Aggiungi una trama nella tua linguaDesperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what "normalcy" really means in a world of mistaken identities, ve... Leggi tuttoDesperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what "normalcy" really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.Desperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what "normalcy" really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.
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I laughed a lot watching this film. I strongly recommend this film if you are looking for something new, original, and unique film.
The leas actress Hana Yuka Sano was believable and director Thomas Bangert and writer Kev Stock did a great job!
The leas actress Hana Yuka Sano was believable and director Thomas Bangert and writer Kev Stock did a great job!
We found this movie on Amazon streaming. The trailer looked very interesting. My wife lasted about 15 minutes, it was too quirky for her. I stuck with it and enjoyed it. Some scenes, like the table in the restaurant were perfectly symmetrical, the filming and some of the dialog reminded me of some scenes in Wes Anderson movies.
The star is Hana Yuka Sano as Ashley Jones, a perfectly normal California TV reporter, married to a perfectly normal man, every week for six years they ate at the same restaurant, seated at the same table, and he always had a tenderloin cooked medium with three potatoes. She always had pasta with marinara, no meatballs.
All this 'normalcy' (or is it 'normality'?) is to set up the rest of the movie. One morning Ashley wakes up without her usual California accent, instead she has a Japanese accent, for no reason. Things happen as a result, her husband leaves, her job is in jeopardy, she is self-conscious about her condition. (There is a real condition, 'foreign accent syndrome', commonly caused by a sudden damage to the brain.)
So the quirky story has one aim, that is to accept yourself and if life gives you surprises just go with them. I didn't have much success finding anything about Hana Yuka Sano but it appears that she is a Japanese-American actress, so her 'foreign' accent is probably pretty real. If you look closely at her mouth movements when speaking in California accent you see a slight lack of synchronization, and in the end credits, another voice actress is credited with Ashley's California accent. Clever film making.
The star is Hana Yuka Sano as Ashley Jones, a perfectly normal California TV reporter, married to a perfectly normal man, every week for six years they ate at the same restaurant, seated at the same table, and he always had a tenderloin cooked medium with three potatoes. She always had pasta with marinara, no meatballs.
All this 'normalcy' (or is it 'normality'?) is to set up the rest of the movie. One morning Ashley wakes up without her usual California accent, instead she has a Japanese accent, for no reason. Things happen as a result, her husband leaves, her job is in jeopardy, she is self-conscious about her condition. (There is a real condition, 'foreign accent syndrome', commonly caused by a sudden damage to the brain.)
So the quirky story has one aim, that is to accept yourself and if life gives you surprises just go with them. I didn't have much success finding anything about Hana Yuka Sano but it appears that she is a Japanese-American actress, so her 'foreign' accent is probably pretty real. If you look closely at her mouth movements when speaking in California accent you see a slight lack of synchronization, and in the end credits, another voice actress is credited with Ashley's California accent. Clever film making.
I disliked this film. I read a description of it prior to watching it but still did not get it even with these hints. Most of the acting was not good. The lead actress was okay. I wonder whether I am unsophisticated or something when others lauded this film and I hated it. It is like someone gushing over a piece of abstract art because others gushed. I will gush if I am moved, however, there was no movement here. Finally, I don't get the significance of the 500,000 year old woman or the Japanese accent malady to the plot. Too weird.
Life isn't about being perfect. Or normal. Or perfectly normal. Just ask Ashley Jones. After waking up with a bizarre, yet hilarious case of "foreign accent syndrome", our heroine embarks upon a strangely-relatable quest for happiness and self-worth. Everyone is different and thus, everyone has their own version of normal. And that version of normal is what adds color and joy to our lives. It's what makes us valuable in a world that pressures us to bland in and play it safe. Oh, I meant "blend".
Writer Kevin Stock and Director Thomas Bangert present a comedy that will elicit both laughter and contemplation from their audience. And Hana Yuka Sano's performance as Ashley is charming, yet brilliantly complex.
From Ashley's strange "malady" to meeting a 500,000 year old woman, to bantering with the sassy narrator (also voiced by Stock), this film is far from normal. It's different. And that's what makes it so wonderful.
Writer Kevin Stock and Director Thomas Bangert present a comedy that will elicit both laughter and contemplation from their audience. And Hana Yuka Sano's performance as Ashley is charming, yet brilliantly complex.
From Ashley's strange "malady" to meeting a 500,000 year old woman, to bantering with the sassy narrator (also voiced by Stock), this film is far from normal. It's different. And that's what makes it so wonderful.
Ashley Jones Is Perfectly Normal is a very complex storyline touching upon a plethera of Contemporary issues like stereotypes, racism, intolerance, assimilation, intolerance, discrimination and the dangers of not believing in your inner self,
There were subtleties like the town's name being "Santa Norma" that Larry's potato winds up being the .............. That was was a very nice touch.
Yuka Sano the female lead was extremely good portraying Ashley Joes. Convincingly portraying the courage of conscience.
I will watch this again as I probably missed something on the 1st viewing.
This a most enjoyable film to watch.
Yuka Sano the female lead was extremely good portraying Ashley Joes. Convincingly portraying the courage of conscience.
I will watch this again as I probably missed something on the 1st viewing.
This a most enjoyable film to watch.
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- Tempo di esecuzione
- 1h 22min(82 min)
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