystal
    Joel Michaely
    Joel Michaely
    • Ronnie
    Rachel Michiko Whitney
    Rachel Michiko Whitney
    • Nancy
    • (as Rachel Whitney)
    Muhsin Fliah
    • Civilian Translator
    Joseph Singletary
    • Inmate
    • (as Joseph Singletary III)
    Kirill Sheynerman
    Kirill Sheynerman
    • Prison Guard
    Amia Edwards
    Amia Edwards
    • Tournament Clerk
    Britton Webb
    Britton Webb
    • Roger Baufort
    Amye Gousset
    Amye Gousset
    • Judy Baufort
    • (as Amye Bousset)
    • Regia
      • Paul Schrader
    • Sceneggiatura
      • Paul Schrader
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti522

    6,245.7K
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    Recensioni in evidenza

    4Spiderboy810

    An interesting premise, but man, was the execution poor

    I was in the movie theater a few weeks ago and saw a poster for this movie which I had never heard of before. It had Oscar Isaac, Tiffany Haddish, Willam Dafoe, and was produced by Martin Scorsese, how had I not heard of it? Then, a few minutes later, I saw the trailer. It looked interesting, showing an army veteran going into gambling while dealing with his past. It seemed like it would be pretty good.

    Key word there is "seemed"

    This movie started off pretty well, with Oscar Issac's character playing blackjack while, in typical Scorsese fashion, narrating to us how counting cards works. However, it's only downhill from there. The movie seems to have an identity crisis, with two different plots that never seem to mesh together well. Not to mention the fact that either plot really isn't that interesting. The card playing scenes are the best parts of the movie, but it takes forever to get to them.

    (Side Tangent: You gotta love how this movie's about someone who learned how to cheat at blackjack, and then spends the whole movie playing poker. Like, it's literally the title of the movie, how do you mess this up? Tangent over.)

    One of the few good things about this movie is the performances. While the script is pretty meh, the cast does the best they can with it, and they do well. I mean, they're basically reading nothing, but at least they read it well.

    "The Card Counter" had promise, but almost instantly fell on its face. The slow pacing, the bland story, and the general lack of any real substance to anything happening makes it a rather forgettable movie. There isn't much to gain from watching this, so don't feel bad if you miss it. There's much better things to watch right now.
    7bastille-852-731547

    Bleak, well-acted, but only moderately effective character study

    Paul Schrader's new film is, to no surprise, another dark and meditative character study that seeks to analyze complex questions relating to vengeance and morality. Oscar Isaac gives a strong leading performance in the film, and his lead role was the primary reason I was interested in seeing this. I wasn't sure whether this would be that distinct and authentic a film or a more generic one, but the very strong reviews out of Venice convinced me to see it. The film's performances are generally strong and its aesthetics are potent, but its narrative doesn't hold up quite as well as one would hope.

    The film's plot centers on William Tell (Isaac,) a former military interrogator who served 8.5 years in a military prison. He has an obsessive interest in poker, and plays in various tournaments while aspiring to go to the World Series of Poker. After crossing paths with a financially troubled young man (Tye Sheridan,) a plot of revenge on a former commanding officer at Abu Grahib (Williem Dafoe) comes into formation. Isaac's character acting is disciplined and methodical, while clearly conveying the character's emotional torments, erratic tendencies, and interpersonal challenges. Tye Sheridan's performance is strong and thorough as well, and does a good job articulating a genuine sense of grit. Tiffany Haddish plays a friend of Tell who often accompanies him to various poker tournaments, but her character is unfortunately not as well-utilized within the story as she could be. I love Williem Dafoe as an actor, but unfortunately he is underutilized here as well. The film's aesthetics are characteristic of Schrader and, to a lesser degree, Scorsese (who produced the movie,) but that makes them no less strong--color contrasts, rock music, wide shots in both scale and scope, and an overarching sense of grittiness. Despite these strong qualities, the film's plot unfortunately ends up becoming more predictable and uneven as it goes on, and ends up muddling its worldview and messages on morality--or the severe lack of it. The character development in the film is not always especially interesting or authentic compared to other Schrader films. Yet the acting here makes the film a decent examination of a troubled man's past and present that spans from its opening to the very powerful final shot. 7/10.
    5jtindahouse

    A flat movie with very little going for it

    Whenever I see "such and such presents" on the cover of a movie I think to myself oh no, this movie obviously isn't very strong and they need to attach a good filmmaker's name to it to try and trick people into thinking it's good. I hoped that wouldn't be the case with 'The Card Counter' but it absolutely was. This movie was a bit of a mess.

    There are a lot of scenes where the lead character narrates different casino games and explains how best to win them. There is the odd interesting one like the card counting explanation, however most of them are embarrassing to listen to when you know a thing or two about casino games. They are both over-dramatised and over-simplified at the same time.

    The film itself is just bizarre. Characters find connections without the film doing anything to sell them to us. We are just supposed to accept them. It's really odd. Also for a large portion of the film we have no idea what the point is. Things just kind of drift along and you wonder why you are even watching this. Then at the end it tries to make up for all that lost time, but again it is just so out of place, unearned and unusual that it has no effect on you at all.

    I wanted to like this film, I really did. The premise sounded so good in the synopsis. I assure you though, the promise of "cinematic intensity" is not lived up to for one minute. This is one of the least intense films I've ever witnessed. I'll generously give this a 5/10. Not one I'd recommend.
    6michaelyue

    All the suspense and buildup that leads nowhere

    Too depressing without getting anywhere. Using music and all the scenes to create the dark and ruthless vibe, without actually letting the emotions to go places. 95% of the time it's too plain for my taste. It does discuss some deeper issue, like torturing, interrogating, revenge, PTSD, etc. It has a real tragic ending. Not a bad movie, not far from being good. Just the plot way too empty.
    JohnDeSando

    One of the best films and performances of the year. Schrader and Isaac at their best.

    "I never imagined myself as someone suited to incarceration." William Tell (Oscar Isaac)

    Having written Taxi Driver and directed First reformed, Paul Schrader knows something about deeply-troubled souls, especially haunted taxi drivers and small-town cops. Now add card counting loner.

    In The Card Counter, former army interrogator Bill has turned card champion while relishing his 8 ½ years in Fort Leavenworth for, it would seem, brutality at Abu Ghraib as a grunt guard. "Relished" because of the control prison afforded him, where he learned his card-playing trade. Nothing has helped him, however, to expiate his sins and redeem himself until he meets young Cirk (Tye Sheridan) and La Linda (Tiffany Haddish).

    Experience the most accomplished cinematic anti-hero of the year-Bill roams the landscape of mid-west casinos, forgettable and banal, peopled by losers and wannabes looking for a romantic hit, even as the house controls their fortunes like a wizard pulling the strings of fate and laughing at his victims' impotence. Except for always-in-control Bill, whose days of interrogation control, taught to him by a sadistic major Gordo (mustachioed Willem Dafoe, inscrutably eccentric and scary), and who bets small and wins small to avoid being ejected for what he is, an accomplished card counter haunted by the ghosts of his tortured and torturing past.

    The exposition is slow, more distributed than immediate disclosure. This pace lets the audience sink into Bill's world of gambling and isolation as he reveals in voiceover his thoughts about the lives he ruined and the officers like the major who escaped punishment. While Isaac steadily plays Bill with a smoldering intensity, the future begins to loom large while he and Cirk plan a reconciliation for Cirk and his mother, a consummation with La Linda, and a Dantean end for the major. In the first lies the seeds of Bill's redemption while in the last lies the revengeful legacy of an Abu Ghraib that just won't go away.

    Shrader's shots are either long, to establish the emptiness of the casinos, or rapidly roaming to heighten the horror of scary Abu Ghraib, frequently tracking the anti-hero in his measured quest to control and win. As a knight errant, he meets his lady in La Linda, whose place in this man's world as a master of a stable of players is never fully realized, so obsessed is Schrader with his saturnine sociopath. In that regard, Isaac gives one of the year's most nuanced performances in the tradition of the lost but deadly Travis Bickel in Taxi Driver. Isaac is one of his generation's best actors, like Tom Hardy, whom you might forget except for the memorable characters he plays like William Tell. And Schrader does tell as powerfully as he ever did.

    Just don't expect to learn how to play better poker, for The Card Counter is all about people-if you're good at the game, it's because you can look past the cards into the soul of your opponent. Paul Schrader is just such a soul-searching writer/director. BTW-Martin Scorsese is a producer and presents the opening title card--no surprise there.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      This a truly independent film; every one who gave money got an exec producer credit. At 20 E.P. credits in the opening credit reel it is a Hollywood record.
    • Blooper
      The blackjack tables are missing the "hole card peeker" mirror that is needed so the dealer can look at the corner of his hole card to determine if he has 21 without bending the card and without seeing its value.

      Although the blackjack table "hole card peeker" exists most casinos, there are plenty casinos that do not have this. The dealers check it the old fashioned way.
    • Citazioni

      William Tell: [voiceover] The feeling of being forgiven by another and forgiving oneself are so much alike, there's no point in trying to keep them distinct.

    • Connessioni
      Featured in Radio Dolin: Why is 2021 - The Year of Woman Film Directors? bonus: Tarantino and Yankovsky (2021)
    • Colonne sonore
      Eruptar
      Written by Robert Levon Been (as Robert Levon Been)

      Performed by Robert Levon Been (as Robert Levon Been)

      BMG (ASCAP)

    I più visti

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    Dettagli

    Modifica
    • Data di uscita
      • 3 settembre 2021 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Regno Unito
      • Cina
      • Svezia
    • Sito ufficiale
      • Official site
    • Lingua
      • Inglese
    • Celebre anche come
      • El contador de cartas
    • Luoghi delle riprese
      • Gulfport Harbor Lights Winter Festival - 2269 Jones Park Dr, Gulfport, Mississippi, Stati Uniti(Tell and La Linda walk into Garden Glow)
    • Aziende produttrici
      • Focus Features
      • LB Entertainment
      • Astrakan Film AB
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 2.657.850 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 1.039.580 USD
      • 12 set 2021
    • Lordo in tutto il mondo
      • 5.040.860 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 51 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Atmos
      • Dolby Digital
    • Proporzioni
      • 1.66 : 1

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