Una sola verità

This was shown last night at the Toronto International Film Festival and was very well received. It is a beautifully acted, deftly written examination of the tension between freedom of the press and the power of the state, based very loosely on the Valerie Plame case. The fact that writer and director Rod Lurie spent 13 years in the newspaper business is evident throughout, making for one of the most compelling and believable portrayals of what it is like to be a political reporter for a major newspaper since All the President's Men. Kate Beckinsale (the reporter) and Vera Farmiga (as the CIA operative) are outstanding and each delivers an Oscar-worthy performance. Matt Dillon gives one of his best performances as the smarmy, ambitious and self-righteous prosecuting attorney. David Schwimmer, an odd casting choice, does a fine job within a fairly narrow range. Surprisingly, I even enjoyed Alan Alda's performance as a high-powered, rather cynical and self-obsessed Washington lawyer, hired to defend the beleaguered reporter. But the two women really steal the show.

There was much discussion in our group about the ending and whether it enhanced or undercut the basic message of the film. No point in spoiling it here, but I can assure you it will provoke debate.

I saw this film at a press screening last weekend. Wow! What an achievement. This story is masterfully executed, creating a lyrical and deeply affecting empathy with the film's lead character, played with Oscar-worthy precision and nuance by Kate Beckinsale. This film is truly about something, which isn't as common as I think we'd hope with movies. It has truly meaningful themes that are dramatized in an entertaining, emotional and often eloquent way. The acting is top-notch. The direction is confident.

I don't want to say much about the plot because it has some nice twists and touching moments that come from the organic development of the characters' relationships, their conflicts and their fight for what they believe in. This film is about principle. This film unapologetically stands for the power of our word and the example we set for our children. It's a must-see this Holiday season. It may only have a limited release due to complications experienced by its distributor, so get out now and see it! Don't just wait for DVD. This one is an outstanding experience in the presence of others because in many ways it's about what unites us when we believe in ourselves and the integrity of other.

A good film loosely inspired by the journalist Judith Miller. Always good to see films that remind me that journalism used to have integrity and guts... something we need these days. Kate Beckinsale, Matt Dillon and Alan Alda killed it. David Schwimmer just looks like a sad, lost puppy dog as usual.

Wow. Just wow. I did not see that coming. As you might have already known, I'm not the usual kind of guy who enjoys politically charged movies, its just not my cup of tea. It either tends to be just pure propaganda BS or just plain preachy. There are some rare occasions however when handled by a man with a vision, all pretentiousness aside not taking sides whatsoever, the end result might turn out to be something great. Such rare occasion is this movie, I was just floored. Speechless. Its journalistic integrity vs national security, the government's ever growing control over the people vs freedom of speech, its all even handed arguments and this movie excellently fleshes it all out bit by bit until we reach the shocking conclusion. This is a movie that will captivate you, it goes past the glamour of its leading actors and all that hoopla and brings you right in the complexity of the story. It makes you think, it lubes up the rusty spots in your brain and gets you involved. After watching this movie, I just felt sad because this is the kind of movies Hollywood rarely makes anymore.

Rod Lurie, on double duty here both as a director and a writer deserves all the kudos he can get. He shines in both departments, there was no right wing-left wing backstory here, it was an unflinching and inspired look at some of today's current issues and it was handled very greatly. It was intense, it was emotional, it was hard hitting and it is definitely one of 2008's most underrated films. The acting department all turned in some very fine performances. Matt Dillon who exudes a commanding presence playing a special prosecutor. His unnerved emotions served greatly in portraying the role and its one of the best I've seen of him so far. Alan Alda plays a high powered attorney with gusto, I've never really been a fan of his but after this one, I'm gonna check out some of his other works soon. Kate Beckinsale turns in an intense performance as the reporter and this is by far her greatest performance to date. And lastly, Vera Farmiga who has always been a top dog in the acting department turns in a mesmerising and captivating portrayal of a hard edged CIA agent and yet also a caring mom to her daughter. Her portrayal was never out of tune and the delivery was as natural as one actress can get. God only knows why she wasn't nominated for Best Supporting Actress in the recently concluded Oscars.

The ending will just floor you and I promise you, you will not see it coming. Not by a long mile.

I first heard about this film because of Matt Dillon, one of my favourite actors. He is the second billing in this film, right behind Kate Beckinsale, also starring Vera Farmiga, Alan Alda, Angela Bassett, and David Schwimmer.

The film is about Rachel Armstrong, a reporter (Beckinsale) who has written the story of her life: a military coup by the United States on a South American country was a lie, a Watergate, an operation that could get a president impeached. One CIA agent (Farmiga) had been there before the attack and had reported that there was no need to attack. They attacked anyway, and through a number of sources, Armstrong succeeds in finding the story. When the paper hits, the government realizes that they must find out the original source of Armstrong. Hired to find out this story is Patton Dupois (Matt Dillon), who goes after Armstrong with a ruthless but aloof determination. She is held in contempt of court when she refuses to reveal her source, and she is put in jail. Armstrong's boss (Bassett) and her lawyer (Alda) urges her to keep up the stand she has taken, while her husband (Schwimmer) is angry that she has done this. She herself must cope with the consequences of taking on the government, and the pressure just lays on throughout the story.

Beckinsale keeps the story going easily with her brilliant performance. The story is of course, focused on her, and the effect of imprisonment and interrogation can be seen on her face when she sees her son through the glass of visiting hours, or when Dupois questions her in court. Matt Dillon is also a brilliant actor, and I hope the two of them get nominated this year. However, while Dillon deserves it, I think Alda will end up with the nomination, who is both witty and cynical throughout the court battles.

The film's true strength comes from the fact that it is not a true Hollywood film. There is a tone about it that is certainly not like a usual story like this. The characters are dark, but also with redeeming qualities. Schwimmer's character of the husband does hurtful things, but out of weakness rather than malice. Dillon's character is ruthless in his prosecution, but in truth, he is just doing his job well. Even Beckinsale's character is not the underdog hero that this film could have been about. Thankfully, this movie takes a different route.

It was a real enjoyment seeing this film. Dillon shines as he usually has when I've seen him, and so do Beckinsale and Farmiga. The only over-the-top character is that of Avril Aaronson, played by Noah Wyle, and is thankfully overshadowed by the good performances of those who carry the film.