Stanno tutti bene - Everybody's Fine

Once the trailer hit the internet, I knew I was going to see this movie. Nostalgia, De Niro and Barrymore were the primary reasons. Of those reasons, Nostalgia and De Niro were most responsible for the big lump in my throat and regret that I had no Kleenex.

We go to movies to either escape reality or simply live in fantasy, don't we? I have to say, so much reality existed in this movie, escapism and fantasy seemed totally lost. The subtleties of everyday life can mean so much in retrospect. Every little thing that we do, no matter its importance, can come back and haunt us. That, surprisingly, is what makes this movie so real and endearing.

Nothing about Everybody's Fine is lacking if you can find yourself or someone you know in this movie. The beauty of it is, you will find someone you know. If you haven't tricked yourself into thinking this might be like Christmas Vacation or Planes, Trains and Automobiles, then I hope you can appreciate its evenly paced, nostalgia filled beauty.

De Niro has outdone himself with this simple heart-filled "grown family" film. I can truthfully say I liked him more in this than anything else he has done, although I also believe he probably didn't have to dig too deep into his soul to be Frank Goode. I will be surprised if he has not turned the heads and hearts of those who can nominate him for an Oscar. While all the characters were easy to relate to, this movie was more about Frank Goode's journey from state to state and through life.

Believe me, Everybody's Fine is more than just fine.

9/10 and one giant hug for everyone involved in making this beautiful film.

Everybody's Fine (2009)

*** (out of 4)

Robert DeNiro plays a widower who grows tired of his four children making excuses for not coming to see him so he disregards his doctor's orders and takes a trip to visit all four. Along the way he starts to think about their childhood and where their lives are at now. I remember when THIS BOYS LIFE was released it featured a trailer that would make you think you were walking into one of the greatest family films ever made even though the actual film was a dark one about child abuse. I mention that because this film is pretty much the same effect as the poster, TV ads and trailer makes you think that you're in for a good time but the film is actually an incredibly depressing affair but it finally gives star DeNiro a true character and he does great work with it. Now, I'm not one of those who thinks DeNiro has wasted one performance after another for the past twenty years. I think he's given several very good performances even though many of the characters weren't the strongest items for an actor of his range. The performance here is downright terrific and truly deserves to be called that "old DeNiro" style. DeNiro doesn't need words to show what his character is feeling and he perfectly brings to life this rather sad character who is smart enough to know there's a lot more going on with his children then they're willing to tell him. I found DeNiro to be perfect and one would hope he'd get some Oscar consideration but that probably won't happen considering how the film did at the box office (but I would ask why that should matter). DeNiro gets to interact with various characters and the amount of life he brings this character will make one remember the type of work he was turning in on a consistent basis years ago. I won't ruin DeNiro's big scene towards the end but it's certainly very overwhelming. The supporting cast has Drew Barrymore, Kate Beckinsale and Sam Rockwell playing the children and they all give fine performances and mix with DeNiro very well. I do wish the actual film would have been a bit stronger because it's extremely depressing but at times I felt the film was holding back. I really can't explain what but it just never really felt like a full movie and at times there were some plot details that were a tad bit over dramatic and other times that the film pushes too hard to get its point across. While the film does have its share of problems, the real reason for anyone to watch this is for the return of DeNiro and that alone makes this worth seeing. Again, not the happiest film out there but at least we get to see DeNiro playing his best character in quite a while.

I saw this movie last night in a crowded theatre with persons of varying ages. At the conclusion of the film, I noticed smiles and tears in the eyes of the older viewers and some boredom and rush to leave in the younger ones. This is a movie for parents and will probably not appeal much to the under 25 set.

That said, this is a beautiful, heart-felt, and sometimes painful story of a father recognizing and coming to grips with the reality of his parenting and his lack of control over his children's lives. It is about truth and how we try to spare others pain or discomfort. It is about how many parents still see their grown up children as small children who we are responsible for.

While the supporting cast turn in good performances, this is Robert DeNiro's movie. It is his best performance since Awakenings (he deserved that Oscar, and not just the nomination).

I suspect that this film will get a lot of nominations, but don't think it will win many awards. I base that on the idea that they younger voters have not yet been in the shoes of the older ones and will not be fully able to appreciate the character or his growth and understanding.

When I went to see this, I expected one of those progressive stories like he was getting ditched and as he went and surprised them things got better, they had laughs and things were healed sort of typical thing. But it definitely didn't go down like that. There were about maybe 8 people in the theater when I went to see this movie, 3 of them were me and my 2 friends.

I have to say this movie was really sad and had a lot to say about child/parent relations. I am only 18 years old but I love these types of films and it made me think about how I would be with my parents when I get older and it really makes me want to make sure I keep a good relationship with my parents. My dad has always pushed me and wanted better for me in school and I have always been very average and against the grain, as it seems like David was.

I don't know if the makers wanted the relation between Frank and his kids to seem empty, but that's how it seemed to be throughout the film until the end. Even if it was lack of chemistry between actors, which of course I highly doubt it was, it works wonders and shows that Frank is like an alien to them and also that they are alien to him. When he learns that all of his children aren't actually as successful, he seems like he's struggling within to try and understand where they're coming from instead of just showing his disappointment. When things finally come tumbling down towards the film's climax, they come right back together as a family would. This movie made me tear up and really the only reason I didn't cry was because I was with friends.

I could write a lot more about this but I'll just suggest that if you're looking for a good movie about family, or even if you just like De Niro(that's why I saw it), you should definitely see this movie. It won't disappoint.

Greetings again from the darkness. Writer/director Kirk Jones just needs to work a little more frequently. His first two projects were the fascinating Waking Ned Devine and the deeper than expected Nanny McPhee. The guy has some real talent and unique insight. He is also wise enough to cast Robert Deniro and then bring out his best performance in years.

Sure, there are some similarities to Nicholson's wonderful turn in About Schmidt, but contrary to the trailers, this one is no light-hearted holiday fluff. There are deep emotions and more real-life family baggage than most will care to admit (translated, there were quite a few sniffles in the theatre).

Deniro's kids are scattered about leading their own lives after a childhood of pressure, demands and expectations. The differences in how each have handled it is very interesting. Drew Barrymore wants very much to be the daddy's girl, while Kate Beckinsale is the corporate type-A who just can't manage her family. The always excellent Sam Rockwell is the music prodigy enjoying his stress-free live as a symphonic percussionist (instead of a conductor). The youngest is a troubling story line that ends up tying everything together for the Deniro character, as well as the family.

Aside from the mostly atrocious music, this one is an emotional tug-fest that will stimulate a bit of self-analysis from all parents.