The Last Enemy

This isn't the best of British TV. TLE is just "OK." Too long and too many storylines. They could have compressed 5 hrs into 2 or 3, and it would have been far better.

I really hate giving anything with Benedict Cumberbatch in it a 6, but this time I have to.

"The Last Enemy" has a brilliant premise that practically has happened - total information about everyone at all times in the UK. A mathematician, Stephen Ezard (Cumberbatch), who has been working ivory tower style in China, returns to England for his brother's funeral. There, he meets his brother's widow Yasim (the gamine Anamaria Marinca). In her unhappiness and loneliness, she reaches out to Stephen (it's Cumberbatch, who could resist) and he falls madly in love with her.

Stephen's ex-girlfriend works for the government and recommends him to help with a new information system, TIA (Total Information Awareness), the ultimate information gatherer. With the job comes the promise of funding his work. Stephen uses his access to TIA to investigate what happened to his brother.

Okay, that's sort of plot one. Plot two is a virus that's killing people in the middle east. It is impossible to discover the etiology of the virus because a) the bodies are destroyed immediately so no one can get a blood sample; and b) bioscientists are suddenly dying left and right.

My major problem with this series is that the writer waited too long to meld these two plots. The other problem for me was Robert Carlyle, an excellent actor, but was he a good guy or a bad guy? I'm embarrassed to say I never figured it out.

Otherwise, the story is chilling because it's becoming true. And the performances - Cumberbatch is perfection as a man forced into reality and absolutely terrified. I don't think I've ever seen a male character in anything act this frightened, but it is right on. He had great chemistry with Marinca, who did a fine job as well.

Definitely worth seeing, though your attention may drift from time to time. This could have been a fantastic miniseries if it had been put together just a little better. Very thought-provoking nonetheless.

This five-part mini-series started superbly. A dramatic first episode, full of incident, laid out the main themes and built up the tension. The next two episodes maintained the tension, developing the near-future main storyline about a surveillance society and its impact on citizens. Robert Carlyle appeared (and disappeared), as threatening as only he can be and kept the excitement level high.

But then it faded away. The plots became too convoluted, with too many themes and unresolved or unnecessary twists – notably a scene where Carlyle creeps into a house and downloads a laptop. What was that about? And the final episode was so disappointing – it was as though the writer (Peter Berry) had only enough material for half an episode. So the pace slowed down, the increasingly unconvincing love story took over, with long, lingering and time-wasting glances, and the main surveillance theme sank under the weight of biological, genetic and political extra plots that led nowhere. It could have been a gripping thriller if it had been stripped down to a feature-length film but in the end it only left the feeling that five hours had been wasted. And this is despite excellent performances, particularly by Benedict Cumberbatch, Robert Carlyle and Geraldine James - the script could not match their talents.

I liked this mini-series. I wandered in looking for more of Benedict Cumberbatch's work after seeing his great performance in "Sherlock" (which I give 5 stars). This multi-episode story held my attention throughout, and Cumberbatch played well a genius astounded at what was unfolding around him. You can't look away from the screen though because they don't dumb it down for you. One must pay attention. Sure, there are definitely some holes in the fabric the filmmakers weave, and some thin spots you could easily rip wide open... but I am going thumbs up on the drama as a whole. I cared about the characters and what their ultimate fate would be.

Of far more importance however then the drama itself is the obtuse message delivered by the producers. We are on the verge of losing what remains of our personal liberty. The England painted by the film makers is not some maybe, kind of, far off 'Mad Max' could-be dystopian future. It is more of a 'Max Headroom' world that is looming up all around us. The world of The Last Enemy is just around the corner. In fact, we are at least half way around that corner. Much of the suggested technology appears to be here already (and micro-biologists ARE dying at an unusually high rate).

Many well-intended people --such as portrayed in 'The Last Enemy"-- think strong controls on the populace is a logical means of preventing terrorism and related crimes. History does not bear that philosophy out however. You can't gain freedom by removing freedom. Given the current state of the evolution of human consciousness, powers given to the Government are used. At first. Then they are mis-used. Then they are ab-used. Every single time. Treatments such as 'The Last Enemy' help point out the futility of 1984 style controls placed on the populace. Our best way out of the dilemma the world faces is instead through individuals raising their own consciousness. We MUST evolve or freedom WILL die.

btw - A title I can think of that might interest those who liked this film is the British political mini-series 'The Amazing Mrs Pritchard'. For those wanting to learn more regarding the themes presented in 'The Last Enemy' have an abundance of choices in video. Two that come to mind are the black dystopian comedy from Terry Gilliam 'Brazil', and the documentary 'Ayn Rand & the Philosophy of Atlas Shrugged'.

I went to this for Benedict in the first place, but when I finished I found that the story was more exciting. Very good plot, every things were quite confusing in the first few episodes, and I didn't understand the whole thing until the last one. There could be some improvements in the way they delivered the story to make it more clear and intense. You need to be patient to wait for 2 or 3 episodes to get an idea of what's going on because they've been laying too much clues around and not connecting them till the last sec. They also spent quite a few shots on drawing the social background. But towards the end it was irresistible to see where the characters will end up despite their struggles. And at the last few scenes I did get horrid, thrilling feelings that the story tried to create. It made me so disgusted about what's happening in that fictional world and that's why I found this series quite nice.

The cast was good. All actors/actresses were delivering fantastic performances. (And I am more than happy to see what a brilliant job that Benedict did in this).

Overall, don't expect this show will be witty or delighting or full of fun. It followed the George Orwell "1984" and in a sense, dull, but still alarming. In my view it was unnecessarily lengthy, but not intolerable. So if you are after some kind of serious drama on political conspiracies, this one worth a try.