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Naked - Nudo

Titolo originale: Naked
  • 1993
  • VM18
  • 2h 11min
VALUTAZIONE IMDb
7,7/10
46.893
LA TUA VALUTAZIONE
POPOLARITÀ
1048
35
David Thewlis in Naked - Nudo (1993)
Theatrical Trailer from Fine Line
Riproduci trailer1: 25
1 video
94 foto
Dark ComedyComedyDrama

Un mancuniano disoccupato sfoga la sua rabbia su ignari sconosciuti mentre si imbarca in un'odissea notturna a Londra.Un mancuniano disoccupato sfoga la sua rabbia su ignari sconosciuti mentre si imbarca in un'odissea notturna a Londra.Un mancuniano disoccupato sfoga la sua rabbia su ignari sconosciuti mentre si imbarca in un'odissea notturna a Londra.

  • Regia
    • Mike Leigh
  • Sceneggiatura
    • Mike Leigh
  • Star
    • David Thewlis
    • Lesley Sharp
    • Katrin Cartlidge
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    46.893
    LA TUA VALUTAZIONE
    POPOLARITÀ
    1048
    35
    • Regia
      • Mike Leigh
    • Sceneggiatura
      • Mike Leigh
    • Star
      • David Thewlis
      • Lesley Sharp
      • Katrin Cartlidge
    • 173Recensioni degli utenti
    • 66Recensioni della critica
    • 85Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Nominato ai 1 BAFTA Award
      • 8 vittorie e 7 candidature totali

    Video1

    Naked
    Trailer 1:25
    Naked

    Foto94

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    + 86
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    Interpreti principali23

    Modifica
    David Thewlis
    David Thewlis
    • Johnny
    Lesley Sharp
    Lesley Sharp
    • Louise
    Katrin Cartlidge
    Katrin Cartlidge
    • Sophie
    Greg Cruttwell
    Greg Cruttwell
    • Jeremy
    Claire Skinner
    Claire Skinner
    • Sandra
    Peter Wight
    Peter Wight
    • Brian
    Ewen Bremner
    Ewen Bremner
    • Archie
    Susan Vidler
    Susan Vidler
    • Maggie
    Deborah Maclaren
    Deborah Maclaren
    • Woman in Window
    • (as Deborah MacLaren)
    Gina McKee
    Gina McKee
    • Cafe Girl
    Carolina Giammetta
    Carolina Giammetta
    • Masseuse
    Elizabeth Berrington
    Elizabeth Berrington
    • Giselle
    Darren Tunstall
    • Poster Man
    Robert Putt
    Robert Putt
    • Chauffeur
    Lynda Rooke
    • Victim
    Angela Curran
    • Car Owner
    Peter Whitman
    • Mr Halpern
    Jo Abercrombie
    • Woman in Street
    • Regia
      • Mike Leigh
    • Sceneggiatura
      • Mike Leigh
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti173

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    Recensioni in evidenza

    mikeharrison

    Another rave review!

    This is one of my favourite films. I don't think that you can necessarily call it realistic. Johnny in particular seems to be one of those characters that you sometimes see in psychological dramas in film, theatre and literature who embodies too many extreme characteristics in his mode of living and his thought processes and experiences too many hyperintense situations in the short timescale of the film's action to be wholly believable. So you probably won't meet a cynical, sharply witty and intelligent and cruel f**k-up quite like that even from Manchester. But I don't think that that detracts from the film as some of the other commenters seem to feel - I don't mind a bit of staginess! David Thewlis's performance fills me with awe. His speech, his facial expressions, the way he moves and holds his body are electrifying. He is an incredibly damaged character who uses his (sometimes inhumanly) sharp wit and intelligence to cruelly torment and exploit those around him instead of trying to use his obvious gifts in a more positive way to help himself and the other human flotsam that he encounters. For all his strength of will and powers of endurance, he is weak because he revels in his nihilism and his desire to crush other unfortunates. He could never have a genuinely open mutual compassionate relationship with another human being. But thanks to the brilliance of DT he becomes one of the most magnetic screen characters ever. I love Mike Leigh and I love David Thewlis (he always plays unusual characters but not often misanthropes - the man is a great actor). I love this movie. 'Nuff said.
    10El_Farmerino_Esq

    Savage, Brutal, Brilliant.

    There are precious few movies to which I would give a perfect rating and none so difficult to justify as Naked. Indeed, when I mention the depth of my appreciation for the film most who have seen it tend to reel in horror whilst deriding its unpleasantness...

    So how do I justify it? I could witter on about the brilliance of David Thewlis' performance, the excellent support cast, the devastatingly witty dialogue and Leigh's assured direction until the cows came home, but this still wouldn't totally do it. I can't say a lot about the plot because, well, there isn't a great deal of plot to speak of. So what is it?

    I'll tell you what it is: it's the honesty of it. The brutal, searing, sickening honesty. Here is a film unafraid to hold a mirror up to the dark, venal, destructive underbelly of our society - a film that portrays relentlessly and unflinchingly a side of our character which we'd prefer to simply sweep under the carpet. It takes everything that is immoral, degenerate and depraved in modern society and smears it all over the screen in a grubby orgy of loathing. It is not simply a movie with teeth but one with rabid, venomous, acid-tipped fangs, tearing and gnashing at our pompous ideas about our own natures.

    There are many movies which are fantastically enjoyable and make for a sterling night out with friends and family. This is not one of them. Naked is disturbing, unpleasant, frightening and utterly bleak. It is also quite brilliant.
    mew-4

    Amazing

    If you liked Pi or The Cruise then you should check out Naked. It's an amazing exploration of a man descended into nihilism, who leaves victims of his intellectual bullying (and misogyny) everywhere. No, it's not PC. Yes, it feels so real. Sorry to gush, but I loved this film.

    I like American Existential Anti-Heroes. I wasn't really prepared to confront an English Existential Anti-Hero. Wow, what a different take on a similar stimulus.

    This film is a monument to gritty realism, without being self-conscious about it. You can taste this movie. But you never feel like it was faked or forced. The camera work and the lighting never get in the way. I usually notice such things, and here it was invisible and completely immersive. David Thewlis throws every bit of his body into this movie. Even the great closing credit scene.

    I would be remiss if I didn't point out the fantastic black humor, especially since some people said it wasn't funny! Sophie wails in the most sustained way I have ever seen in drama. And it's hysterical, even as you're hurting with her. The frantic Scottish kid made me rewind again and again. While I agree that the "landlord" character could have been over the top, his reaction to Johnny flailing on the floor made me laugh out loud. The two characters are really barely distinguishable but that one is a dandy and the other has a fondness for the gutter. As the poster-hanger beats the crap out of our anti-hero you can't help but laugh. And then you nod along as Louise tells him he had it coming in her terrific and constant deadpan (with an occasional suggestion of a smile).

    As our protagonist points out, in the end, all the books, and all the learning, and all the discussion, still don't help you understand the point of the cruel joke of life. Yes, it's an old dorm-room discussion that freshman are still having for the 1st time. But that doesn't make the question and the questioning any less desperate. It is human to cry out in pain, even when it's self-inflicted. The references to making a choice for self-destruction are throughout the dialogue, but not so much so that they hit you in the head.

    Naked is depressing and euphoric at the same time. Yes it's often "awful", but how can you not cheer for someone who loves life and is trying his hardest to fully engage it? And not one character (or question) gets a pat Hollywood ending or moral -- woo-hoo!

    This movie is why people can call film a legitimate art form. It provokes thought, it is drama, and it is beautiful. It thrills me.

    Someone asked if the dialogue was improvised. According to IFC, Mike Leigh rehearsed with the cast for 11 weeks before writing the script, which then came to only 25 pages.
    thearbiter

    Devastating

    In my adult life, this is the one and only film that has ever moved me to tears with its ending. It was like watching Michelangel applying his final daub to the Sistene Chapel, the incomprehensible achievement of a perfect artistic vision, and the attainment of a transcendent brilliance.

    For years, I had fantasized about becoming a writer / director, and actually put forth some appreciable effort to that end. This film, Mike Leigh's incomparable, unprecedented masterwork, cured me of that fantasy. He said, and did, in two hours, all that I could have hoped to achieve in an entire career, and it became gapingly obvious to me that I had no business in this medium.

    There is no "story" here, except that of the distilled essence of the hopeless pre-Millenial Western man, robbed of the promised nuclear annihilation he had always consciously feared, but subconsciously hoped for, if only to put the world out of its misery. The naked and the lost, the wandering spectre of the sentient living dead, and the pitiful yet mercifully ignorant companions that cross his path.
    gingerkris

    Macabre Reality...

    I first watched the movie on a recommendation and was hooked on Mike Leigh movies ever after.

    Naked does not mess around with polite small talk, No, it truly baptizes the viewer into a gritty, dirty puddle of London which leaves you feeling like taking a shower after your through.

    When I watched Naked as a student I had been to London only once, having now lived in the capital for over two years I have seen the dirty underbelly and appreciate the honesty of leigh's film more so now than ever.

    I particularly enjoyed 'The wandering Scots', and the 'Security Guard' whom are both lost, yet in very different ways.

    Thinking back to the time i watched it i was captivated by the dialog, and the self destructive element that hung like dynamite around our characters. This frustrated me than but now being more mature i can accept it as inevitable for these individuals.

    I can honestly say that there are not many movies that make one feel this way, make one reflect and feel so empty looking at Johnys life and future...

    I have the utmost respect for all the actors in this film. Yet, it has been a number of years since i have watched it as it is a long embarkation through the soul of human suffering...watch it for the pure genius that is Mike & David but be sure to watch it in good company that has an open mind.

    Enjoy

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      To prepare for the role of Johnny, David Thewlis read Voltaire's Candide, the teachings of Buddha and James Gleick's Chaos, and the holy books the Bible and the Qur'an.
    • Citazioni

      Louise: So what happened, were you bored in Manchester?

      Johnny: Was I bored? No, I wasn't fuckin' bored. I'm never bored. That's the trouble with everybody - you're all so bored. You've had nature explained to you and you're bored with it, you've had the living body explained to you and you're bored with it, you've had the universe explained to you and you're bored with it. So now you want cheap thrills and like plenty of them, and it don't matter how tawdry or vacuous they are as long as it's new, as long as it's new, as long as it flashes and fuckin' bleeps in forty fuckin' different colors. So whatever else you can say about me, I'm not fuckin' bored.

      Louise: Yeah. All right.

      Johnny: So how's it all going for you?

      Louise: It's a bit boring, actually.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Blink/Naked/I'll Do Anything/The Thing Called Love/Blue (1994)

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    Dettagli

    Modifica
    • Data di uscita
      • 23 novembre 1994 (Italia)
    • Paese di origine
      • Regno Unito
    • Lingua
      • Inglese
    • Celebre anche come
      • Desnudo
    • Luoghi delle riprese
      • 33 St Mark's Rise, Londra, Inghilterra, Regno Unito(Louise and Sophie's house)
    • Aziende produttrici
      • Thin Man Films
      • British Screen Productions
      • Channel Four Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 1.769.305 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 36.463 USD
      • 19 dic 1993
    • Lordo in tutto il mondo
      • 1.797.195 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 11 minuti
    • Colore
      • Color
    • Proporzioni
      • 1.66 : 1

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