Lost Souls - La profezia

winona ryder rarely fails to take you to the exact place where your fear (of childhood in other movies and religion in this) is born and leaves you there, standing on the edge of a cliff wondering if you'll end up jumping or not and you sort of dangle there till the end of the movie (yet if you own a sensible mind, the images will haunt you in your sleep). the movie itself is not that scary in my eye, but it does give you enough insight to let your own doubts and questions lead you to where your true fear may lie and this is the real appeal of the movie, so yeah, i recommend it.

'Lost Souls' is an interesting misfire despite the fact that it is a good thriller. It starts as a really ambitious film dealing with the coming of the Antichrist, or at least the strong belief of Maya Larkin (the character played by Winona Ryder) that this coming is actually going to happen very soon.

The problem I have, however, is that we do not really get to know Maya Larkin very well throughout the movie. We watch her in her quest but we do not understand her well and we doubt her motivations. She is not believable as a person of faith with the necessary experience and background dealing with the 'evil' at hand.

The film starts well creating a dark foreboding atmosphere but stays at a level of a suspenseful thriller without any theological or philosophical implications. One would think that if so much is at stake then something more should be needed in order for us to root for her the way we did for Fathers Merrin and Karras in the 'Exorcist'.

I can make absolutely no sense of each and every one star review which calls this film horrible as well as the 4.7 rating. It is unfathomable to me. The cinematography alone should warrant a rating of at least 5.

This is a subtle religious horror flick that I have to assume people rejected because of the lack of scares and gore. However, the performances, direction and cinematography are all top notch. Though Lost Souls was marketed to look like a demonic scare-fest, I would compare this film to the likes of The Exorcism of Emily Rose. In fact, I would not be surprised if the makers of that film borrowed quite heavily from this one, both in style and effects.

The premise is relatively simple: A small religious sect believe the coming of the anti-Christ to be near, sitting dormant in a human body.

The biggest praise that I can bestow upon this film is that over 12 years later, this film still looks like it could have been made yesterday. In fact, it looks uncannily more modern than a large majority of recent horror efforts. Lost Souls simply does not age.

Another popular factor in why this movie is so poorly rated and received is the fact that audiences just did not like the ending. I feel sorry for those that do not. The ending is original, and though it did not satisfy blood thirsty Hollywood horror fans, it is very much appropriate for this film. To put it simply without spoiling anything: faith is the central core to Lost Souls, those with it and those without. That is what this ending plays off of, and I think it's perfect. Please do not let any of these negative reviews divert you from seeing this film.

This is not End of Days or Stigmata. Lost Souls is not camp in the slightest. It is a dark, beautifully shot and well acted film that is significantly ahead of it's time.

7/10

This movie was one of the few that really scared me. It has many moments of actual horror. You can feel the horror surrounding you. It swallows you, almost. Maya Larkin (Winona Ryder) was once possessed by demons. She now helps priests in performing exorcisms. When she finds a name in a numerical code, she must hunt down and convince a skeptic that he is destined to become the anti-christ. This was a very creepy movie. I like the camera-work in it aswell. It makes it look like an older film. I especially like the ending. It was dark and gloomy. I thought it was great. This is a scary movie that people will look back on one day and see it as the year 2000's THE EXORCIST. Altough it got little time out in theaters, this is a movie that I feel will be something some day. LOST SOULS: 5/5.

The majority of the reviewers of this film were looking for a movie that isn't there at the expenses of seeing the movie that is. Lost Souls is a tightly wound question balanced on the edge of a knife: Is Maya a psycho killer or the savior of mankind? Given the fact that most psycho killers believe they are saviors of mankind, I opt for the psycho killer interpretation. The movie, which is a continuous balancing of the question, never letting up on clues that raise the question further, opts to let us decide. It allows Maya to walk away from the car after murdering the person she had convinced was the devil. At the fade out, one wonders how she had managed to get away with murdering her parents and how many more she will murder before she is finally stopped.

Ryder, whose eyes have always been a vehicle for her acting, uses them chillingly in the scene in which she murders Father Lareaux. Studying Ryder's evolving facial expressions as Maya finds out that the Father won't support her delusions, takes action, and then gloats at the outcome will convince anyone she's crazy.

An incredible performance. Or the way she handles the scene in which Kelson, her intended victim, casts back to his past to test if he really could be the devil. Kaminski bolsters it with the imagery of a deer caught in the headlights of an oncoming car unknowingly escaping, for the moment.

Adding up the body count just bolsters the psycho killer interpretation. By her own hand, she kills: the murderer George Viznik, brain dead; Kelson's girlfriend, Claire Van Owen; Father Lareaux and Kelson himself. Murders at her instigation: the investigator, John Townsend; Kelson's uncle/father; and Kelson's brother.

Take a second look. Watch Maya's eyes. Ask yourself at every turn, is this about the devil, or is this about the here and now, a psycho killer walking invisibly among us.