Afterwards

I liked the movie and John Malkovich's performance. He enunciated every word carefully in contrast with the French actor whose accent is so thick many times one does not understand what on earth he is saying. The accent is not all. He also mumbles and whispers. Very unappealing, comes across as an arrogant little man. Immature and angry in one scene cannot control his anger and as a spoiled brat starts to destroy a bunch of decorative pieces in his house. Many other reviewers did not find this actor effective. I could not stand him.

The theme of the movie that one must reconcile and prepare for death before dying is interesting. I liked the supernatural aspects. True, none of us knows the day or the hour.

Sometimes the promotional department of a film causes people to not view a film because it is misrepresented by the graphics on the poster, the DVD cover, or the trailer. Such is the case with AFTERWARDS - a lovely exploration of the concept of death and dying philosophy that has nothing to do with the image of John Malkovich holding a smoking gun! And that is a shame: this is a film that has a lot to say and provides a lot to think about thanks to the writing, directing and acting. The story is adapted from the novel "Et Après..." by Guillaume Musso by Michel Spinosa and writer/director Gilles Bourdos. It is a complex story that thankfully due to the talent of the cast and director is able to carry the audience into a place perhaps not considered or discovered before. It is a thinking person's film and a rewarding one.

The film opens in an idyllic setting of a lake of water lilies where we observe a little French boy Nathan and an English speaking girl Claire gently admiring swans(interesting to note that swans are traditionally or mythically associated with death). The girl slips on the dock, is trapped, and sends the boy to find her parents. The boy runs to the highway where he becomes the victim of a tragic hit and run accident. The film then jumps ahead about twenty years and we discover Nathan (Romain Duris) as a successful New York lawyer living alone after his marriage to Claire (Evangeline Lilly) has ended after the crib death of their son, leaving Claire to manage alone in New Mexico with the couple's surviving daughter: Nathan cannot cope with the fact that he feels responsible for the son's death by not responding to his cries. A strange doctor, Dr. Kay (John Malkovich) appears in Nathan's life claiming that he is able to sense death before it happens: he works in a hospital for the terminally ill, among them is one young lad Jeremy (Reece Thompson) with cardiac carcinoma who is struggling with his incipient dying. Dr. Kay is not malevolent, he is simply a 'Messenger' - one given the ability to visualize a bright white halo around a person who is soon to die. Nathan will not consider the veracity of this obtuse thought until Dr. Kay suggests he visit an old friend Anna (Pascale Bussières) who now works in a diner, living with her Russian father and her son. Nathan is curious, meets Anna, and upon visiting her home witnesses the death of Anna's father. Nathan contacts Dr. Kay, hostile that Dr Kay had suggested Anna was to die but instead lost her father, and Dr Kay reassures Nathan of the process: soon Anna dies also. At this point Dr Kay shares Nathan's history: Nathan did not die in the hit and run accident many years ago and was attended by Dr Kay who then knew that Nathan was also a Messenger. How Nathan turns his life around to flee to New Mexico and join Claire is the transformation of the film.

This is a delicate story told with sincerity and lack of sensationalism. It is a journey into the philosophy of what happens to us as we die. Nathan explains this to is daughter as death being like a ship that sails to the horizon and disappears to our eyes, yet the ship sails on beyond our scope of vision into another unknown space. Director Gilles Bourdos handles the pacing of this visually stunning film with such grace that it becomes a gentle work, allowing the finest acting yet seen from Malkovich, and reminds us of just how fine an actor Romain Duris has become. This is also a lovely introduction of Evangeline Lilly, an actress with tremendous screen presence and acting ability. Forget the trailer and the ugly cover of this DVD and allow yourself to enjoy this mesmerizingly beautiful film.

Grady Harp

Agree with other reviewers on the lead character casting... another actor would have made the film amazing... the way it is...I watched it on Prime video, would've been annoyed if I had payed for the cinema.

this is a well produced movie, with an interesting story. it is developing quite slowly and i like the somewhat 'open' ending.

essentially, a movie of appreciation of life, love, forgiveness and letting go. mr.malkovich plays a good part, making up for the somewhat pale performance of the lead actor. this is probably the weakest point of this production - the lack of an outstanding lead. apart from that - great production, i especially liked the smooth camera work.

it really needs very little to be a big movie, and while i cannot say i was thrilled watching it, i did watch with interest. i understand the book, that the movie is based on is quiet good, hopefully it has more depth and makes for more significant lead personage

Nathan Del Amico (Romain Duris) is a hard-driving successful New York corporate lawyer. He is approached by mysterious doctor Joseph Kay (John Malkovich) who claims to see people about to die with a bright white light. He warns Nathan to put his life in order. He dates waitress Anna (Pascale Bussières). There are constant flashbacks of Nathan with his wife Claire (Evangeline Lilly) and their two kids.

These are New York characters but half of them have french accents. I don't care about Nathan. He's cold, angry, and unappealing. He's a horrible lead. As for the story, it has no dramatic movements at all and it's not compelling. Dr. Kay is not much better. Malkovich decides to play the character reserved. There is no tension. There is a supernatural aspect but it doesn't do enough with it. This thing moves slowly.