VALUTAZIONE IMDb
7,0/10
42.105
LA TUA VALUTAZIONE
Uno sguardo a qualche episodio della vita di Poppy, un'allegra ed esuberante insegnante di scuola del nord di Londra il cui ottimismo tende a esasperare chi le sta intorno.Uno sguardo a qualche episodio della vita di Poppy, un'allegra ed esuberante insegnante di scuola del nord di Londra il cui ottimismo tende a esasperare chi le sta intorno.Uno sguardo a qualche episodio della vita di Poppy, un'allegra ed esuberante insegnante di scuola del nord di Londra il cui ottimismo tende a esasperare chi le sta intorno.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 39 vittorie e 63 candidature totali
Sinead Matthews
- Alice
- (as Sinéad Matthews)
Viss Elliot Safavi
- Flamenco Student
- (as Viss Elliot)
Recensioni in evidenza
Some UK critics have been saying that "Happy-Go-Lucky" is the happiest and most cheerful movie that Mike Leigh has ever made. Well, I don't know if I would exactly agree with that. It is and it isn't.
Sally Hawkins' primary school teacher Poppy is, indeed, a very happy individual. Annoyingly happy, insanely cheerful, depressingly optimistic and psychotically 'Up!', most of the time. It is a tribute to Sally Hawkins performance that, once you get past the initial irritation with her, you completely fall in love with Poppy, her goodness, her openness and, yes, her simple niceness.
Then there is Eddie Marsan's driving instructor Scott. Scott is the very antithesis of happy. Scott is rigid, angry, frustrated, impatient, knotted up and racist. A borderline OCD sufferer, who is tortured by who-knows-what in his past. Scott is the most bitter and overwhelming character in a Mike Leigh film since David Thewlis' Johnny in "Naked". It is a towering performance by Eddie Marsan.
If Poppy is the light, Scott is definitely the dark, but it seemed to me that dark shadows inhabit the whole of "Happy-Go-Lucky". The unhappy schoolboy, the glum Sister, the other sister - a social climber who dominates her husband. Little vignettes of irritation and annoyance. Typical Mike Leigh.
"Happy-Go-Lucky" is a really good film, if you stick with it. I liked the way that Poppy does stop smiling towards the end. Maybe the world is too much for even the most dedicated optimist?
Sally Hawkins' primary school teacher Poppy is, indeed, a very happy individual. Annoyingly happy, insanely cheerful, depressingly optimistic and psychotically 'Up!', most of the time. It is a tribute to Sally Hawkins performance that, once you get past the initial irritation with her, you completely fall in love with Poppy, her goodness, her openness and, yes, her simple niceness.
Then there is Eddie Marsan's driving instructor Scott. Scott is the very antithesis of happy. Scott is rigid, angry, frustrated, impatient, knotted up and racist. A borderline OCD sufferer, who is tortured by who-knows-what in his past. Scott is the most bitter and overwhelming character in a Mike Leigh film since David Thewlis' Johnny in "Naked". It is a towering performance by Eddie Marsan.
If Poppy is the light, Scott is definitely the dark, but it seemed to me that dark shadows inhabit the whole of "Happy-Go-Lucky". The unhappy schoolboy, the glum Sister, the other sister - a social climber who dominates her husband. Little vignettes of irritation and annoyance. Typical Mike Leigh.
"Happy-Go-Lucky" is a really good film, if you stick with it. I liked the way that Poppy does stop smiling towards the end. Maybe the world is too much for even the most dedicated optimist?
Dear Readers, please see the movie before voting whether or not a review is helpful.
"Happy-Go-Lucky" (HGL) is being marketed as a lively comedy, in the vain of "Amelie," which is a far superior film that should be rented instead of seeing HGL (a search for Amelie at IMDb will bring up a review). HGL made me and my fiancée sad and annoyed that we had wasted two hours of our lives watching this dreck.
HGL is a film about several sad and miserable people and an annoying, overly-optimistic Poppy who sees the world though rose-colored-glasses no matter the problem or danger. Poppy come across as a lunatic surrounded by boring characters. No one in HGL does anything to endear themselves to any of the other characters or for that matter to the audience. Poppy may be "Happy" but her happiness is not infectious, and she does nothing that brings any joy into the film world or our world.
HGL has few laughs and fails as a comedy; it also fails as a drama about sad and miserable people.
Please consider the environment before printing this review. For more eco-tips, try a Google search for TreeHugger.
"Happy-Go-Lucky" (HGL) is being marketed as a lively comedy, in the vain of "Amelie," which is a far superior film that should be rented instead of seeing HGL (a search for Amelie at IMDb will bring up a review). HGL made me and my fiancée sad and annoyed that we had wasted two hours of our lives watching this dreck.
HGL is a film about several sad and miserable people and an annoying, overly-optimistic Poppy who sees the world though rose-colored-glasses no matter the problem or danger. Poppy come across as a lunatic surrounded by boring characters. No one in HGL does anything to endear themselves to any of the other characters or for that matter to the audience. Poppy may be "Happy" but her happiness is not infectious, and she does nothing that brings any joy into the film world or our world.
HGL has few laughs and fails as a comedy; it also fails as a drama about sad and miserable people.
Please consider the environment before printing this review. For more eco-tips, try a Google search for TreeHugger.
I think most of us know a person who is perpetually happy and optimistic, and so annoyingly so that you resent them for being happy when you're not, and you consciously or unconsciously try to smash their rose-tinted glasses. I would add a "or maybe that's just me" but Happy-Go-Lucky is the story of such a person, and how she affects everyone around her.
Gawd, Poppy's annoying. This is quite the "love it or hate it" movie depending on whether you're more like her or like the angry and negative driving instructor she antagonizes with her cheerfulness. But as long as you can hold down the bile, it can be fascinating to watch her interact with the spectrum of people she encounters, since they all fall at various points between her and the instructor. From tolerant, to accepting, to nonchalant, to envious, they run the gamut and it's pretty easier to associate with one of them.
At first I thought Sally Hawkins' performance was going to be one shrill note throughout the movie, but no, there are fortunately moments of quiet drama too. In any case, I have to admire someone who can act so constantly cheerful without any traces of irony. I find Mike Leigh's movies quite hard to sit through, since they're usually about people and their interactions, and to appreciate the movies you have to strive to understand their people. Patience and understanding are not qualities I have in copious amounts; I generally prefer characters that I automatically empathize with.
This movie is a rare oddity in that it annoyed me and yet it was still a good watch. It's a movie that I would recommend to people but lordy, I don't wanna watch it again.
Gawd, Poppy's annoying. This is quite the "love it or hate it" movie depending on whether you're more like her or like the angry and negative driving instructor she antagonizes with her cheerfulness. But as long as you can hold down the bile, it can be fascinating to watch her interact with the spectrum of people she encounters, since they all fall at various points between her and the instructor. From tolerant, to accepting, to nonchalant, to envious, they run the gamut and it's pretty easier to associate with one of them.
At first I thought Sally Hawkins' performance was going to be one shrill note throughout the movie, but no, there are fortunately moments of quiet drama too. In any case, I have to admire someone who can act so constantly cheerful without any traces of irony. I find Mike Leigh's movies quite hard to sit through, since they're usually about people and their interactions, and to appreciate the movies you have to strive to understand their people. Patience and understanding are not qualities I have in copious amounts; I generally prefer characters that I automatically empathize with.
This movie is a rare oddity in that it annoyed me and yet it was still a good watch. It's a movie that I would recommend to people but lordy, I don't wanna watch it again.
When this film came out my girlfriend said she wanted to see it because she'd heard good things. After much time waiting for her to be in the mood for it, I eventually queued it up when by myself and I am glad I did as she would have truly hated this film. The plot (as light as it is) is about a 30-year-old woman who is as cheerful and perky as the day is long. She hangs out with her friends, she meets a guy, she learns how to drive and in all these things we see her infectious sense of happiness. There isn't much more to this and I do not thing I have seen a film that depends so totally on whether or not you like the main character.
I said she is infectious but then so are many diseases and to be honest I found Poppy to be as enjoyable. Her character is the type to speak to strangers, to constantly have a zany remark, to be the one making a spectacle of herself and so on. Of course her being the polar opposite of me didn't help, but I found nothing to make me question myself here and on the contrary I spent much of the film wondering if Polly isn't suffering from some sort of mental illness. The majority of the film sees Poppy in full-on zany mood, mostly in collaboration with others but occasionally contrasting her with a dull married couple and her driving instructor, who carries all of his anger with him all the time. When the film is letting Poppy just be herself I found it tiresome. As a character she says nothing real and everything is a little joke or witty episode. It is only the contrast where she comes out and I think there is really only one or two moments in the film where I felt a real person had come out of Poppy.
The cast are mixed and not in a goo way. Hawkins got lots of praise of this performance but I thought it was terrible. In one or two scenes she lets the façade drop so we see her at her most real. I loved these moments but the downside of them was that we then know the rest is a façade and not her really. Her acting involves cheeky mockney dialogue and little else. Marsan is much better. His rage and anger is convincing and his performance works well next to the moments when Hawkins is not OTT cheerful. The supporting cast is OK but really it is Hawkins' film and this is something to keep in mind.
Whether you like this film or not depends very much on liking Poppy. You may find her freewheeling color to be charmingly quirky but for me she used it as a barrier to any real discussion or humanity and she struck me as disingenuous throughout the film. The moments where she drops the wisecracks and zaniness and lets something like empathy or concern for others come through are great, but they are few and far between.
I said she is infectious but then so are many diseases and to be honest I found Poppy to be as enjoyable. Her character is the type to speak to strangers, to constantly have a zany remark, to be the one making a spectacle of herself and so on. Of course her being the polar opposite of me didn't help, but I found nothing to make me question myself here and on the contrary I spent much of the film wondering if Polly isn't suffering from some sort of mental illness. The majority of the film sees Poppy in full-on zany mood, mostly in collaboration with others but occasionally contrasting her with a dull married couple and her driving instructor, who carries all of his anger with him all the time. When the film is letting Poppy just be herself I found it tiresome. As a character she says nothing real and everything is a little joke or witty episode. It is only the contrast where she comes out and I think there is really only one or two moments in the film where I felt a real person had come out of Poppy.
The cast are mixed and not in a goo way. Hawkins got lots of praise of this performance but I thought it was terrible. In one or two scenes she lets the façade drop so we see her at her most real. I loved these moments but the downside of them was that we then know the rest is a façade and not her really. Her acting involves cheeky mockney dialogue and little else. Marsan is much better. His rage and anger is convincing and his performance works well next to the moments when Hawkins is not OTT cheerful. The supporting cast is OK but really it is Hawkins' film and this is something to keep in mind.
Whether you like this film or not depends very much on liking Poppy. You may find her freewheeling color to be charmingly quirky but for me she used it as a barrier to any real discussion or humanity and she struck me as disingenuous throughout the film. The moments where she drops the wisecracks and zaniness and lets something like empathy or concern for others come through are great, but they are few and far between.
This film is about a London school teacher who is constantly happy, and even childish.
I was hoping "Happy Go Lucky" would at least be a feel good happy movie. With this expectation, I was devastatingly disappointed by what I saw. Poppy is a person who does not take anything seriously. Instead of being cute and comical, she comes across as being very annoying and even offensively stupid at times. She and her friends engage in tireless and pointless conversations, making the whole film really boring. The driving instructor is unlikeable as he is uptight and rigid, but his scenes are the comparatively most captivating out of the whole film.
I don't see the reason for the rave reviews for this film. It's ever so boring and irritating.
I was hoping "Happy Go Lucky" would at least be a feel good happy movie. With this expectation, I was devastatingly disappointed by what I saw. Poppy is a person who does not take anything seriously. Instead of being cute and comical, she comes across as being very annoying and even offensively stupid at times. She and her friends engage in tireless and pointless conversations, making the whole film really boring. The driving instructor is unlikeable as he is uptight and rigid, but his scenes are the comparatively most captivating out of the whole film.
I don't see the reason for the rave reviews for this film. It's ever so boring and irritating.
Lo sapevi?
- QuizThe role of Poppy was written specifically for Sally Hawkins.
- BlooperIn the scene after Poppy has aborted her lessons for good with Scott, she walks past the same row of shops twice.
- ConnessioniFeatured in Happy-Go-Lucky: Mike Leigh's Characters (2008)
- Colonne sonoreCommon People
Performed by Pulp
Written by Jarvis Cocker (as Cocker) / Nick Banks (as Banks) / Candida Doyle (as Doyle) / Steve Mackey (as Mackey) / Russell Senior (as Senior)
Published by Universal/Island Music Ltd
Courtesy of Universal-Island Records Ltd
Under licence from Universal Music Operations
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Happy-Go-Lucky
- Luoghi delle riprese
- Tower Bridge School, Southwark, London, Regno Unito(school scenes)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 3.512.016 USD
- Fine settimana di apertura Stati Uniti e Canada
- 73.867 USD
- 12 ott 2008
- Lordo in tutto il mondo
- 18.696.602 USD
- Tempo di esecuzione
- 1h 58min(118 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti