Suite Francese

At the beginning of WWII, a young married woman (Williams) and her mother in law (Scott Thomas) living in a village close to Paris, are forced to take in their house a German officer from the occupying forces (Schoenaerts).

Scott Thomas is perfect as Madame Angellier, the icy mother in law with a twist. Williams and Schoenaerts are suitably reserved and understated as the star-crossed lovers. Sounds predictably tragic, but it is actually a very well made and interpreted movie. Also an engaging and believable love story, rather than a paint-by-number or a post-modern one.

The supporting cast is equally good, with a bunch of inhabitants - from the local gentry to the lowest peasants - in conflict with each other and foolishly thinking they can exploit the nasty German occupants to settle personal scores.

The melancholy of the story rings true, maybe because it is based on a novel written at the time of the events narrated. Definitely a refreshing experience in old-style storytelling – think "Casablanca", with slightly more gory details and less hope in the future of a beautiful friendship.

Perhaps the best thing about 'Suite Française' is that the love story is intriguing. This is a rare thing nowadays and brings to mind the great heyday of romance in the Seventies. 'Suite Française' is set in Nazi occupied France during the start of World War II. You will therefore be crying with powerful and furious emotion. Michelle Williams is at the fore front of this film; gladly she does not fail or let the production team down in any respect. She plays a French Villager (I think) called Lucile Angellier. I say this statement with doubt as last time I checked French people did not speak English as their first language. Her overbearing mother is played with severity by Kristin Scott Thomas. She outright leads her daughter's life for her and plays a prominent role in all of her decisions, whether they be little or large. Their village becomes ruled and dictated by German soldiers, some much more brutal than others. There are different personalities and beliefs to each of them. This is great to see, because it paints a broader and larger painting. It shows us that not everyone can be placed definitively into a category.

Lucile is eventually watched over by a lieutenant by the name of Bruno Von Falk. Yes they do fall in love. But it is not as clichéd as I had suspected even if it does fall prone to a few nearly unavoidable clichés. It is the small subtleties that shape their romance. Lucille grows tired of her mother being in charge of her own life and this relationship allows her to become more independent and free minded. This provides the audience with depth, as it is not just a forbidden romance, but a necessary one as well. The lieutenant is acted sufficiently by Matthias Schoenaerts, who proves that he is not just a pretty face off of Hollywood's conveyor belt of seemingly endless blank, bland and boring male actors.

The horrors of war are slightly forgotten about as the film enters its later stages of the romance. But I cannot become too angry at the film, as it is a romance and not a war film. The film maintains good pacing, so that nothing is sudden and unexpected. This is an absolute necessity as we must become invested in the romance as time progresses. This is something that the Director should be proud of. That we maintain a surging like towards the two leads and always care about the characters. For the impatient they may find the whole affair too plodding, as there is only one action set piece located at the start of the film and even that is as brief as they come. But ask yourself, do we really need more action; for this type of film, no, absolutely not. In the last act of it, it becomes a sad if predictable experience, which therefore means that the smallest trace of a tear is kept at bay. The film in its final moments is everything that it promised us it would not be; clichéd and predictable.

Although far too predictable in its final act 'Suite Française' represents one of the more plausible romances in recent memory. The acting is enthusiastic by Michelle Williams and the male lead gets the job done. 'Suite Française' may be too drama heavy, but if the romance is this engaging; then frankly my dear I don't give a damn.

Suite Francaise is, for me, a rather sophisticated commentary on inequality and dispossession.

The characters in Suite Francaise are never to any measurable degree in control of their own fate. They are each controlled and constrained by social, economic and political prohibitions. In their own way each suffers a form of inequality of treatment, which leads to some form or other of dispossession.

For the lead characters, the young French wife and the German officer she comes to love, the most obvious inequality is their inability to form and sustain a loving relationship.They are constrained by political differences and social prejudices. Other characters experience dispossession as a result of a variety of factors such as class bias and racial discrimination. The loss in these cases, ranges from dispossession from property, through to deportation and death.

What is clear is the authors frustration and fury at the insanity of the world we live in. How so called civilizations and on a more local level individuals, demonstrate spitefulness and pettiness, (demonstrated by neighbours writing incriminating letters to the occupying German forces about one another) that prevent us all from leading free and happy lives.

This message is driven home all the more painfully and forcefully when you consider the tragic fate of the Jewish author, whose work this film is based upon. Sent to her death at a Nazi concentration camp simply for being Jewish.

The film adaption, derived from her incomplete series of books, is perhaps, a little stilted at times. This may in part be due to the fact the books were incomplete but possibly also due to the subtly of the message, which is not easily communicated in a ninety minute or so film.

In summary, Suite Francaise, is a thoughtful film. The compelling and heartfelt message which asks us all to practice kindness, understanding and tolerance when faced with its antithesis is as relevant in today's troubled times as ever it was. Eight out of ten from me.

What a lovely movie. A truly horrid time, war, finds something so real and alive, love and passion. Michelle Williams is a true untapped resource for a strong performance. I wish she did more films. She is stunning in the most real and beautiful way. She draws you in and makes you feel every emotion tenfold. A true powerhouse of talent. Kristin Scott Thomas plays the perfect stone old maid but with an underlying warm heart. In a time of war everyone had to brick their hearts away or be dragged under by the war machine. She portrays that beautifully. She plays the part from top to bottom with the zest of a Disney villain. BUT, don't judge too quickly. Matthias....ahhh Matthias. Can't get me enough of him. Yet another hidden gem of Hollywood.

18 March 2015 Film of Choice at The Plaza Dorchester Tonight - Suite Française. Based on an unfinished series of books by Irène Némirovsky, a Ukranian Jew who died in Auschwitz, they were discovered and held by her children, but not read until 1998. They were eventually published as a single volume in 2004 and this film is the adaptation of that printed story. It's a tale of life in the war, a tale of love, betrayal, a tale of deceit and survival. Lucile is a young girl forced to live with her severe and controlling Mother-in-Law, played exceptionally well by Kristin Scott Thomas. When their village is occupied by the Germans they are forced to play host to a German Officer, but he is unlike the others. Lucile is a timid put upon girl who appears to meekly abide by what her Mother-in-Law decrees, but as the film gains momentum we see her true character assert itself. This is a tale of everyday people, trying to survive as the horror of war is raging around them. Very beautifully shot with a delicate soundtrack revolving around the piece of music written by the young German Officer. Once again you leave the cinema with the feeling of futility, and waste which come from watching stories about the war, but also in a peculiar way, I had the sense of having watched something very beautiful.