VALUTAZIONE IMDb
6,9/10
2657
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaAfter his parents are killed, Mahesh's life is ruined as he gets imprisoned and separated from Mohini, who suffers due to her cruel father. Mahesh returns to save Mohini and settle old score... Leggi tuttoAfter his parents are killed, Mahesh's life is ruined as he gets imprisoned and separated from Mohini, who suffers due to her cruel father. Mahesh returns to save Mohini and settle old scores.After his parents are killed, Mahesh's life is ruined as he gets imprisoned and separated from Mohini, who suffers due to her cruel father. Mahesh returns to save Mohini and settle old scores.
- Premi
- 4 vittorie e 2 candidature totali
Johny Lever
- Munna's friend
- (as Johnny Lever)
Recensioni in evidenza
Tezaab, with the tag line a Violent Love Story. Tells the story of Anil Kapoor and his life. He goes through a series of serious incidents which causes him Tezaab. As the title suggests, Tezaab means Acid, as in the burning acid in Anils heart. Anil Kapoor in a award winning role gives a Brilliant performance. Madhuri Dixit looks sexier then ever in a great performance. Chunkey Pandey provides plenty of humour with sidekicks like Johnny Lever in a younger role. Chunkey gives his best performance I've seen till the 2005 release D. Mandakini is there for 10 minutes and looks sexy as usual. The supporting Cast give good performances including Anupom Kher and Kiran Kumar. Tezaab has the famous dance song Ek Do Teen, that made Madhuri more popular in her sexy dance. Madhuri looks stunning in the song, but looks more sexier in Khal Nayak - Choli ke peeche. Tezaab is a great movie that is worth the watch.
The story drags a lot. The story has many angels. Several stories stitched one. A remake of a Hollywood movie. The songs are very good. Especially, So gaya yeh jahan, so gaya asman... I didn't like the ending and some of the parts of the movie. Anil Kapoor, Madhuri, Anupam Kher did very very well. Chunkey Pandey, Johnny Lever, were also good. Recommended 60%.
10neo1970
A violent love story as the director promised. Action,emotion,drama,music,dance,comedy and what not? The songs are absolutely fantastic the dance number "ek do teen" was a smash hit in those days other songs were equally good. The comedy by Johny Lever and Chunky Pandey was very good. Especially the scene when Chunky poses as an Arab business man in a gambling den. All the casts were perfect fit in this film except Anil Kapoor. Although he was the lead roll he looked too old to pass as a collage student. Madhuri Dixit looks absolutely beautiful in this movie. This was the movie when she became a star overnight. This is a really good movie. I have seen it more than 10 times.
N Chandra used to make great films in the past, this film is his most memorable film ever and also was a big hit
The film also is remembered as Anil's one of best performances and also made Madhuri a sensation
The film may sound ordinary today but was different those days the film does have lot of clichés and the initial college scenes and the entire jumping form top scene of Anil is too amateurish but it's okay for it's time
The film successfully portrays a violent love story which falls due to circumstances
The scenes between Anil and Madhuri are pure magic while the transformation of Anil should be seen to be believed The pace is hampered at times and also there are too many stupid scenes in the middle plus the ingredients of commercial film yet the film stands out
N Chandra does a great job Music was a big hit
Anil Kapoor stands out, his walk, talk all make you feel he is a real tapori which he had played before in MASHAAL but here his role became most memorable He kept playing goon roles later in THIKANA and other films Madhuri Dixit was good in her part Anupam excels and evokes more hatred then Kiran Kumar Kiran Kumar irritates as the villain Annu Kapoor is good
The film also is remembered as Anil's one of best performances and also made Madhuri a sensation
The film may sound ordinary today but was different those days the film does have lot of clichés and the initial college scenes and the entire jumping form top scene of Anil is too amateurish but it's okay for it's time
The film successfully portrays a violent love story which falls due to circumstances
The scenes between Anil and Madhuri are pure magic while the transformation of Anil should be seen to be believed The pace is hampered at times and also there are too many stupid scenes in the middle plus the ingredients of commercial film yet the film stands out
N Chandra does a great job Music was a big hit
Anil Kapoor stands out, his walk, talk all make you feel he is a real tapori which he had played before in MASHAAL but here his role became most memorable He kept playing goon roles later in THIKANA and other films Madhuri Dixit was good in her part Anupam excels and evokes more hatred then Kiran Kumar Kiran Kumar irritates as the villain Annu Kapoor is good
Tezaab- The best rip-off ever made in Bollywood
Tezaab completely blew me away when I saw it in the theater back in 1988. This movie presents a unique Hindi movie experience - mainly due to its breakneck pacing, tight editing, Anil Kapoor's raw performance as an ex-patriot and the phenomenon called Madhuri Dixit that got unleashed on the unsuspecting Indian audience. Chandra did a great job in brewing this violent love story with choicest set-pieces lifted straight from Hollywood and Hong Kong movies such as Streets of Fire (main story), The Untouchables (bank robbery scene) and Jackie Chan's Police Story (the destruction of the villain's lair using multiple cars as weapons of choice). Interestingly, in hindsight, it is hard to imagine Tezaab without any of them. Typical Bollywood elements are also in abundance here such as boy meets girl, the sleazy father beats girl, girl fights boy, boy ridicules girl, villain eyeballs girl, boy threatens the social order, and corrupt police whup boy's ass. In other words, the storyline is as old and only as engrossing as a dormant volcano, which, by the way, could explode in any century or minute. As one reviewer mentioned - It is the execution that separates Tezaab from the junk routinely made by Bollywood. Rest of the usual shenanigans are covered under measured doses of misunderstood love triangles, the inevitable hero's sidekick (an outstanding Chunkey Pandey here) and his minions, lilting music, songs, dances, and the ubiquitous ugly comedian - Johnny Lever. It is all there. So what is not to like? Well, there is one thing that sometimes troubles only the Coen Brothers - and that is originality. Not a single scene in this movie is original by any standard, but it worked in those days. And it still works in Bollywood because the majority of its audience are neither connoisseur of international cinema nor avid readers of psychology. Why psychology you ask? Well, in the movie Anil Kapoor's character attempts suicide to prove his love to the leading lady Madhuri Dixit. Now her character is a student of psychology and if the screenwriter had done some research on psychology, he would have found out that a psychology major would be extremely cautious around a person who professes his love by threatening suicide by jumping off a building. Nevertheless, Indian filmmakers routinely apply to their creation- Oops! Did I say creation? I mean inspired creation- the logic of Looney Tunes, and that is why no matter how loony the hero maybe, the heroine always tunes into his call. Notwithstanding the flaws, Tezaab also scores mainly due to its smart editing, as mentioned earlier. The movie jumps back and forth in timelines at various crucial moments in the movie and this, in my opinion, is the most original aspect of this movie. It is put to use very effectively to convince the viewers of Kapoor's character's transformation from a patriot to a criminal and to establish grounds for his volatile love affair with his girlfriend. Most of the characters have violent proclivities- notably Annu Kapoor as a chaiwallah with lofty aspirations and Suresh Oberoi as an incorruptible cop who acts as Anil Kapoor's conscience. The director spends just enough time with these characters to let them justify their brand of violence. They come in and out of the flashbacks at the most crucial moments and truly propel the story to the next set-piece. Despite some obvious drawbacks, Tezaab remains one of the most memorable action flicks from the '80s that even women liked. Watch it, and you just might smell the acid that the director so skillfully distilled for us to enjoy.
Tezaab completely blew me away when I saw it in the theater back in 1988. This movie presents a unique Hindi movie experience - mainly due to its breakneck pacing, tight editing, Anil Kapoor's raw performance as an ex-patriot and the phenomenon called Madhuri Dixit that got unleashed on the unsuspecting Indian audience. Chandra did a great job in brewing this violent love story with choicest set-pieces lifted straight from Hollywood and Hong Kong movies such as Streets of Fire (main story), The Untouchables (bank robbery scene) and Jackie Chan's Police Story (the destruction of the villain's lair using multiple cars as weapons of choice). Interestingly, in hindsight, it is hard to imagine Tezaab without any of them. Typical Bollywood elements are also in abundance here such as boy meets girl, the sleazy father beats girl, girl fights boy, boy ridicules girl, villain eyeballs girl, boy threatens the social order, and corrupt police whup boy's ass. In other words, the storyline is as old and only as engrossing as a dormant volcano, which, by the way, could explode in any century or minute. As one reviewer mentioned - It is the execution that separates Tezaab from the junk routinely made by Bollywood. Rest of the usual shenanigans are covered under measured doses of misunderstood love triangles, the inevitable hero's sidekick (an outstanding Chunkey Pandey here) and his minions, lilting music, songs, dances, and the ubiquitous ugly comedian - Johnny Lever. It is all there. So what is not to like? Well, there is one thing that sometimes troubles only the Coen Brothers - and that is originality. Not a single scene in this movie is original by any standard, but it worked in those days. And it still works in Bollywood because the majority of its audience are neither connoisseur of international cinema nor avid readers of psychology. Why psychology you ask? Well, in the movie Anil Kapoor's character attempts suicide to prove his love to the leading lady Madhuri Dixit. Now her character is a student of psychology and if the screenwriter had done some research on psychology, he would have found out that a psychology major would be extremely cautious around a person who professes his love by threatening suicide by jumping off a building. Nevertheless, Indian filmmakers routinely apply to their creation- Oops! Did I say creation? I mean inspired creation- the logic of Looney Tunes, and that is why no matter how loony the hero maybe, the heroine always tunes into his call. Notwithstanding the flaws, Tezaab also scores mainly due to its smart editing, as mentioned earlier. The movie jumps back and forth in timelines at various crucial moments in the movie and this, in my opinion, is the most original aspect of this movie. It is put to use very effectively to convince the viewers of Kapoor's character's transformation from a patriot to a criminal and to establish grounds for his volatile love affair with his girlfriend. Most of the characters have violent proclivities- notably Annu Kapoor as a chaiwallah with lofty aspirations and Suresh Oberoi as an incorruptible cop who acts as Anil Kapoor's conscience. The director spends just enough time with these characters to let them justify their brand of violence. They come in and out of the flashbacks at the most crucial moments and truly propel the story to the next set-piece. Despite some obvious drawbacks, Tezaab remains one of the most memorable action flicks from the '80s that even women liked. Watch it, and you just might smell the acid that the director so skillfully distilled for us to enjoy.
Lo sapevi?
- QuizThe film was golden jubilee hit becoming the biggest blockbuster of the year.
- ConnessioniFeatured in Dev.D (2009)
- Colonne sonoreEk do teen char
(Female version)
Written by Javed Akhtar
Composed by Laxmikant-Pyarelal
Performed by Alka Yagnik
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Dettagli
- Tempo di esecuzione2 ore 53 minuti
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