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A Serious Man

  • 2009
  • T
  • 1h 46min
VALUTAZIONE IMDb
7,0/10
155.200
LA TUA VALUTAZIONE
POPOLARITÀ
2604
257
Michael Stuhlbarg in A Serious Man (2009)
A black comedy set in 1967 and centered on on Larry Gopnik (Stuhlbarg), a Midwestern professor who watches his life unravel when his wife prepares to leave him because his inept brother (Kind) won't move out of the house.
Riproduci trailer1:41
8 video
99+ foto
CommediaCommedia darkCommedia stravaganteDrammaDramma psicologicoDrammi storiciTragedia

Negli anni 60 Larry Gopnik, un professore di fisica, è coinvolto in una serie di vicende tragicomiche che lo vedono al centro di situazioni sempre più disperate.Negli anni 60 Larry Gopnik, un professore di fisica, è coinvolto in una serie di vicende tragicomiche che lo vedono al centro di situazioni sempre più disperate.Negli anni 60 Larry Gopnik, un professore di fisica, è coinvolto in una serie di vicende tragicomiche che lo vedono al centro di situazioni sempre più disperate.

  • Regia
    • Ethan Coen
    • Joel Coen
  • Sceneggiatura
    • Joel Coen
    • Ethan Coen
  • Star
    • Michael Stuhlbarg
    • Richard Kind
    • Sari Lennick
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,0/10
    155.200
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2604
    257
    • Regia
      • Ethan Coen
      • Joel Coen
    • Sceneggiatura
      • Joel Coen
      • Ethan Coen
    • Star
      • Michael Stuhlbarg
      • Richard Kind
      • Sari Lennick
    • 441Recensioni degli utenti
    • 325Recensioni della critica
    • 88Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Candidato a 2 Oscar
      • 17 vittorie e 80 candidature totali

    Video8

    A Serious Man -- Trailer #1
    Trailer 1:41
    A Serious Man -- Trailer #1
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    "Living Arrangements" from A Serious Man
    Clip 0:44
    "Living Arrangements" from A Serious Man
    "I Tried to Be a Serious Man" from A Serious Man
    Clip 0:58
    "I Tried to Be a Serious Man" from A Serious Man
    A Serious Man
    Interview 0:46
    A Serious Man
    A Serious Man
    Interview 0:27
    A Serious Man

    Foto120

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 114
    Visualizza poster

    Interpreti principali76

    Modifica
    Michael Stuhlbarg
    Michael Stuhlbarg
    • Larry Gopnik
    Richard Kind
    Richard Kind
    • Uncle Arthur
    Sari Lennick
    Sari Lennick
    • Judith Gopnik
    Fred Melamed
    Fred Melamed
    • Sy Ableman
    Aaron Wolff
    Aaron Wolff
    • Danny Gopnik
    Jessica McManus
    • Sarah Gopnik
    Peter Breitmayer
    Peter Breitmayer
    • Mr. Brandt
    Brent Braunschweig
    • Mitch Brandt
    David Kang
    • Clive Park
    Benjamin Portnoe
    • Danny's Reefer Buddy
    Jack Swiler
    • Boy on Bus
    Andrew S. Lentz
    • Cursing Boy on Bus
    Jon Kaminski Jr.
    • Mike Fagle
    Ari Hoptman
    • Arlen Finkle
    Alan Mandell
    • Rabbi Marshak
    Amy Landecker
    Amy Landecker
    • Mrs. Samsky
    George Wyner
    George Wyner
    • Rabbi Nachtner
    Michael Tezla
    • Dr. Sussman
    • Regia
      • Ethan Coen
      • Joel Coen
    • Sceneggiatura
      • Joel Coen
      • Ethan Coen
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti441

    7,0155.2K
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    Recensioni in evidenza

    8splodgeroonie

    I don't understand it so I will dismiss it as worthless and return to the familiar.

    I can see why many people would dismiss this. Like the reviewer who watched "52 minutes" and turned it off because none of the characters were likable so it would be a waste of time to continue.

    Those who expect life to be a series of plausible outcomes, logically following some kind of cause and effect order are always disappointed by honest works of art, not to mention life itself. One of the very themes of this film are those kinds of people and their need to cling to some sort of tradition, structure, and belief in order to deny their fear.

    Another theme was perspective and perception. That what may seem mundane and meaningless may be filled with the most profound meaning and that which we place so much value in may be worth absolutely nothing.

    "Receive with simplicity everything that happens to you."

    If you can enjoy a movie that leaves you with questions as much as one that attempts to provide answers then I highly recommend a viewing.
    7SweetWilliam63

    Quantum Physics Aside

    There are two ways to watch this movie: One, taken at face value as a slice of life movie presented in the typically painful dark comic stylings of the Cohen Brothers. In which case, the writing, acting, story line (and lack of deus ex machina there in) about a put upon drudge in 1960's suburban Minnesota will not disappoint. Trust me. Go on. Enjoy. Or, 'B', informed by the many breakdowns and analysis provided by the internets in which case you may find yourself going "Oy Vey!". The first way, at face value, is how I like to watch movies. It is, in my humble opinion, art in it's purest form. I like a good denouement phase as will as the next guy but when you have to have someone else explain it in order to appreciate it, it morphs into something else. Having said that, I was intrigued enough by what I watched the first time to watch it again informed by the cheat sheets on quantum physics, the uncertainty principle, Werber Hiesenberg, and the super-posiition. This latter perspective did provide some resolution and undoubtedly enough impressive fodder for my next cocktail party but it also left me in the "super-position" of unfixed propability and unable therefore to identify the movie as being 'good' or 'bad'. Ha! See what I did there?
    imdbbl

    Self-indulgent nonsense

    It is 1967, and Larry Gopnik (Michael Stuhlbarg), a physics professor at a quiet Midwestern university, has just been informed by his wife Judith (Sari Lennick) that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman (Fred Melamed), who seems to her a more substantial person than the feckless Larry. Larry's unemployable brother Arthur (Richard Kind) is sleeping on the couch, his son Danny (Aaron Wolff) is a discipline problem and his daughter Sarah (Jessica McManus) is stealing money from his wallet in order to save up for a nose job. While his wife and Sy Ableman blithely make new domestic arrangements, and his brother becomes more and more of a burden, an anonymous hostile letter-writer is trying to sabotage Larry's chances for tenure at the university. Also, a graduate student seems to be trying to bribe him for a passing grade while at the same time threatening to sue him for defamation...

    "A Serious Man" is the the latest comedy by the Coens brothers's and it turned out to be one of the worst films I had the displeasure to watch this year. The film is essentially a dark comedy, which seems to be the Coens favorite genre, but with emphasis on the dark. Burn After Reading, the Coens previous film, was also very dark but at the same time, extremely funny. A Serious Man doesn't deliver any laughs whatsoever, and seems to be filled with inside/personal jokes. In Brudges is another good example of a well done black comedy, even thought tragedy ensues, we can't help but laugh. By now, I hope it's clear that I enjoy dark humor as much as the next guy but there's just no humor at all in A Serious Man. I could have still enjoyed the film, had the story been well written but it wasn't. It's a conglomerate of silly situations and awkward moments glued together with no resemblance to an actual story. A modern retelling of the Book of Job? Perhaps. A well written story? Absolutely not.

    The film didn't deliver on any level and ended up being painfully dull. The reviews for this film have been so positive, and it was so well received by the critics that those who hated the film will be, I'm sure, immediately accused of "not getting it". Maybe you do have to be fully aware of the Jewish culture, or a big fan of the Coens brothers to actually enjoy the film but, as I stand, A Serious Man is a terrible film, that apart from the great set and wardrobe, has no redeeming qualities.

    2/10
    8Jisk

    Nobody Understands the Laws if the Universe

    From the shtetl to the suburbs, the forces that run our lives are a mystery to us. We think we understand some of these laws, and try to live our lives according to them, but we are just barking up the wrong tree. Because sometime at some point, as the "serious man "finds out, life is going to kick our ass. Religions don't understand anything anymore than our hero of the film does. We are all just guessing. That's what this movie is about. It's pretty brilliant, acerbic, and downright cynical. A dybbuk could appear at your door anyday of the week, or a car crash could end you, or you could get diagnosed with cancer, or a tornado could come and sweep you away. There are laws that determine these things, but they are beyond our comprehension. And the things we choose to worry about are inconsequential. Life is capricious and will end you when it feels like it. Don't even try to figure out and religions don't understand it anymore than anyone else.
    6SnoopyStyle

    Very tiring to watch as he gets pushed around

    It's 1967 Bloomington, Minnesota. Larry Gopnik is a meek physics professor. His kids are annoying brats. His brother Arthur (Richard Kind) is an unwelcome house guest. His wife Judith wants a divorce. His student is constantly pestering him.

    The Coen brothers are skilled filmmakers. But not everything they do is always to my taste. And this movie doesn't speak to me. I'm not Jewish. I don't understand this character. I wonder if we're suppose to laugh at the guy. I'm certain not going to laugh with him. His patheticness is incredibly tiring. It's a dark comedy with few laughs. Mostly it left me scratching my head. I found watching this a rather frustrating experience as he is assailed on all sides. Everybody has a sad sheen of annoyed anger. It is beautifully shot, and expertly filmed. I just don't get this guy.

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      The names of the characters who ride the school bus with Danny Gopnik are the names of children that the Coen brothers grew up with.
    • Blooper
      In the final scenes where Larry changes Clive's failing grade, you can clearly see the erasure marks of the new grade before he erases the old one. This could denote the film makers needing several takes to get the right shot. Yet, it could also have been chosen to be included on purpose to show that Larry struggled many times with the morality of passing Clive, going so far as to update his grade, but had changed his mind.
    • Citazioni

      Rabbi Nachtner: You know Lee Sussman.

      Larry Gopnik: Doctor Sussman? I think I - yeah.

      Rabbi Nachtner: Did he ever tell you about the goy's teeth?

      Larry Gopnik: No... I- What goy?

      Rabbi Nachtner: So... Lee is at work one day; you know he has the orthodontic practice there at Great Bear. He's making a plaster mold - it's for corrective bridge work - in the mouth of one of his patients, Russell Kraus. The mold dries and Lee is examining it one day before fabricating an appliance. He notices something unusual. There appears to be something engraved on the inside of the patient's lower incisors. He vav shin yud ayin nun yud. "Hwshy 'ny". "Help me, save me". This in a goy's mouth, Larry. He calls the goy back on the pretense of needing additional measurements for the appliance. "How are you? Noticed any other problems with your teeth?" No. There it is. "Hwshy 'ny". "Help me". Son of a gun. Sussman goes home. Can Sussman eat? Sussman can't eat. Can Sussman sleep? Sussman can't sleep. Sussman looks at the molds of his other patients, goy and Jew alike, seeking other messages. He finds none. He looks in his own mouth. Nothing. He looks in his wife's mouth. Nothing. But Sussman is an educated man. Not the world's greatest sage, maybe, no Rabbi Marshak, but he knows a thing or two from the Zohar and the Caballah. He knows that every Hebrew letter has its numeric equivalent. 8-4-5-4-4-7-3. Seven digits... a phone number, maybe? "Hello? Do you know a goy named Kraus, Russell Kraus?" Who? "Where have I called? The Red Owl in Bloomington. Thanks so much." He goes. It's a Red Owl. Groceries; what have you. Sussman goes home. What does it mean? He has to find out if he is ever to sleep again. He goes to see... the Rabbi Nachtner. He comes in, he sits right where you're sitting right now. "What does it mean, Rabbi? Is it a sign from Hashem, 'Help me'? I, Sussman, should be doing something to help this goy? Doing what? The teeth don't say. Or maybe I'm supposed to help people generally, lead a more righteous life? Is the answer in Caballah? In Torah? Or is there even a question? Tell me, Rabbi, what can such a sign mean?"

      [pause as the Rabbi drinks his tea]

      Larry Gopnik: So what did you tell him?

      Rabbi Nachtner: Sussman?

      Larry Gopnik: Yes!

      Rabbi Nachtner: Is it... relevant?

      Larry Gopnik: Well, isn't that why you're telling me?

      Rabbi Nachtner: Okay. Nachtner says, look. The teeth, we don't know. A sign from Hashem? Don't know. Helping others... couldn't hurt.

      Larry Gopnik: No! No, but... who put it there? Was it for him, Sussman, or for whoever found it, or for just, for, for...

      Rabbi Nachtner: We can't know everything.

      Larry Gopnik: It sounds like you don't know anything! Why even tell me the story?

      Rabbi Nachtner: [chuckling] First I should tell you, then I shouldn't.

      Larry Gopnik: What happened to Sussman?

      Rabbi Nachtner: What would happen? Not much. He went back to work. For a while he checked every patient's teeth for new messages. He didn't find any. In time, he found he'd stopped checking. He returned to life. These questions that are bothering you, Larry - maybe they're like a toothache. We feel them for a while, then they go away.

      Larry Gopnik: I don't want it to just go away! I want an answer!

      Rabbi Nachtner: Sure! We all want the answer! But Hashem doesn't owe us the answer, Larry. Hashem doesn't owe us anything. The obligation runs the other way.

      Larry Gopnik: Why does he make us feel the questions if he's not gonna give us any answers?

      Rabbi Nachtner: He hasn't told me.

      [Larry puts his face in his hands in despair]

      Larry Gopnik: And... what happened to the goy?

      Rabbi Nachtner: The goy? Who cares?

    • Curiosità sui crediti
      At the end of the credits is a line advising that "No Jews were harmed in the making of this motion picture."
    • Connessioni
      Featured in The Rotten Tomatoes Show: Surrogates/Pandorum/Fame (2009)
    • Colonne sonore
      Somebody to Love
      Written by Darby Slick

      Performed by Jefferson Airplane

      Courtesy of The RCA Records Label

      By arrangement with Sony BMG Music Entertainment

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    Dettagli

    Modifica
    • Data di uscita
      • 6 novembre 2009 (Italia)
    • Paesi di origine
      • Regno Unito
      • Francia
      • Stati Uniti
    • Sito ufficiale
      • Official Facebook
    • Lingue
      • Inglese
      • Yiddish
      • Ebraico
    • Celebre anche come
      • Un hombre serio
    • Luoghi delle riprese
      • Repubblica Ceca(scenes before opening credits)
    • Aziende produttrici
      • Focus Features
      • StudioCanal
      • Relativity Media
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 7.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 9.228.768 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 251.337 USD
      • 4 ott 2009
    • Lordo in tutto il mondo
      • 31.431.652 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 46min(106 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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