Aggiungi una trama nella tua linguaGabriel the archangel fights to bring light back to purgatory - a place where darkness rules - and save the souls of the city's inhabitants.Gabriel the archangel fights to bring light back to purgatory - a place where darkness rules - and save the souls of the city's inhabitants.Gabriel the archangel fights to bring light back to purgatory - a place where darkness rules - and save the souls of the city's inhabitants.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 1 candidatura in totale
- Candy
- (as Naomi Yoshinaga)
Recensioni in evidenza
What I liked about this one was that the story didn't follow the usual formulaic storyline that you can almost time down to the minute. At first I wasn't sure where the story was headed, but as it unfolded I became drawn into it. I enjoyed the story, and it's exploration of the concept of freedom. I found it to be a story of great substance, and bears watching a second time in order to fully appreciate it, much like films such as Donnie Darko.
I liked that the cast was filled with people I didn't know, it gave it a freshness and allowed one to view it without the context of the actors cluttering the story. I liked the gritty visuals and sound - it pulled this off without the need to provide motion-sick tablets with your ticket, unlike movies like the Bourne Ultimatum which took wobbly camera shots a bit too far. It is a look typical of many Australian films, such as Wolf Creek, but the comic-book look of the film gives it a sense of fantasy which suits the story perfectly.
One thing I particularly liked was the way the fight scenes were realised - a fresh approach to supernatural battles which, I think, works well.
I found the effects a little over-done at times, and some of the visuals could have used a bit more polish, but considering the film's budget (or lack thereof), I think it's very impressive.
Sure, it's no Hollywood blockbuster, but that's kind of the point.
I was a bit worried by the wordlessness and flat grey look of the earliest scenes, but as soon as we hit the first dialogue two-hander, I got pulled into the characters' situation. Also, the film never looks as grey again as it does right at the start, even if the digital video footage doesn't give much depth of field in this dark world.
The fights are spaced out, but they're very cool. The choreography is of The Matrix almost ESP-martial arts kind, yet filmed in nice clear wide shots with minimal editing (or editing that's well-disguised by passing obstacles) so you can see what's going on. Sometimes it's guns, sometimes hand-to-hand, sometimes both, with bullet time, slow-mo, folks zipping around bullets, all the nifty stuff that's been developed in this genre. There's also an exciting shootout in strobing darkness that reminded me of Equilibrium's gun cabal scenes.
The film Gabriel reminds me of most strongly, however, isn't something super recent. It's Blade Runner. In that film, replicant robots unsure of their identity and nascent emotions variously went into hiding, went insane or fought for their survival in a world that wasn't really theirs when push came to shove. Replace 'robots' with 'angels' and you've got the basic premise of Gabriel. The angels are sent to purgatory to get in amongst the humans and steer them in the right direction, or in the case of bad guys The Fallen, keep them corrupt. But to adopt the mortal form is to become vulnerable to human weakness, and that's what Gabriel has to struggle with as he tries to rally his angel pals who've failed before him for one last battle.
Freakin' good film!
Lo sapevi?
- QuizThe film was mostly funded out of the filmmakers' own pockets. Director Shane Abbess worked as a building laborer, a removalist, at a call center and as a dockyard truck driver simply to raise money for his film. Five weeks into shooting when it looked like the money was about to run out, he was prepared to return to his job as a removalist when his old boss gave him sufficient funds to complete the film.
- BlooperTutte le opzioni contengono spoiler
- Citazioni
Gabriel: [reading letter from Michael] Gabriel, if you are reading this, then I have failed. We are far from grace, further than I could ever imagine. You will feel things that will cloud your judgement. This enemy within is strong and unpredictable. Control these emotions or the fight cannot be won. The others have failed, learn from them but do not follow. You are the last. Michael.
- ConnessioniFeatured in WatchMojo: Top 10 Movie Angels (2013)
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Dettagli
Botteghino
- Budget
- 200.000 A$ (previsto)
- Lordo in tutto il mondo
- 1.395.610 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Proporzioni
- 2.35 : 1