The Field of Blood

Lead actress put in a fine effort, despite a crap script.

David Morrissey never could act and Katherine Kelly playing the new editor is a cliche. She should try soap operas.. Her overacting along with the obviously male writing team shocker of a script insults all working women.

Even in the early 80's the blokes weren't all uniformly horny, dimwitted and misogynist & senior women didn't pout and posture trying to look menacing & looking like a parody & young female reporters weren't ready to screw everything walking no matter how ambitious they were.

Shocking use of some great actors, the mother played by expended wonderful Branagh Gallagher a cardboard cutout, the supporting actors had far more gravitas and talent than Morrissey and Kelly.

No wonder Jonas Armstrong got out of it after two episodes.

Hope the lead actress got a better series and script after this mess.

The second series of The Field of Blood returns to Glasgow and again blends politics, intrigue and the changing newspaper industry.

Once again we follow novice female reporter Paddy Meehan as she tries to make a career for herself. She is working the night shift on the call car with a tough reporter and she is soon following up a murder mystery.

The main backdrop is the Miners strike and the dirty tricks campaign against it.

However, we are also looking at new, tougher executives entering the newspaper industry, less principled and happy to do the dirty work for the government in a propaganda war.

There is no doubt the story takes place with the benefit of hindsight. With or without media help, the Miners strike was very unpopular in some quarters and most media outlets were very happy to be negative against the Miners Union with very little persuasion.

There is an element of looking back with rose tinted spectacles. It is a decent enough second series, we see Paddy's ongoing difficult relationship with her parents but nothing too special.

Arghhh! I only just discovered this by trawling through BBC Scotland and was intrigued as I love crime drama. This was absolutely brilliant over four episodes and finishes to give us ample plot lines to continue. Why oh why oh why do we have no more as relationships are just building? The main characters are superbly profiled and the tension and subversive battles during the miners strike of the 80's and beyond is brilliantly portrayed. Shock of the new overlaps with the old tradition and like two juggernauts collide. It's fantastic stuff but so, so brief. I suppose the argument could be that it's fitting as it exploded with so much verve and power that it needed no more. I'd not read any of the books this is based on but will search them out as I'm completely hooked. Just sorry this was all done on TV eight years ago and I missed it. Well done to all involved and to BBC Scotland for reshooting. Pure class!

This millennium has seen a big blooming of solid (mini-)series, often at the expense of films focusing on topics and audiences not to my taste any more. New angles and approaches have been developed or deepened, and distinct performers employed. Being a vast country with numerous distinct folks and regions, the UK has an endless potential to "fit in" crimes into dozens of places where local and tourists can have their joy of recognition.

The Field of Blooda takes us into the 1980ies Glasgow, when the biggest technical facilitators for both the police and journalism were pagers and then unconnected PCs... On the other hand, you could smoke and drink almost everywhere and a lot :) The crimes were still severe, and journalists have always had to "be creative" for obtaining information, but the world in those days was rather reserved than open.

Apparently the atmosphere is well created and the characters realistic, but the leading performance (Jayd Johnson as Paddy Meehan) fell down on two smaller performances - David Morrissey as Murray Devlin and Peter Capaldi as Dr. Pete Walker, particularly in dialogues. Thus "only" 7 points from me, as I have recently seen UK crime series more versatile and interesting, e.g. Shetland, What Remains, Luther, and others.

This is a good movie, with a well acting female lead as the newspaper copy-girl Patricia who dreams of becoming a reporter and stumbles upon clues on a child murder in the area. However it is not great, and the thick Glasgow accent of all involved makes it even less accessible to non English audiences.

I don't know why they called it a series, either, as it is really a two parter film. Maybe they intended to continue it with the adventures of this tiny girl in this tiny community of uber-Catholic tiny minded people, but what would have been the point?

Bottom line: a nice watch, with convincing acting and script, some thrills and a true glimpse of Glasgow in the 70-80's. Subtitles don't hurt, either. Peter Capaldi plays in this one, as a secondary character.