Le regole del caos

OK, OK, the "professional" reviews are tepid, but for my taste, A Little Chaos is a perfect summertime movie. No heavy themes, impeccable acting (Kate Winslet, Matthias Schoenaerts, Stanley Tucci, and Alan Rickman), beautiful scenery, and gorgeous late 17th c. costumes. It's one of those movies where you can sink into the cushioned theater seats, breathe the welcome air-conditioning, and let the film wash over you. No heavy mental or emotional lifting required. The premise is that on a ridiculously short timetable and budget, France's Louis XIV, the Sun King, has decreed that paradisaical gardens be created to expand the grounds at his Versailles palace. Garden design has been placed in the reliable hands of André Le Nôtre (Schoenaerts), a proponent of order in the landscape. His plans include an elaborate display of fountains. But he needs help. After interviewing numerous candidates, he chooses the wildly fictional Madame Sabine de Barra (Winslet) to create the garden's ballroom, for the reason that she will introduce new ideas (a shaky premise, there)—and, as the title suggests, a little chaos. The two of them are attracted to each other, but have vastly different temperaments and face a fairly predictable set of obstacles. Critics who pooh-pooh the film as a failed feminist fable miss its many pleasures: the absurd courtiers, Stanley Tucci as the king's gay brother, the interplay among the women when they're alone behind closed doors, scenery to drool over, the joy of bringing dirt and greenery to beautiful life, and, especially, Alan Rickman playing Louis XIV—"a character worthy of his imperious, reptilian charisma," as Stephen Holden said in the New York Times. Rickman directed and helped write the film, too. "Acting should be about risky projects as much as it can be about entertaining," he told Joe Neumaier at the New York Daily News. "The risk is what makes you want to do it." Bringing to life characters from another culture and long-past century in a revisionist history confection is almost as risky as thinking you can make water dance. The real Salle de Bal (the Bosquet des Rocailles) at Versailles was inaugurated in 1685 and is the gardens' only surviving cascade. If you don't go with inflated expectations you won't be disappointed. You will be well pleased.

Belying its title, this is a charmingly well-ordered 'chamber-piece' movie about the creation of Louis XIV's spectacular grounds at Versailles. Landscape architect Andre Le Notre (Matthias Schoenaerts) recruits - a surprise in 17th-century society - a woman to design one of the garden's water features. Sabine De Barra (Kate Winslet) is a widow; Andre is married to a heartless slut (Helen McCrory); so we can expect something more than potting to be happening in the potting shed before the gardens are finished! There's a lovely scene when Sabine finds King Louis (Alan Rickman) alone and unwigged on a bench and mistakes him for the chief gardener.

I worried that A LITTLE CHAOS might be like one of Peter Greenaway's movies, a triumph of style over substance, but it's got almost as much substance as an Oscar Wilde adaptation. There's no attempt to "Frenchify" the language in the style of 'Allo 'Allo: everyone speaks accentless English. Alan Rickman (who also directed) plays the king in the grand style of Lady Bracknell, and Winslet is perfectly cast as a woman of substance and quiet wisdom. Belgium's Monsieur Schoenaerts is having a busy year and although this is role is similar to the one he had in SUITE FRANCAISE he seems more comfortable in it this time. Stanley Tucci and Jennifer Ehle play the top dogs/bitches in His Majesty's court and I'd like to have seen more of them both.

OK this movie is a bit overdone and artificial (like the gardens at Versailles), but the cast are believable and lovable, and the story delivers comedy, romance and intrigue. If you liked THE DUCHESS, you will love this.

Unfortunately, A Little Chaos has limited distribution. It was only showing in one theater where I live in downtown. I could have taken public transit and walked five blocks to get to the venue but kept putting it off. Good that I did, because A Little Chaos is currently streaming on Amazon with a run time of 1:53 minutes.

It's an interesting and unique story about a woman named Sabine, who has a gift for gardening. Yes, she has a quaint little backyard of flowers and trees, but her real talent is that of a landscape artist. She applies for the opportunity to work in the gardens of Versailles.

After obtaining the position, she is charged by the head architect, Andre (played by Matthias Schoenaerts who was just in Far From the Madding Crowd), to work on a special project that the two eventually design together. The fact that Sabine was a woman of great talent did not mean that her task was an easy one, but it was eventually successful.

However, underneath Sabine is a woman of great sadness. She is a widow and has also lost her daughter of six years of age. Ther reason for her family's passing isn't revealed until the end of the movie. How it occurs is heartbreaking, so I won't spoil that part in case you decide to watch the movie.

Of course, Andre, who is unhappily married to another woman, who possesses less than a stellar character, falls in love with Sabine. At first she resists because of her sorrow from the past, but eventually discovers solace and comfort in his arms.

Kate Winslet does the movie great charm. Her portrayal of Sabine is nothing but brilliant as all her movies. There is one particular scene that literally brought me to tears where she is among a group of women from the King's court. The ladies sit together and talk about what ladies talk about, but the conversation turns toward whether she is married and has children. Sabine, of course, can barely choke out the truth, and it is then that the majority of the woman in the room relay to her their sorrow of lost children of their own due to smallpox or other tragedies. It is so touching, I could barely keep from crying. Sabine is deeply moved when she realizes that she is not the only woman carrying such a deep burden of grief.

As the movie continues, you are made aware of her gracious character, wisdom, and kindness to others that eventually lead her to a road of healing. Yes, the movie is about the gorgeous gardens of Versailles, but it also much more. The story is rich with sidelines about others who are close to the King as well.

Alan Rickman plays Louis, but he also directs the movie. As beautifully touching as the story is at times, you may find it a bit slow in movement. There is construction of her portion of the garden, her interaction with the King and his court, her blossoming love for Andre, that all move toward the end at a leisurely pace. Some may like it -- some may not. I wanted to push it a bit myself but later scenes redeemed whatever discomfort I felt while waiting for the story to unfold.

You will see many characters played by British actors that you will recognize - Rupert Penry-Jones (Captain Wentworth in Jane Austen's Persuasion); Steven Waddington (who played the Duke of Buckingham in The Tudors); Adrian Scarborough (who has done his share of British television roles including Midsomer Murders); Stanely Tucci (who has been in plenty of movie roles that you can remember); and many other well-known faces. What you may find a bit unsettling is the majority of the cast lacking French accents from British and American actors, however, there are a few women who do have one.

Nevertheless, the costumes are quite stunning as well as the scenery and sets. The production was filmed in England at nine locations (click here to see where), including Hampton Court, which I immediately recognized the exterior and interior.

If you're looking for a touching, but not spectacular period movie, you may want to check this one out.

Until now, I've never seen Kate Winslet portray a character in any movie that I could connect with. I've always thought she was miscast in Titanic. In A Little Chaos though, she draws us out n, bit by bit, by showing a great deal of vulnerability, a person bruised, but not quite broken by her paifully past. I could not hold back thevtears when she finally faces what haunts her. Good movie about a gentle soul trading a potentially treacherous path in life, willing to reach for what seems barely possible.

A rare gem in the world of contemporary movies, this story has sympathetic characters. I thought they all but disappeared from the screen. It is purely fictional, but I like to believe it could have happened. Schoenaerts plays Andre Le Notre, the real landscape architect who designed the park of Versailles for King Louis XIV. Andre is interviewing other landscape gardeners to help him with the job, among them the only woman, fictional Sabine De Barra (Winslet).

They don't meet so cute, but Le Notre is intrigued and Sabine is hired. In the society of the time, Sabine is a bit of a low class oddity who manages to make friends in high places. Admitted to court, she attracts attention and curiosity for her beauty and skills, but she also attract Le Notre's wife jealousy.

Le Notre is unhappily married with his unfaithful Madame, but Madame is well connected at court and sort of blackmails him into staying with her. However, that will not stop the slowly burning romance between Andre and Sabine.

Sabine holds back not only because Andre is married but also because of her mysterious tragic past.

We finally get to know Sabine's sad history during one of the most moving scenes of the film. Sabine talks to the court ladies and discovers that they also share tragic losses, although at court it is forbidden to talk about death. Once able to face her past, Sabine can finally move into her future.

Winslet is really good as Sabine and Schoenaerts seems particularly gifted for the role of the strong, silent, lover. He had similar roles in The Danish Girl and Suite Francaise and was equally good. Their scenes together are moving and tender, without any of the artificial slickness or aggressiveness of contemporary romances.Rickman playing Louis XIV as a rather melancholic man who takes a fatherly fancy to Sabine.

The music is not overbearing period and the costumes are absolutely fantastic. The final scene looks like is taking place in the real, still existing, rock ballroom.

Great movie, a balm for the soul.