Ahista Ahista

Abhay Deol meets the attractive Soha Ali Khan and greets her "Hello Sister"!!!. This sets the tone for a remarkable debut film by Shivam Nair. Soha, a middle class girl has run away from her home in Nainital and come to Delhi to marry her lover, Shayan Munshi. But Shyan doesn't turn up leaving Soha heartbroken & alone in the big bad world. . Abhay, the lower class next door guy turns protective towards the vulnerable Soha and helps her get a job & shelter in an old age home. Slowly romance blooms and Soha agrees to marry Abhay. Then Shyan re-enters into Soha's life.

A sensitively made film with a very unusual story, lovingly shot in Delhi, revolves around the delicate Soha. This well crafted film has moments which will forever remain etched in one's memory – the awkward first kiss & Abhay's swift apology; Abhay describing Soha as "class wali ladki" & hastily adding "that he doesn't love her"; his gifting a churidar to Soha & asking her out for a date.

The music is good & the background music excellent. In a scene where Soha rushes & embraces Abhay the sound track disappears. The stillness conveys both the awkwardness & tenderness of the relationship.

The poignant ending makes for a bitter sweet film, the memories of which will linger for a long long time.

A must see I will rate it 8.5/10

Abhay Deol's second film, written by Imtiaz Ali, maiden directorial effort by Shivam Nair. Soha probably has her first (?) meaty role as Megha, a girl who has run away from home and is waiting at the Delhi marriage registrar's office for her boyfriend Dheeraj (Shayan Munshi) to meet her. She waits and waits and finally is spotted as a damsel in distress by Ankush (Abhay Deol). They spend many days together as he extricates her from one distressing situation after another and finally falls in love with her. Then the boyfriend returns! Aage pardey par dekhiye! Sound familiar? This is yet another adaptation of Dostoyevsky's White Nights with a tiny bit of borrowing from Le Notti Bianchi (very tiny though - Ankush keeps the lovers apart by telling the boyfriend she is dead!). But this is an earthier and more realistic (duh) adaptation than the much hyped and overblown Saawariya. I wonder why no one brought this little gem up when we were all discussing Saawariya like crazy a few months ago.

The Delhi settings are wonderful - there is the obligatory run through old Delhi, shots of Jama Masjid from a roof top, Connaught Circus, streets with rickshaws (What? How?). The colorful light fixtures in the hotel are enough to tell you this is a seedy joint with rooms for hire by the hour!

The more I see of Abhay the more I like this young man. In this second film he is quite good as the for hire witness who is given a purpose in life by a beautiful woman. Soha looks beautiful, and when she smiles she fits the role, but I found her unconvincing in the more serious moments. I am not quite sure that she has it in her to be a great actress, or maybe she will blossom late like the brother. The music by Himesh Reshammiya is not that great and in fact the movie falters at the songs, they kind of interrupt the narrative and do not sit well with the characters trying to sing them. The supporting cast is excellent and I give this White Nights adaptation a thumbs up. BTW - the fact that I love Abhay Deol's cute dimples has NOTHING to do with my rating.

This highly critically acclaimed movie had been on my list for quite a while and finally last night I got around to watch it. Indeed Shivam Nair shows a lot of promise in his first outing.

The characters are well established. The construction of the scenes deserve special mention. For instance if you take the Marriage Registrar's office, the subtlety incorporated into it gives quite an authentic feel to it and you perceive almost being in there. Also the spirit of Dilli-6 is very well captured.

Ω Abay Deol:: As Anurag Kashyap rightly states "While actors are aspiring to become heroes, this guys is attempting to excel as a character". He forges his might over the "new-age cinema". Minor aberrations are his costumes which seem beyond the financial means of the character, but nonetheless it can be safely ignored. Should add that he looked great in his chequered shirts, flat-fronts & the golf jumper.

Ω Soha:: For the first time I noticed a performance which deserves special mention. Perhaps because of the character which is subdued owing to which she keeps her mouth shut in the initial few reels.

Ω Shayan Munshi:: Seemed misplaced here perhaps owing to his look viz. unkempt hair & unshaven, costumes.

Ω Music:: The songs though good were kind of show-stoppers to the narration. Having said that owing to the huge popularity of HR, I guess it did the job of marketing the movie well.

The interaction of Abhay with Kamini Khanna is well fleshed out. The Father does a good job as well. Abhay's friends lend adequate support.

And the ending couldn't have been better.

PS: And if you thought there are bits n pieces which resemble Jab We Met, it because of Imtiaz Ali lending help in the back-stage.

'Ahista Ahista' comes like a breath of fresh air when romantic movies are becoming less frequent in Indian cinema when compared to before. It's a very loose and brilliant adaptation of Dostoevsky's 'White Nights'. Imtiaz Ali's writing is very down-to-earth as he tells the story of ordinary people and adds his own touch.

Among the songs, the Qawali number and a solo that plays in the background stand out but the ones sung by Reshamiya in his usual ghastly voice. The songs should have been left to the background because the ones filmed as dream sequences aren't effective and they hinder the narrative flow. However the background score flows smoothly.

'Ahista Ahista' is carried by Abhay Deol. Deol is simply wonderful as Ankush and he gives a natural performance. His Ankush reminds me of Shahrukh's Sunil from 'Kabhi Haan Kabhi Naa'. The characters are quite different but they face a similar dilemma. Soha Ali Khan isn't as impressive. Also we don't see much of Megha's final decision from her point of view. She appears to be weak and have difficulties with making her own decisions. In the beginning, Soha's expressions lack spontaneity and her responses look forced but she does a better job later on (except in the end). It's not a bad performance but one that could have been better. Shayan Munshi is alright, nothing great. Anyway, this is Deol's film so even though Soha and Shayan do not exactly hit the mark, it doesn't take away too much. The supporting actors who play Ankush's friends are good too.

Debutant Shivam Nair's direction is quite good but I wonder why he used slow-motion in some scenes, that too, so poorly (in stop motion format). Otherwise the director does a very commendable job and he makes great use of Delhi (where the film is set) by giving us glimpses of the busy streets, the small alleys etc.

Some of the moments that stood out for me was when Ankush impulsively kisses Megha which is followed by an apology, when a cheerful Ankush goes to visit Megha with a bouquet of flowers and is confronted by an unexpected surprise, the final conversation between the two...well there are lots of such little great moments. In a few words, 'Ahista Ahista' is a fine and down-to earth adaptation of a classic. This one's a gem.

Nice Story line, Looks real. Superb acting of everyone. Music and songs were treat to ears. Why don't Bollywood make such movies now.

Just Loved It! Love Felt!