Y.M.I. Yeh Mera India

Few films have made me laugh as much as N Chandra's Yeh Mera India, and funny thing is, it's not even a comedy. A message movie that addresses everything that's wrong with our country -- from communal hatred and corruption in the system to the class divide and sexual harassment -- Yeh Mera India bites off way more than it can chew. Using a bunch of characters whose lives intertwine at some point, the film sheds light on the social evils that threaten to rock our great nation. Problem is, the acting's embarrassingly weak and the scenarios all exaggerated. Take that scene in which an oily call-centre owner (played by Rajit Kapur) celebrates an employee's birthday by ordering cake and gifts, then proceeds to molest her in full view of his cheering staff. Or the one in which a young fellow frustrated about his car just being stolen, vents his anger by vandalising a wall with thought-provoking graffiti. Even if there are some credible ideas floating around, director N Chandra struggles to put them forward in an accessible manner, resorting instead to convey them in a bombastic, over-the-top, and ultimately unconvincing style. What's more the solutions offered by the film to deal with the social evils it talks about are too simplistic and idealistic even. Talented actors like Seema Biswas, Anupam Kher and Rajpal Yadav are wasted in poorly developed parts, and by the end of the film you feel like you've bludgeoned on the head by a bunch of crazies. N Chandra's Yeh Mera India wants to make some important points, but sadly it doesn't have the skills. Watch it only if you have nothing else to do.

To put it nicely, I have really disliked most of N.Chandra's films and the only thing that attracted me to 'Y.M.I. Yeh Mera India' is the cast. Even the title gave the impression that this was going to be another sensationalist overtly patriotic flick. Yet, with names like Seema Biswas, Parizaad Zorabian, Rajpal Yadav, Rajit Kapur, Sarika, Parvin Dabas etc. how bad could it be? So, 'Y.M.I. Yeh Mera India' is actually so bad that it's funny. The narrative structure attempts to follow that of Paul Haggis's 'Crash'. Even though this film is not a rip-off, it did remind me of Haggis's movie. Thus, there are multiple stories that are all interlinked. It attempts to tackle the theme of prejudice and does a miserable job at it. The forced happy ending is hilarious and not for the 'happy' reason. Every one of these stories are so excessively exaggerated that they feel like a parody. Most of the 'characters' are caricatures. The horrendous voice-over obliged me to press the mute button. Given the poor level of writing, I can imagine how the actors might have struggled with acting or whatever. The tagline states 'Behind Every Bad News... There Is Good News...'. Well, this is just bad news.

Yeh mera India is probably the most underdog film that I have known, to have been released in India. I watch the movie via one of the DVD's given by my friend and I found the movie exceptionally good.

Direction and Screenplay: All credits in story, screenplay and direction go to S. Chandra. He is responsible for such sensible casting and pleasing narration. Parallel stories with such dramatization always come as pleasant experience.

Cinematography: There's not much to say about cinematography. Its drama that has been filmed in bollywood, so some colors go along. It comes as nice experience.

Tone: It falls under A1 category within the range of this type of movies, by the range I mean the movie with various parallel stories.

Music: Music is average

Acting: The life of any drama movie is the acting of actors involved in it. One does mostly get good acting awards for the drama movie in which they have acted. I liked the acting in following order Rajpal Yadav, Sayaji Shinde - Anupam Kher - Atul Kulkarni, Seema Biswas - Veerendra Saxena.

The experience of watching "Yeh Mera India" is pretty much akin to reading the morning newspaper over a cup of tea. The format is divided like the sections of the newspaper dealing with issues that affect our lives in some way or another. It also depicts the various sections/ strata of the society we are living in. Yes, it should be aptly titled as "N. Chandra Times". The narrative format is similar to "Life in a Metro", with every character linked.

Without giving away too much about the storyline, simply said Day-1 is an insight into the life in metro, Mumbai and Day-2 is redemption, retrospection and hope. There is everything for everyone and perhaps even more.

In terms of performance, everybody is absolutely spot on. There are some heavy-weights and stalwarts in there managing a great ensemble.

N. Chandra the director - he is the same who made Ankush, Tezaab and Narasimha and for reason unknown had middle-age crisis resulting in the "lesser-talked-the-better" movies in between. With "Yeh Mera India" he roars and conquers what he had lost. A word of advice, RGV's the forte is underworld, Madhur Bhandarkar - its documentary-style narrative. You should do what you are good at and make this type of movies as your genre.

I saw this movie long after it actually released, had to watch it on DVD. But, this movie has got the power to hold you till the end. All the characters are perfectly casted and well portrayed. All the credits to N.Chandra for making a superb effort. He is a brilliant director and a narrator. My warm regards to you Sir. Talk about Anupam khers character or Rajpal yadav's simple role of a person coming to Mumbai in search of some work, All characters were very real and the movie was far better in the approach than typical Hindi movies. The message of hope was conveyed brilliantly. I would suggest all to get the DVD from the nearest shop and make it a mandatory viewing.