Una serie di audaci rapine in banca e furti d'auto semina il terrore nelle comunità del Pacifico nord-occidentale, ma un agente FBI sospetta che i colpevoli non siano semplici criminali, ben... Leggi tuttoUna serie di audaci rapine in banca e furti d'auto semina il terrore nelle comunità del Pacifico nord-occidentale, ma un agente FBI sospetta che i colpevoli non siano semplici criminali, bensì pericolosi terroristi interni.Una serie di audaci rapine in banca e furti d'auto semina il terrore nelle comunità del Pacifico nord-occidentale, ma un agente FBI sospetta che i colpevoli non siano semplici criminali, bensì pericolosi terroristi interni.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 7 candidature totali
- Bank Manager
- (as Bryan McHale)
Riepilogo
Recensioni in evidenza
One scene that really stuck with me was the discovery of the body. I think it's my "favorite" one; it felt disturbingly real and visceral, especially with the character using his hands to dig up the grave instead of a shovel. That detail made it feel grounded, almost like you were right there, literally watching dirty work.
The pacing is slow, but it builds towards a more gripping third act. The motel shootout was shock, and it's in the final act where everything comes together. I think you usually have it in the back of your head, absentmindedly even, that the main characters will make it so the theatre gasped. The film touches on themes of hate , and it's always ironic and unsettling to hear people using the guise of faith to spread such. It was pretty interesting to me that the book referenced in the story is connected to real-world events like January 6 as well.
While I wasn't blown away, the movie met my expectations-which were sorta high. It's well-made and believable, even if it leans on familiar archetypes and tropes: the hate-filled ideology, the cult dynamics, the people working to dismantle it. So while nothing in the movie really surprises or blows you away, it's that familiarity makes the story feel real because characters like these do exist.
In the end, while it didn't resonate with me on a deeper level or stick with me after the credits rolled, it's a solid film with strong performances and a compelling, relevant narrative.
What Nitram did though, and this film never managed, was it made me look at things from a different perspective. The concept that the person behind a mass shooting is, exactly that, a person, is just nothing I had given consideration to before. Easier to label a monster (which they are, but there are reasons behind this) and move on than to think about it.
I guess therefore I was expecting to try and understand something here. Like it was going to say something. But in the end it felt very procedural. Some white guys are racist because they are and some other guy hunts them down because he does. Honestly, that's about it.
I never felt for a second like I understood anything about Nicholas Holts character or why he was a complete (insert word rhyming with duck) head. I guess there is an argument that you don't want to give oxygen but I feel this film maker has had a lot more to say in the past and if you aren't going to say anything then probably don't say anything at all.
Anyway, not offensive but just very very average.
There were a few well-executed scenes-moments where the direction and cinematography showed real promise-but they were too few and far between. The tone also seemed confused at times, shifting awkwardly between thriller and drama without fully committing to either. It's the kind of movie that had all the pieces but couldn't quite put them together in a compelling way. Not terrible by any means, just very forgettable. I wouldn't warn people against watching it, but I wouldn't recommend it either.
Jude Law is really good in his role as this weary and seasoned FBI agent. I like the supporting cast members. I think Nicholas Hault actually looks a lot like Bob Matthews (based on his picture, which I saw on Wiki), and the young sheriff who works with Jude Law is good too. The movie's scenery is gorgeous, with the forests, mountains, and lake. I like the score too. There is an overall dark and gritty vibe throughout the film
The movie doesn't reach greatness because of the plot and predictability. I know that the events are based on a true story, so I get that the plot was limited since they had to follow the events that really occurred (note: I had never heard of Bob Matthews or the Turner diaries until I watched this movie). But they telegraphed some events, such as one character's death, way too obviously. I also feel that the film could've given more about the villain's motivations other than "they're evil racist white men." The movie early on shows a divide between Bob Matthews group and another white supremacist group: the latter believes that the right way to push white supremacy is through legal means, such as getting white supremacists elected to office. I feel this plot thread could have been explored more. The police scenes include some cliches too
Lastly - there was no need to insert politics at the very end, with a reference to January 6th, 2021.
Saw in AMC theater 12-14-2024.
Lo sapevi?
- QuizNicholas Hoult told reporters how he and Jude Law, adversaries in the film, did not speak or interact with each other for the first four weeks of filming in an attempt to distance themselves from each other.
- BlooperAgent Husk enters Torres' cell while wearing his firearm. No law enforcement or corrections official would enter an inmate's cell with a firearm. Husk, Carney, and Bowen would have had to secure their weapons before entering the area where prisoners were held. In the film, they're wearing their weapons.
- Citazioni
Alan Berg: You know what my problem is with every fanatic fundamentalist, from the Catholics, to the Orthodox, to the KKK? The one thing you all have in common is, and you're too ignorant to see it, is that you're too inept to get by in the world, so your only recourse is to try and curtail the enjoyment of others.
- ConnessioniReferenced in Film Junk Podcast: Episode 974: Nosferatu (2025)
- Colonne sonoreKOA Radio Jingle
JAM Creative Productions, Inc.
Courtesy of Jonathan Wolfert
Used under license
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- Lordo Stati Uniti e Canada
- 2.010.901 USD
- Fine settimana di apertura Stati Uniti e Canada
- 877.855 USD
- 8 dic 2024
- Lordo in tutto il mondo
- 2.270.354 USD
- Tempo di esecuzione
- 1h 56min(116 min)
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- 2.39 : 1