Un professore di scienze, sua moglie e una ragazzina cercano di sopravvivere a un'epidemia che porta coloro che vengono contagiati a togliersi la vita.Un professore di scienze, sua moglie e una ragazzina cercano di sopravvivere a un'epidemia che porta coloro che vengono contagiati a togliersi la vita.Un professore di scienze, sua moglie e una ragazzina cercano di sopravvivere a un'epidemia che porta coloro che vengono contagiati a togliersi la vita.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 10 candidature totali
M. Night Shyamalan
- Joey
- (voce)
Recensioni in evidenza
When I first saw the trailer for 'The Happening', I was quite excited at the prospect of another film by M. Night Shyamalan. After all, I enjoyed all his previous films, save 'Lady in the Lake', and was sure he would deliver another breath-taking blockbuster. Sadly, I was wrong and while the film was not a turkey, it was not of the excellence I had expected.
The film sees some sort of mysterious ecological event leading to people committing mass suicide, the phenomenon spreading first from large cities then to smaller towns until it is clear a huge chunk of the East Coast is affected. At first, it is assumed to be a terrorist attack but, as more and more people are spontaneously kill themselves, it is clear the cause may be something else entirely...
One of the problems with the film was the quality of the acting and the characters themselves. Mark Wahlberg stars as Elliot, the science teacher who is our main protagonist, and he does flounder in many scenes as if he forgets he's playing an intelligent but ordinary everyday guy, not a gung-ho military hero who is cool in all situations. He could have injected more emotion into his performance. Zooey Deschanel plays Elliot's girlfriend Alma and she too fails to make the audience care for her with the way she depicts the character to be some sort of an escapee from a teeny-booper romance flick. To be fair, it is not entirely Deschanel's fault as Alma is a weak, self-centred character with the emotional capacity of a young adolescent (for example, she puts Elliot and a child at risk a couple of times with her stupid decisions and, at the start, when it's clear people are dying, she is in a huff because Elliot and his friend 'hurt' her feelings).
When it comes to the actual storyline, the plot does start off intriguingly and there are many chilling moments when we see people are coolly committing suicide like mindless zombies. However, the finale doesn't deliver what the build-up promised. There are no real explanations or solid end result. In many ways, this film is similar to Shyamalan's previous project 'Signs' both in terms of a mass disaster and no real end resolution to the events but 'Signs' worked better because the characters were more effectively portrayed and their personal storyline was enough of a finale to compensate. This is not the case in 'The Happening' where the storyline fizzles out.
Overall, this is by no means a terrible film. It is enjoyable and fits nicely into the apocalyptic genre but 'Signs' has done this sort of idea before and did it better. That said, there was not only moments that had me on the edge of my seat but also lines which were quite humorous. And certainly, it does make one think about the state of the planet in regards to whether humanity does have it coming to them and how we would cope in such an event. It is worth a look, especially in a week when the other premiere is 'The Hulk, a film aimed at keeping twelve-year-olds' entertained.
The film sees some sort of mysterious ecological event leading to people committing mass suicide, the phenomenon spreading first from large cities then to smaller towns until it is clear a huge chunk of the East Coast is affected. At first, it is assumed to be a terrorist attack but, as more and more people are spontaneously kill themselves, it is clear the cause may be something else entirely...
One of the problems with the film was the quality of the acting and the characters themselves. Mark Wahlberg stars as Elliot, the science teacher who is our main protagonist, and he does flounder in many scenes as if he forgets he's playing an intelligent but ordinary everyday guy, not a gung-ho military hero who is cool in all situations. He could have injected more emotion into his performance. Zooey Deschanel plays Elliot's girlfriend Alma and she too fails to make the audience care for her with the way she depicts the character to be some sort of an escapee from a teeny-booper romance flick. To be fair, it is not entirely Deschanel's fault as Alma is a weak, self-centred character with the emotional capacity of a young adolescent (for example, she puts Elliot and a child at risk a couple of times with her stupid decisions and, at the start, when it's clear people are dying, she is in a huff because Elliot and his friend 'hurt' her feelings).
When it comes to the actual storyline, the plot does start off intriguingly and there are many chilling moments when we see people are coolly committing suicide like mindless zombies. However, the finale doesn't deliver what the build-up promised. There are no real explanations or solid end result. In many ways, this film is similar to Shyamalan's previous project 'Signs' both in terms of a mass disaster and no real end resolution to the events but 'Signs' worked better because the characters were more effectively portrayed and their personal storyline was enough of a finale to compensate. This is not the case in 'The Happening' where the storyline fizzles out.
Overall, this is by no means a terrible film. It is enjoyable and fits nicely into the apocalyptic genre but 'Signs' has done this sort of idea before and did it better. That said, there was not only moments that had me on the edge of my seat but also lines which were quite humorous. And certainly, it does make one think about the state of the planet in regards to whether humanity does have it coming to them and how we would cope in such an event. It is worth a look, especially in a week when the other premiere is 'The Hulk, a film aimed at keeping twelve-year-olds' entertained.
Shyamalan has proved to us earlier that he can be as good as the best with masterpieces of cinema with The Sixth Sense and Unbreakable. Yet, since then, he has declined steadily. Signs and Village were good movies, but with Lady in the Water and now The Happening, he has touched a level of incompetence that could never have been expected of him.
The Happening is about a pandemic that is gripping north-eastern USA. It starts with a stunning sequence of events that show people succumb to an unspecified threat the brilliance of this opening repeated only once more for a five-minute sequence towards the end of the movie. Unfortunately, Shyamalan's writing is a big let-down for the rest. As the focus moves from metropolitans to towns and from crowds to smaller groups, the sense of fear is lost the biggest sin a horror movie can commit. In the oft repeated criticism for its director, this movie would have been best served as a half-hour episode of Twilight Zone to make it really work.
And to add woe, the actors do not do much to better the experience Mark Wahlberg and Zooey Deschanel are grossly miscast as the protagonists. Any of his previous leading men (Bruce Willis, Mel Gibson, Joaquin Phoenix and Paul Giamatti) can be imagined to have done a better job for the Science teacher that Wahlberg plays. The camera scrutinizes the performance to a degree that requires an actor with strength in emotions Wahlberg instead brings a physical presence that the role does not need. Zooey, on the other hand, struts around like in a Disney movie, not for once threatened by the pandemonium.
This time, though Shyamalan humbles his vanity you don't see him on screen. He now should swallow his pride and leave the writing to the writers. Armed with a better script, we can still expect Shyamalan to make his future movies worth waiting for. For now it is only the memory of the opening sequence, which can be proclaimed as mind-numbing greatness, which is really worth taking away from this movie.
The Happening is about a pandemic that is gripping north-eastern USA. It starts with a stunning sequence of events that show people succumb to an unspecified threat the brilliance of this opening repeated only once more for a five-minute sequence towards the end of the movie. Unfortunately, Shyamalan's writing is a big let-down for the rest. As the focus moves from metropolitans to towns and from crowds to smaller groups, the sense of fear is lost the biggest sin a horror movie can commit. In the oft repeated criticism for its director, this movie would have been best served as a half-hour episode of Twilight Zone to make it really work.
And to add woe, the actors do not do much to better the experience Mark Wahlberg and Zooey Deschanel are grossly miscast as the protagonists. Any of his previous leading men (Bruce Willis, Mel Gibson, Joaquin Phoenix and Paul Giamatti) can be imagined to have done a better job for the Science teacher that Wahlberg plays. The camera scrutinizes the performance to a degree that requires an actor with strength in emotions Wahlberg instead brings a physical presence that the role does not need. Zooey, on the other hand, struts around like in a Disney movie, not for once threatened by the pandemonium.
This time, though Shyamalan humbles his vanity you don't see him on screen. He now should swallow his pride and leave the writing to the writers. Armed with a better script, we can still expect Shyamalan to make his future movies worth waiting for. For now it is only the memory of the opening sequence, which can be proclaimed as mind-numbing greatness, which is really worth taking away from this movie.
I'm not sure exactly why this movie has been bashed and low rated so much, maybe it's just a bandwagon thing? I'll admit it's no movie of the year and was a little cheese at parts. However overall it was actually quite entertaining, the plot moves along steadily and it was a standard 90 minutes. Anyway long story short my last point is that I believe M.Night was attempting to do a sort of throwback to the 50's and 60's era of film making. I see many Hitchcock styling within this film and I think he actually did an excellent job of creating a modern version of "The Birds" I mean let's face it this is the birds re-done. and re-done fairly well. The color, the music, the overall atmosphere, quite similar and well done. Maybe kids these days just can't appreciate this type of film, maybe they would low rank The Birds as well. As for the claims on "confusion" or not being realistic enough I don't understand that either. I think it is fairly clear that the cause is not going to be understood but likely has something to do with the plants and some sort of biologically active chemicals they emit. This is actually completely within the realm of possible. Trees and shrubs release chemicals into the air that can have subtle and sometimes overwhelming affects on human emotion and behaviour. Example is essential oils (the oils in plants that give them their smells).
Love him or hate him, Shama has a quirky vision and some very interesting ideas in his films. He also works with some paltry budgets by Hollywood standards, and cares more about story than effects. Does it always work? No. But considering just how effective his best work is - - 6th Sense, Unbreakable, Signs, The Visit--it's a pretty great body of work. I predict there will be a reappraisal of his work in the future, and with some bigger budgets and some careful rewrites, his remakes will reveal what a brilliant guy he is.
The Happening is a small movie - - simple concept, low budget - - that doesn't try to be anything other than what it is, a cool spooky flick about a mysterious pandemic of suicide gripping the Northeast. Sign me up! Even if it comes across as lightweight by the end, like The Village, these armchair auteurs who trash MNS should try making even half an effective film as those two.
Good for a rainy afternoon, probably not much else. But that's fine with me.
The Happening is a small movie - - simple concept, low budget - - that doesn't try to be anything other than what it is, a cool spooky flick about a mysterious pandemic of suicide gripping the Northeast. Sign me up! Even if it comes across as lightweight by the end, like The Village, these armchair auteurs who trash MNS should try making even half an effective film as those two.
Good for a rainy afternoon, probably not much else. But that's fine with me.
Who keeps giving M. Night Shyamalan money to make these movies? Seriously, what studio executive read this script and thought that making this movie would be a good idea? After the disaster that was Lady in the Water Shyamalan comes back with a movie which unbelievably, almost impossibly, may actually be worse. Lousy acting, laughably bad dialogue and a story which is just downright stupid combine to make one terrible movie.
Anyhow the story here is that starting in New York City and then quickly spreading through the Northeast everyone is suddenly killing themselves. Everyone drops what they're doing, seemingly goes catatonic for a moment and then offs themselves anyway they can. Fling themselves off the top of a building, shoot themselves in the head...whatever. What could possibly make people do this? Obviously it must be some kind of terrorist attack or so everyone thinks. There certainly is something bad in the air and people need to flee. And here we meet our main characters, a Philadelphia high school science teacher and his wife along with his friend and his friend's daughter. They get out of the city, inevitably get stuck in the middle of nowhere, the characters begin to do and say things which make no sense whatsoever and the whole movie falls apart as we watch people try to run away from the wind.
Mark Wahlberg has the central role here and his performance is truly awful. Certainly he isn't helped by the hideous script but it really seems as if Wahlberg can do nothing right. He seems rather emotionless for a guy trying to figure out why everyone's engaging in mass suicide. As his wife, Zooey Deschanel goes through the film with a blank stare on her face. Some of the corpses show more life. Most of the other characters we meet make a bad impression if they make any impression at all. Some truly bizarre people wander in and out of this movie. And all of them are forced to spout dialogue which is so bad it often becomes unintentionally funny. Somebody wrote that? Really? Ha-ha. But as bad as the acting and dialogue are it's the story which is the biggest problem. Once the movie reveals what actually is happening it becomes impossible to take the story seriously. Stupid. So very, very stupid. The premise makes no sense, doesn't work at all, and thus the movie is doomed to failure. I really can't fathom that after reading the script anyone actually encouraged Shyamalan to go ahead and make this movie. The Sixth Sense sure was a long time ago.
Anyhow the story here is that starting in New York City and then quickly spreading through the Northeast everyone is suddenly killing themselves. Everyone drops what they're doing, seemingly goes catatonic for a moment and then offs themselves anyway they can. Fling themselves off the top of a building, shoot themselves in the head...whatever. What could possibly make people do this? Obviously it must be some kind of terrorist attack or so everyone thinks. There certainly is something bad in the air and people need to flee. And here we meet our main characters, a Philadelphia high school science teacher and his wife along with his friend and his friend's daughter. They get out of the city, inevitably get stuck in the middle of nowhere, the characters begin to do and say things which make no sense whatsoever and the whole movie falls apart as we watch people try to run away from the wind.
Mark Wahlberg has the central role here and his performance is truly awful. Certainly he isn't helped by the hideous script but it really seems as if Wahlberg can do nothing right. He seems rather emotionless for a guy trying to figure out why everyone's engaging in mass suicide. As his wife, Zooey Deschanel goes through the film with a blank stare on her face. Some of the corpses show more life. Most of the other characters we meet make a bad impression if they make any impression at all. Some truly bizarre people wander in and out of this movie. And all of them are forced to spout dialogue which is so bad it often becomes unintentionally funny. Somebody wrote that? Really? Ha-ha. But as bad as the acting and dialogue are it's the story which is the biggest problem. Once the movie reveals what actually is happening it becomes impossible to take the story seriously. Stupid. So very, very stupid. The premise makes no sense, doesn't work at all, and thus the movie is doomed to failure. I really can't fathom that after reading the script anyone actually encouraged Shyamalan to go ahead and make this movie. The Sixth Sense sure was a long time ago.
Lo sapevi?
- QuizMark Wahlberg admitted that he regrets working on this movie, but said, "You can't blame me for wanting to try to play a science teacher. At least I wasn't playing a cop or a crook."
- Blooper(at around 58 mins) A man refuses to let Elliot and his companions into his house because he does not want to let the "poison gas" inside. However, all the house's windows are open.
- Citazioni
Mrs. Jones: Planning on stealing something?
Elliot Moore: No, ma'am, we're not.
Mrs. Jones: Plan on murdering me in my sleep?
Elliot Moore: What? No!
- Curiosità sui creditiMoving clouds form the backdrop for the opening and closing credits. On the end credits, they've become stormclouds with lightning. On the end credits, M. Night Shyamalan's name vanishes.
- Versioni alternativeGerman version was edited prior to submission to the FSK by the director himself to secure a "Not under 16" rating. These cuts included:
- a needle piercing a throat during a suicide
- a man's arm being bitten off by lions
- a man dying under a lawnmower This version was released on DVD in the UK. However, for the German home video release the complete version was submitted. Ironically, this version was rated "Not under 16" as well (making the cut version even more redundant as guidelines for home video are stronger than for theatrical releases).
- Colonne sonoreBlack Water
Written by Patrick Simmons
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- El fin de los tiempos
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 48.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 64.506.874 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.517.109 USD
- 15 giu 2008
- Lordo in tutto il mondo
- 163.404.284 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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