Ink

I must say I've rarely been torn about a movie that much. First off, for a low-budget indie production, this movie is great, no doubt. But how does it compare to the Hollywood productions with similar ideas?

The beginning is very strenuous to watch. It takes a long time before you will understand anything that's going on. This will not change until somewhere between the middle and the end, and thus frustrate many viewers.

The story itself is creative and refreshing, but very confusing, I guess you could call it an adult fairy tale. The movie raises questions about family values, moral obligations, self-esteem and shame, all of them well developed and executed.

The actors are mostly doing a good job, although some of the supporting actors' (one actress in particular) emotions are a bit too extreme to be believable, but this does not really disturb the illusion and is merely a minor inconvenience.

The effects are worth their money and quite impressive for a low-budget production.

What ultimately makes this movie worth watching, however, is the truly great ending. If you are patient enough to sit through the movie as a whole and pardon the few flaws in it, you will be rewarded with an emotional, surprising and heart-warming ending.

A bold, rich and very remarkable film. This is art, not entertainment. Story: This little movie defies easy categorization; there is nothing quite like it that I am aware of. For students of literature, you will find connection to the work of Dante -- in particular, The Inferno -- and other works that portray a human being losing his/her soul, for that is what this movie is about. There are philosophers (Rudolf Steiner) who believe that the world is literally divided into overlapping, parallel worlds populated by forces of dark and light (not good and evil) where each side works continuously to influence human beings leaning in one direction or the other -- the demon lying upon us as we sleep, feeding us nightmares; the angel gently stroking our forehead, comforting us as we face our deepest fears. This is an epic and continual battle in which the darkness in the world comes from those of us who have committed treasonous acts against our own humanity and suffer, in proportion, consequences for having done so. In film, I would group this with movies like Renee Missel's Resurrection or Blatty's totally brilliant Ninth Configuration. But bear in mind that you are watching an INDIE, which means limited money to make the film. Therefore, production values suffer at times: there are weak special effects, low budget costuming, limits to cinematography, etc. These should be easy to overlook given the scope and depth of this work. Jamin Winans has crafted a minor masterpiece. The ensemble acting is uniformly superb, but Mr. Kelly carries this film with a deeply felt and gifted performance. Though the story may be difficult to follow because of its unique and complex subject matter; in fact, it is tight as a drum with virtually every shot and edit building on those that preceded it, but it will take a second viewing to discover this. The direction is very fine: the film absolutely has a look and feel expressive of its content. The use of off-color green was effective and quietly disturbing, as was the black ink-like flow covering the protagonist at specific moments throughout the film. At a time when our entire culture is in danger of losing it's soul, when so many are seeking insight into something deeper and truer, this film could not be more appropriate. INK is what Independent films are supposed to be: intelligent, deep, inspired, rich, genuine, quirky, imperfect expressions that Hollywood could never make or would simply ruin because of commercial pressures. Mr. Winans -- thank you.

I admit, for the first 20 minutes or so of the film I did not enjoy it, and was thinking to myself, "oh, this is going to be one of those movies that no one understands with gaping plot holes and a messed up timeline that is nearly impossible to follow." It quickly turned around. The film is absolutely outstanding for an independent production, with solid acting from the whole cast, BEAUTIFUL cinematography, a good script, and excellent music. The only thing that really bothered me were a few sections of dialogue that seemed to spell out the plot a little too much, and they felt a little out of place. Though it is very difficult to explain the plot, everything makes sense when you see it.

Ink is a unique film that has a very professional feel for just a $250,000 project. It feels almost like a hybrid of The Matrix, What Dreams May Come, and Eternal Sunshine of the Spotless Mind. I sincerely hope that you have a chance to see Ink, and hopefully it gets a proper theatrical release. It deserves it.

While I have stood idly by and read others comments on so many movies, I feel compelled to say something about this one. Truly a work of art, and it's an injustice that it is not more well known for I stumbled across this movie by chance and had heard nothing of it. This is far better than anything at the theaters now a days and was so well done in every aspect of it. A must see movie for anyone who gets a chance, like an escape away from the usual routine we are accustomed to.

From the beginning this movie will grab your attention. From the subtle effects that are done just right, to the acting from all parties of the cast. A very wholesome experience. Perhaps the rest of the film industry could take a lesson or two and make a decent movie like this and not waste millions of dollars on the junk they crank out on a daily basis.

Ink is a nicely done low-budget indie film with an interesting visual style. It's not a masterpiece, but it's really quite well done, despite some fairly weak acting (in some places it's downright cringe-worthy.) The dialog ranges from clever to humdrum, but I've heard worse in blockbusters from big studios, who don't have the excuse of a low budget and limited resources. The story is simple, but told in a non-linear fashion that I found interesting but never baffling. Nothing in the movie seemed arbitrary or random. It was obviously a labor of love, and I for one am willing to overlook the flaws and appreciate this film as a sincere and energetic effort by a director with potential.