Suburban Girl - Talvolta la fine è solo un nuovo inizio

It was a pretty good movie. Before i watched it, i thought it was a romantic comedy but it's really not. There isn't much comedy here, and it doesn't try to be funny. It was entertaining though. It basically revolves around Bret (SMG's character) and her budding relationship with Archie (Alec Baldwin), her relationship with her family (particularly her father) and her aspiration to be an editor. Throughout the course of the movie, you can kinda see SMG turn from a self conscious girl to a more self assured woman.

Anyways, i thought it was a good movie. Its target audience is probably women in their early twenties (Me!), as they have someone to relate to in Bret. The dialogue can be quite pretentious though and you probably wouldn't get many of the jokes if you aren't well read.

The scenes with Alec Baldwin and SMG weren't as uncomfortable or awkward as i thought. I thought their relationship was realistic enough and it was portrayed well. They had sufficient chemistry together.

Also, i thought SMG did a great job acting in this movie. She breathed life into the character and not once did i think Buffy while watching her. Someone mentioned on the board that she was too old to play a 24 year old (she's 30) but i disagree. I thought she was totally believable as a 24 year old and she portrayed the insecurities that comes with it very well. Also, i LOVE all the clothing she wore in this movie.

Overall i would recommend this movie. It's nothing mind blowing but it's a cute movie. I give it a 7.5/10 (incidentally that's what its IMDb rating is currently).

I am generally not a fan of romantic comedies, they tend to be rather brainless, you see one and you seen them all sort of thing. How ever I was pleasantly surprised with Suburban Girl, it doesn't take you to the same old plot that seemingly all romantic comedies go to. I am sure you know what I mean, boy meets girl, boy and girl fall in love, boy looses girl, boy gets girl in the end. Instead we are introduced to a young woman, unsure of herself, looking to her relationship with an older man to give her the answers she can't seem to find. This is not your usual fare, and is a funny, well acted look at a May December romance. I think Alec Baldwin and Sarah Michelle Gellar, worked well with each other, giving a very good perfromances. I would go see this again.

Unlike the Europeans, Hollywood has never been comfortable with May-December romances. One film after another they throw the 50-something Daniel Auteuil into the arms of a 20-something babe without explanation or apology and we sit in the cinema never questioning the logic of it. When it comes to Hollywood, it is either a tragedy or a morality tale. Jack Nicholson can only be redeemed by settling for a woman near his age at the end of Something Has to Give.

Suburban Girl has an intelligent script that manages to sidestep such apologia. It also doesn't try to dilute the issue or make the motives of its main characters nobler than what they are. The December character (Alec Baldwin in excellent self-parodying mode) is a diabetic and recovering alcoholic. He is also a self-confessed womanizer and an absentee father with serious daughter issues. The May of the film (Sarah Michelle Gellar acting as if she is using the film as personal therapy) is a father-worshiper and has no qualms about allowing the older man to use his influence to better her career. It is all too real. It is a pity that Mark Klein directs the film like an afternoon romance for Hallmark channel – without flair or imagination, and that Alec Baldwin's personal life interfered unnecessarily with the screening. The unevenness of the directorial treatment might alienate the mainstream audience that seem to prefer their comedies separate from their dramas. The script skilfully avoids the known clichés without taking too many risks. The sweet-sour ending will also add to the audience confusion.

Supporting roles are cleverly underplayed by a competent ensemble. Maggie Grace, one of the early casualties of the TV hit Lost, is surprisingly effective in a role that seems to have been written for her.

If you could include every formulaic scene between an older man and a young women it would surely be Suburban Girl. Quirky advice giving best friend--check Super smart girl climbing up the job ladder=check Older millionaire bachelor=check family with conflict=check hip NYC parties=check montage of couple having fun to shortcut developing relationship =check

If you have tried Ambien and it didn't help you sleep..just watch this movie guaranteed to put you to sleep and wake up refreshed knowing you didn't waste 120 minutes watching this completely banal piece of twice baked digital film. There weren't enough montages ...we need more montages of Alec Baldwin and Sarah to drive the point home that they are having sooo much fun. Oh wait..include a hip soundtrack to help substitute good writing and acceptable acting ....yeah thanks ...I'm buying it now. Hey Alec you're 49, lose weight porky.. You have millions..can't you pay someone to eat for you??

Take your average brainless romantic comedy, that is fluffy but entertaining enough, that gives a few laughs. Formula food for movie goers. Remove the comedy, and then remove any believable romance. What do you have remaining? Not even drama. It is nice to see Sarah Michelle Gellar in something, and she is a fine enough actress. Alec Baldwin, stock rising after 30 Rock, was not the right choice for this 'story', and between them they cannot save a weak script or inject anything of interest. They are not convincing of love, nor even interact in any interesting way. Nor are there any compensatory laughs. The plot is a straight forward slice-of-life of a girl who meets an older man, and shacks up with him. What happens in the end? Nothing to care about.