Grafted

In Grafted, we follow a socially awkward exchange student from China who is trying to fit in with the popular girls while also striving to make her deceased father proud. She's highly intelligent and, just like her father, works on groundbreaking research capable of restoring human tissue.

After a promising opening scene, the movie introduces us to our main characters, consisting primarily of our protagonist, Wei; her aunt, Ling; her cousin, Angela; and Angela's best friends, Jasmine and Eve. There is also a teacher named Paul, who takes a strong interest in Wei's rather unethical work which could become a problem.

Once we get to know the characters, we spend time with Wei as she makes progress in her research while struggling in vain to fit in with Angela and her friends. The film leans into teen drama, unfortunately focusing too much on this aspect rather than her research, which is undoubtedly the more intriguing element that audiences will want to see. The theme of beauty ideals has long been explored through the subgenre of body horror, as seen recently with The Substance. Grafted inevitably draws comparisons to that film, which works to its detriment, as The Substance is far superior. As the movie delves into teen drama, you find yourself waiting for the body horror to take center stage and push boundaries. While it does reach that point eventually, it's not nearly enough.

Without giving away spoilers, I can say that at a certain moment, a transformation occurs, and from that point on, the story starts to fall apart. Things stop making sense, and the film glosses over logical inconsistencies, expecting the audience to overlook them. The pacing also slows down, and moments that should have been impactful fail to pack a punch. The movie occasionally drifts into comedy, which is a fitting addition though. Towards the very end, body horror enthusiasts will finally get something to enjoy, but the film would have been far more effective if it had leaned into those moments more frequently.

Unfortunately, the script demands a lot from the viewer, and if you're not fully on board, it becomes difficult to immerse yourself in the story. The premise had so much more potential, and while the concept was strong, certain narrative choices made it hard to stay engaged. Despite this, Grafted is still a decent watch, and its body horror elements are well-executed, but it could have been much more enjoyable. [5,8/10]

I watched the New Zealand film Grafted (2024) on Shudder. The story follows an exchange student struggling to fit in as she conducts a twisted science experiment-transforming herself by wearing other people's skin. Her classmates soon become her next test subjects.

This film marks the directorial debut of Sasha Rainbow and stars Eden Hart (Sweet Tooth), Jess Hong (3 Body Problem), and Mark Mitchinson (Evil Dead Rise).

In some ways, this reminded me of the Spanish classic The Skin I Live In, but with a much gorier approach. The plot is highly original, and the gore is top-tier. The protagonist feels like a more brutal version of Leatherface. The acting is strong, and the psychological evolution of the main character is well-executed. Some plot points and character decisions are far-fetched, but they don't take away from the film's overall impact. The creativity and sheer brutality of the gore make this a must-see for horror enthusiasts.

In conclusion, Grafted is a bold and unique addition to the horror genre, packed with outstanding gore. I'd give it an 8/10.

Not a whole lot to say. Actors did their best with a terrible script, nonsensical screenplay and an average director. So many plot holes, abundant head scratching moments that pull you out of the experience entirely...

The average-ish performances earned the movie 3 stars, but they are clearly hindered by an amateur writer and a woeful screenplay, not a whole lot makes sense, nor does it seem plausible. And I mean that in a way that it still doesn't make sense or seem plausible when you suspend disbelief, like you have to with most horror movies (although there is nothing scary about this movie, it plays more like a drama-comedy).

The premise is good on paper, and with a proper writer, director and screenplay (and half a million extra $'s), this could have been a solid 6-7/10. Alas, it is nothing more than a below par evening time-killer.

There's some compelling drama in the first half of the movie. Things spiral out of control in an organic, chaotic way.

We get a very strong character development.

It's body horror but nothing too crazy. It could have gone for a little more gore but it's adequate how it is.

This is not an incredible movie by any means. But it has a fair amount of compelling story that is often lacking.

It deserves more than 5. But also doesn't have enough of an "it" factor to be a great movie.

There's some character and situational cliches.

It's a very entertaining movie with some emotional elements.

Ultimately it's a pleasantly average movie. Not sure why I'm writing this review other than 5/10 seeming a little too low.

It's something you can throw on if you need a movie.

One of the most important, yet somehow still so often neglected elements of storytelling - virtually any storytelling - is empathy. After all, you have probably heard of the Six Deadly Words ("I Don't Care For These People") but are they not really fundamentally about the failure of empathy? Not so much on the side of the viewer that is, but rather because the creator failed to write characters worth emphasizing with - often because they are written as mere tools and lack an inner world you can relate to.

Empathy is exactly what sets this New Zealand thriller apart in its first half. Sasha Rainbow's previous experience consisted of two documentary shorts which both chronicle the lives of the underclass in two cultures very different from hers, and here, she is able to depict the clash between the immigrant protagonist Wei and her second-generation, fully Westernized cousin Angela remarkably well for this kind of film. You can easily understand well why both of them act the way they do, and even the supporting cast also feels a lot more humanized than usual (certainly FAR more so than the cast of The Substance - since the comparisons between the two films are practically inescapable due to the unfortunate release timing, I might as well get it over with now.)

Funnily enough, the 2nd half, which delivers what most of the audience must have come here for, actually felt like a letdown to me in comparison, as it feels much more "on-rails". The performances are still effective and one character's demise is so painfully unfair it cuts through emotionally much more than most horror deaths do. The "grafting" is filmed well enough considering the limitations of low-budget filmmaking, though it would have certainly been more impressive in the pre-Substance world. On the other hand, the plain murder scenes themselves can be quite contrived and often aren't really convincing when compared not just to, say, something relatively recent When Evil Lurks, but also rather older films like Alleluia.

On the whole, though, this is a very admirable debut effort and I believe Sasha Rainbow is going to be the one to watch. I would also like to point out that this is the first movie I have seen in 2025 where I almost immediately looked up the OST after watching the film. To me, it's that good, at times absolutely carrying a scene which would have probably fallen flat otherwise.