City Homicide

I'm a big fan of Homicide life on the street and loved Detroit 187 and other shows like them. If you like those too you will live this. The first show almost lost me. It had really dorky music but a good story line so I watched a few more and fell in love.

This is a very real gritty cop drama. They only delve into the characters personal lives as proprietary. Like with Simon's intricate story line that plays out in a most impressive fashion at the end of season three through the begging of season 4.

The few Aussie shows I have watched before sucked. I thought this was British at first. This could have even done fine on USA TV. I've found it addicting.

Frankly, I'm an American watching this show "second hand" via the internet, 72 minutes at a time. This means my frame of comparison is typical American cop dramas.

I really like this show.

Unlike most US cop dramas, City Homicide is an actual ensemble show without a true "top billed" personality and a more realistic focus on the case, investigation, and legwork instead of the type of action real cops would call a SWAT team in for. Also, the plots suffer little in the way of "creep" towards outrageous plots like half of the CSI: Miami plots.

Another credit for City Homicide is the fact the actors don't come across like clothes models reading scripts. While most of the cast are attractive, they're believably so.

As far as characterization goes, City Homicide paints the characters as human with flaws that have to be lived with or worked around and not-- like many American shows--show up once out of the blue and are resolved in a single two-episode arc.

This is also a refreshing change.

If you like police dramas, give it a try. If you're an American and you somehow can watch this show, definitely give it a try.

(And don't worry, you'll pick up on the accent pretty quickly...)

Last September, Mount Gambier's WIN Television station had a bit of a shakeup: WIN had signed an affiliation agreement with Seven (which people are still whining about almost ten months later), and we'd been getting the new programming. I'd started enjoying most of the new programming.

Anyway, One night, I had come home from visiting my grandparents, and saw City Homicide (I think it was the third episode). It was a brilliant show! Shane Bourne is an excellent actor, and with another Australian acting great, Noni Hazelhurst, it was sure to be an excellent show.

It's a well written show, better than CSI or all those other ones.

Someone else compared this show to Sea Patrol: I agree fully with their remarks. Sea Patrol was a rubbish show (We'd had Channel Nine programming beforehand). The acting wasn't there, there was no plot, it was just "ugh!", to sum it up in a word. City Homicide, on the other hand, had me on the edge of my seat on every episode. The adds annoyed me badly, simply because they got in the way of a brilliant, well-written plot.

If you see this show, watch it. (Oh, and if anyone from Channel Seven is reading this, Release Season Two already! And make it much, much, longer! Please?)

I just finished watching the last show of the series. I waited to write a review until I saw the entire run. Yes, this isn't the strongest Australian show out there, but overall it was a very good show. The entire cast was used equally with no one major "star" coming to the front. For me that is a plus. everyone had an equal part to play. One complaint, when the show ended it left everything up in the air. It could have run at least another season or two. All in all a very good show , well worth your time.

Australian television series can be hit or miss but this one is a few grades above the rest. Buoyed by superior scripts and crisp direction, each episode unravels without the drawn-out emotional drama of other such shows. Yes, there are soap opera moments but they are brief and tightly written.

The acting, especially from Shane Bourne, Nadine Garner, Noni Hazlehurst and Marshall Napier, is top notch although the three actors playing the main male detectives tend to guilty of overacting (and bad coiffures), losing some credibility from this otherwise excellent show. Aaron Pedersen is almost almost laughable in his role: he has one expression (rage) and one tone of voice (bellowing).

That the show retains its edge and intelligence throughout is remarkable but the real beauty of this series is the wicked wit that alleviates the tension at the precise moment where it is needed. A wonderfully disciplined show.