The Last Word

A quite refreshing to see romantic drama film.

Although i'm not sure, maybe its a Hollywood thing where you can plan your suicide for weeks or months in advance but statistically in the rest of the world suicide is mostly a spur of the moment decision, that part was always in the back of my mind whilst watching, so it did derail the story a little for me during the film.

Regardless it was still a decent watch, some good acting, but overall the characters didn't really capture your love or affection to warrant getting too involved in the film

Worth a watch, but the rewatch factor is pretty low.

This is the finest comedy/drama I've seen in a couple of years, and it has the most satisfying ending I've ever seen. The film stars Wes Bentley (ironically, Haley shot the famous videotape of the plastic bag that Bentley shows to Thora Birch in "American Beauty") as Evan, who is a professional author of suicide notes. He meets with his clients, gets a sense of what they want, then asks them to keep a journal of their thoughts for a few weeks, after which Evan produces a poetic, client-customized suicide note for the soon-to-be-departed. He has become so prolific that one of his clients won a national poetry prize for Evan's note; the ever-mordant Evan is quick to add that the prize was, of course, awarded posthumously.

Evan estimates that 30% of his clients actually kill themselves; one who does is a young man named Matt Morris. When Evan attends Matt's funeral---he often attends the graveside service to evaluate the effect of his note on those in attendance---, Matt's sister Charlotte (Winona Ryder) follows him out of the service and asks him if he was a friend of her brother's. Evan lies that he went to Cornell with Matt, and soon he and Charlotte are dating. Trouble ensues when Evan eats dinner at Charlotte's house with the whole surviving family firing questions at him.

Meanwhile, we meet Evan's newest client, Abel (an excellent Ray Romano), an acerbic misanthrope with a death wish. They develop an unlikely bond, and there are some extremely touching (and hilarious) exchanges between the two as they work on Abel's farewell (in one such conversation, Abel, encouraging Evan to pursue Charlotte, tells him to buy her a puppy: "Girls love puppies. They're like heroin with fur!").

Things get complicated between Evan and Charlotte as he has must go to increasingly absurd lengths to conceal his true occupation and the real reason that he knew her brother. I won't reveal any more of the plot, because this is a ride truly to be enjoyed by the moviegoer.

Bentley fulfills the promise he showed in "American Beauty." He manages to imbue his characteristic monotone and piercing gaze with enough hints of emotion to reveal the depths of grief churning below his icy surface. Romano shows surprising dramatic range while retaining his trademark wit; it will be interesting to see if he continues to try to stretch his acting range. (On a side note, he admitted in the post-film Q&A that his psychiatrist reads the script before Romano will commit to any project.) Ryder is the only weak link here. She does a competent job, her doe eyes signaling the hurt over her brother's death that is only worsened by Evan's seeming callousness, but her acting doesn't rise to the level of her co- stars. Thankfully, it is really Bentley and Romano's film, and they make the most of it.

This is an astounding first feature from Haley, who wrote the screenplay in his trailer during breaks while lensing the final season of "Six Feet Under." Although he hasn't yet struck a distribution deal, potential buyers in yesterday's audience could not ignore the thunderous ovation that met the closing credits. Go see this one when it comes out in a theater near you, which it will. You won't be disappointed.

This movie is phenomenal.The script is well written and the characters have portrayed themselves very well. Its about a writer who writes the suicide notes. He never tries to forbid his clients from going ahead with their suicides. That's also strange.

Ray's character is great. He does some unusually strange things.Scaring the baby and the concept of venting you anger on inanimate objects were very original and idiosyncratic.

You will love this movie if you ever had setbacks in your life. Its a different take on life and the thinking of various people. Things we think of but never verbalize in public.

Comedy? No, folks, there are no laughs here. Great ending? Hah! The bit of relief at the end weighs like a feather compared to the darkness of the movie as a whole. This is a drama, a dark one, with suicide and love deceived and betrayed constantly in the background, yet the plot is compelling, and love tries to wriggle its way to the surface amid the human refuse. An excellent script, particularly if this is the writer's first. Strong, touching performances by Wes Bentley, Winona Ryder and Ray Romano. Don't see it when you're looking for some light entertainment for the evening. But when you're ready for something serious and something that might stick in your mind, see it then. There won't be many movies of its quality this year.

I thoroughly enjoyed this movie. It had my complete attention from the opening and onward until the credits. Its a decent film to watch with a significant other if you cant talk her into Rambo 7.

It leans more toward the drama side of things but definitely had some good laughs. It was casted well, as for I believe it was well acted. I cant really complain about much in this one.

Romano lends himself to a great comedic supporting role to liven up the dark portrayal of the lead character; equating to a great balance in the movie.

The ending was definitely fitting and made the movie end on a rather positive note; considering the movie takes you on a darker walk through out it was nice to see things summed up the way they were.