Veronika decide di morire

I have read the book, and this film adaptation seems to me to be something average, I didn't get much pleasure from viewing this film, somehow it looks too formal, sometimes illogical, as if some pieces of the film are missing. My recommendation is to watch the Japanese version, in my opinion it is a real masterpiece, that touches the soul.

Everyone has different perception and here is mine. I wouldn't say that this movie was very bad or boring. It was not believable in my opinion. If you decide to commit suicide in your own home, you make sure the doors are locked and nobody is going to visit you in the next few days. In this film she did not even pass out before someone was already banging on her door and how did they come in? Let alone how did they find out? From the email she sent in response to an advertisement? From that on things were becoming even less realistic. A nut house that looks like a retreat for super rich. Not sure why her parents were even brought into the story. The sudden transformation from hating life to loving it was unsubstantiated. A guy? A silent guy who was sitting on a tree suddenly made her realize that life is worth living? Quite a stretch after she was cynical about guys and marriage and family life in general. The performances were okay. I did not watch any of her other movies prior to this one simply because they are not the movies I watch.The final scenes, after the escape, were dull, pretentious and unrealistic. This film just confirmed that I stick to foreign movies, which almost never disappoint me. Force Majeure is the latest one I enjoyed.

This film is about a young woman who attempts to kill herself by an overdose. She is admitted to a psychiatric hospital for treatment, and another chapter of her life enfolds.

The book "Veronika Decides to Die" has a good word of mouth, and its author is world famous. So I thought the film would be good, and chose it for a film night with friends. It proved to be a disastrous decision. The film is so slow, tortuous and pretentious. There is so little material so they have to stretch everything to fill up the ninety minutes of screen time. I mean, how long do you have to watch the characters walking down a corridor or staring out the window? My friends started making excuses to leave about half way through, and one hour into the film, all seven friends have left. That's how boring "Veronika Decides to Die" is. My friends who have read the book said this adaption does not do the book justice, and there are seemingly pointless additions in the film. So, if you want yourself to be touched by the story, read the book instead.

2008's emotional bladder infection Twilight was created as a direct result of TV series Buffy the Vampire Slayer. Sarah Michelle Gellar was punished for her part in this with lead roles in both The Grudge and Scooby-Doo franchises. Now, freshly repentant and having reconciled with the film industry, she has returned to grace with an admirable performance in Emily Young's Veronika Decides to Die.

Based on the Paulo Coelho novel of the same name (in English anyway) Veronika Decides to Die is the story of a successful young woman, Veronika (played by Gellar) who tries to kill herself after deciding she is on a path towards a future she doesn't want. Unfortunately for her she fails and falls into a coma for several weeks, before being shipped to a mental institution where she is told damage incurred during the suicide bid will kill her within weeks.

Coelho's book focused on Veronika's freedom from constriction and her voyage of self-discovery as she came to terms with her imminent death and the freedom from responsibility that brought about. Young's film takes a more simplistic view and concentrates heavily on her love affair with Edward (Jonathan Tucker), a handsome young inmate who was struck silent after being involved a car accident. He is brooding and has pale skin. You don't see him outside during the day very much. He likes standing in the corner of darkened rooms. He's a wonderful artist.

Aside from similarities to her previous work, Gellar puts in a very strong performance as Veronika, although a confident supporting cast headed by Tucker as Edward and David Thewlis as the institution head Dr Blake help pull the film together during some of the duller moments.

As a serious exploration of anomie and the lack of control felt by many modern city-dwellers over their own lives, or a look at how removing the fear of death from our daily thoughts frees us, Veronika falls flat on its face. As a quirky little tale of love in a mental institution, it excels.

This is a story about a suicidal girl. At first I was enjoying it because I could relate to it. Veronika is institutionalized for wanting to commit suicide. Inside she rebels and tries to reject everyone around her. She plays the piano and this attracts a resident that is usually very solitary. With her music, she seems to reach something inside of him that might help bring him out of his shell. By feeling needed by someone else, we can all see value in our own lives and we can stop living for what we can do for ourselves, but what we can do for others and we can start to see our value and maybe what some of our talents are capable of. Veronika seems to come to these realizations as she explores reaching out to this male resident.