Quando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del t... Leggi tuttoQuando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del terrore.Quando la simulazione di realtà virtuale creata utilizzando le personalità di più serial killer riesce a fuggire nel mondo reale, un ex poliziotto ha il compito di fermare il suo regno del terrore.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Gordon Jennison Noice
- Big Red
- (as J. Gordon Noice)
Miracle Vincent
- Christine Barnes
- (as Miracle Unique Vincent)
Recensioni in evidenza
In the near future, Parker Barnes (Denzel Washington) is an ex-cop who has been sent to prison for murder. The circumstances surrounding his crime are disheartening and elicit empathy. Now, he is offered a chance at freedom from prison. Parker must hunt down and destroy a murderous cyborg, SID 6.7 (Russell Crowe), who is menacing the general public after jumping out of a virtual reality program. The chase takes on many twists and turns as SID terrorizes, shoots and kidnaps victims in his path. Can SID be stopped?
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
It may not be a science fiction masterpiece, but this film is worthwhile and intriguing. A second viewing may be required to truly understand and appreciate its complex plot. Then, too, the marvelous special effects enhance the look and feel of the film. It is not Denzel Washington's finest hour (he is adequate); however, Russell Crowe is positively gleeful in his portrayal of the ultimately designed killing machine. There are some humorous moments, somewhat lessening the overall dark and somber tone. On the down side, the ending may be a little too pat and leave a few loose ends untied. Recommended for science fiction and action movie fans who are on the lookout for lesser known films that may satisfy them for an evening.
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.
So finally, after decades of futuristic scientists proclaiming that virtual reality will someday be here, it's here - sort of. Hollywood's always been a midwife for technology between the science industry and the common man, and in the area of virtual reality it's given us "Johhny Mnemonic" and this actioner, starring Denzel Washington.
Basic plot is this: The police have been using virtual reality as a training method, to test recruits. Before they use it on real cops, though, they draft crooks out of prison to act as guinea pigs. This is where Washington comes in. A former cop (how convenient), Washington's been rotting in jail for years. So the cops ask him to volunteer to be a part of the experiment, and of course he agrees - but the computer he's going to be downloaded into has other plans. The 'virtual' cops are supposed to face this tough criminal in the system, you see, but the computer's decided to combine all of the nasty characteristics of famous real-life killers - and then download itself into a real, sentient being (Russell Crowe). And of course it's up to our man Washington to save the day.
So there you have it, folks. It's a standard cops n robbers plot moved ahead a few centuries to take advantage of modern technology. Of course, it's set in the future, which here is portrayed as busy, grimy, a bit crime-riddled.. Hmm, a lot like the present, come to think of it, and not very inventive. And the effects are nothing special, either; you'd think with virtual reality being the centerpiece you'd see some dazzling special effects. Not really.
The cast is good, and Crowe turns in a solid (if a bit hammy, but most bad guys are, aren't they?) performance. Washington is no better or worse than usual, which means the real culprit is the script here. Do yourself a favor and wait for a two-for-one night at your video store to see this one.
Basic plot is this: The police have been using virtual reality as a training method, to test recruits. Before they use it on real cops, though, they draft crooks out of prison to act as guinea pigs. This is where Washington comes in. A former cop (how convenient), Washington's been rotting in jail for years. So the cops ask him to volunteer to be a part of the experiment, and of course he agrees - but the computer he's going to be downloaded into has other plans. The 'virtual' cops are supposed to face this tough criminal in the system, you see, but the computer's decided to combine all of the nasty characteristics of famous real-life killers - and then download itself into a real, sentient being (Russell Crowe). And of course it's up to our man Washington to save the day.
So there you have it, folks. It's a standard cops n robbers plot moved ahead a few centuries to take advantage of modern technology. Of course, it's set in the future, which here is portrayed as busy, grimy, a bit crime-riddled.. Hmm, a lot like the present, come to think of it, and not very inventive. And the effects are nothing special, either; you'd think with virtual reality being the centerpiece you'd see some dazzling special effects. Not really.
The cast is good, and Crowe turns in a solid (if a bit hammy, but most bad guys are, aren't they?) performance. Washington is no better or worse than usual, which means the real culprit is the script here. Do yourself a favor and wait for a two-for-one night at your video store to see this one.
..you know you're in trouble.
Russell Crowe is joyfully over the top as an escaped criminal from cyber-world. He makes the most of it, and its a good thing, too, since the rest of the people onscreen are so deadly boring that his coming to 'our' world in order to destroy seems like a good idea.
Denzel is at his most humorless and looks silly in a leather cop outfit - he looks like he's going to a Halloween party thrown by Ian McKellan. He is recruited to find Sid 6.7, who was inexplicably brought to this world by evil little Stephen Spinella, and kill him. Denzel had confronted Sid 6.7 in cyberworld and they didn't exactly share a laugh. Sid is many criminals all in one body, and by no small coincidence, one of them killed Denzel's wife and child.
Its very violent and even sadistic and you've seen it before, and if you didn't, you didn't miss out on that much. Crowe is a like "The Terminator" but with better clothes. Denzel is like Linda Hamilton who was equally one-note. Kelly Lynch is along for the ride, along with Louise Fletcher, William Fitchner, Kevin J. O'Connor and William Forsythe.
3/10, all for Rusty's chewing of the scenery. Someone had to keep the audience interested, so he did more than anyone else involved.
Russell Crowe is joyfully over the top as an escaped criminal from cyber-world. He makes the most of it, and its a good thing, too, since the rest of the people onscreen are so deadly boring that his coming to 'our' world in order to destroy seems like a good idea.
Denzel is at his most humorless and looks silly in a leather cop outfit - he looks like he's going to a Halloween party thrown by Ian McKellan. He is recruited to find Sid 6.7, who was inexplicably brought to this world by evil little Stephen Spinella, and kill him. Denzel had confronted Sid 6.7 in cyberworld and they didn't exactly share a laugh. Sid is many criminals all in one body, and by no small coincidence, one of them killed Denzel's wife and child.
Its very violent and even sadistic and you've seen it before, and if you didn't, you didn't miss out on that much. Crowe is a like "The Terminator" but with better clothes. Denzel is like Linda Hamilton who was equally one-note. Kelly Lynch is along for the ride, along with Louise Fletcher, William Fitchner, Kevin J. O'Connor and William Forsythe.
3/10, all for Rusty's chewing of the scenery. Someone had to keep the audience interested, so he did more than anyone else involved.
This film is just plain silly. It catches Denzel Washington in one of his rare ultra-violence impulses (like Training Day). Newsflash: Washington is a premier actor wasted on a simple-mined character that just about second-rate actor in Hollywood could have played.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
However, the hilarious, over the top performance of Russell Crowe as a cyborg gone berserk is a combination of Max Headroom and the rogue robot in Blade Runner. He steals the film, but cannot rescue the lame script and corny dialogue. Of course, being 30 years old, the film is a bit dated from a scientific standpoint, so we must accept the science that was available in 1995. Entertaining at times.
Lo sapevi?
- QuizAccording to Kelly Lynch, she and Denzel Washington were supposed to kiss. However, Washington had the scene dropped because he felt an interracial love scene would hurt the film's box-office chances.
- BlooperParker Barnes is arrested for allegedly shooting and killing SID's hostage at the train station, and later he is accused of killing the policemen who were taking him back to the station after SID murders them and "frees" Barnes (because he wants to see Barnes die a painful death when the satellite-linked chips explode in his brain). The problem is that both of Parker's alleged crimes are not plausible at all; if he shot the woman it would be obvious from the pattern of her wounds (since he was firing at SID from the front and SID fired at him, and shot and killed the hostage, from behind her) and he had his gun taken away and was handcuffed by the police before SID arrived for the murder/set-up.
- Curiosità sui creditiAt the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/)
- Versioni alternativeThe original 1996 German video release was heavily edited to reduce the intensity of violence, in order to receive a "Not under 18" rating from the FSK. The uncut version was finally passed in 2013 with a "Not under 16" rating.
- ConnessioniEdited into Twizzlers: The Movie (2015)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Sid 6.7, la máquina asesina
- Luoghi delle riprese
- Gas Co. Tower - 555 W. 5th Street, Downtown, Los Angeles, California, Stati Uniti(fight scene near the ending)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 24.047.675 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.309.869 USD
- 6 ago 1995
- Lordo in tutto il mondo
- 24.047.675 USD
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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