VALUTAZIONE IMDb
7,5/10
9191
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaManorama, wife of an irrigation minister, tasks Satyaveer to find if her husband is cheating. As Satyaveer starts investigating, he gets trapped in a web of lies and must uncover the entire ... Leggi tuttoManorama, wife of an irrigation minister, tasks Satyaveer to find if her husband is cheating. As Satyaveer starts investigating, he gets trapped in a web of lies and must uncover the entire truth.Manorama, wife of an irrigation minister, tasks Satyaveer to find if her husband is cheating. As Satyaveer starts investigating, he gets trapped in a web of lies and must uncover the entire truth.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
Sarika Thakur
- Manorama
- (as Sarika)
Jogi Mallang
- Fauji
- (as Jogiji)
Sailesh Sharma
- Make up artist
- (as sailesh sharma)
Ashok Vyas
- Police cop
- (filmato d'archivio)
Recensioni in evidenza
Before watching Manorama, i considered Johnny Gaddar as best scripted suspense movie of modern times, but Manorama is far above from Johnny. The best thing is that the storyline looks real and on the level of a common person. It is not like a typical Hindi Cinema (bollywood) suspense movie with the protagonist playing a hero. I gave 9 because i felt detached in middle of the movie but approaching to the end, it captures attention and the climax is well written. I'll curse myself for not watching it for so long even after i heard its praise from my friends. Abhay Deol looks good as a Middle class Rajasthani and so as Gul Panag. Vinay Pathak is exceptional as usual.
I saw this movie after johny gaddar and before seeing i liked johny gaddar but Manorama exceeded my expectations.. it was superb suspense movie with very normal background and yet it showed powerful message in the film.. till half way of the film I lost patience and interest but then again it started and I am glad that I did not left the movie at half way.. nowadays movies have big stars and beautiful backgrounds and splendid film sets.. this movie proves that big sets and good makeups are really not needed nowadays..(But the mass don't understand this) Good film needs good direction, good script and finally good execution.. Manorama deserves 10 out of 10.. but still can not give that as perfection is dangerous for ambition..!!
First I would like to tell who would surely like this movie, so if you are one of them then go and grab the movie right now - 1. People who have lived major part of their lives in a small town of India and know the slow and uneventful life. 2. People who have had great ambitions in life but some how could not achieve success in the magnitude of expectations. 3. People who are mystery aficionado not just in movies but in life also. 4. People who form their own opinion about the movies rather than just following the herd mentality.
If you fall into any 2 categories out of the 4 mentioned above then its a movie for you.
Review -
This is one movie created by a very intelligent director who is absolutely comfortable with his intelligence and skill of movie making and does not go over board to show the intelligence. The plot of the movie is defined in a sleepy small town of Rajasthan. The beauty about the plot is that it shows a lot about a small town of Rajasthan without spending too much time in creating the backdrop. This is not just true for Plot but for characters also. The characters of this movie unfold with the course of movie and no extra effort is done by director to over simplify or over explain it. By the end of the movie you would be absolutely ready to answer any question asked about the character. Not because director told you all about the characters but because you would know these character so well. In terms of story its little slow in the first hour but if you fall into any of the above categories you would not mind waiting for next eventful hour. Once the story picks up the pace then you have to sit tight to assimilate all the details or you would get into the trap of post processing. Its not like a conventional suspense movie where you get to know the bad man at the end. Some where during the movie you would realize who is the bad man but why and how are the questions which will be answered later. In the initial part of the movie you would question why the protagonist of the movie is so confident and sure about his ability but you would get the proof of that by the end of the movie. At the end protagonist does not get fame or revenge or pleasure of killing the villain of the movie but you would have a subtle smile when at the end protagonist gives all the answer and takes sweet unconventional revenge. Acting wise it 10/10. Abhay Deol is a class actor, who knows his character in and out. Gul Panag has done full justice to her role. Vinay Pathak is as usual his best. But I think the credit goes to director who has carved out his characters so well that even you would feel that "I can also do this role, I know this person so well." At the end, its a must watch movie. Its a disappointment that this movie could not get commercial success but I guess that the fate of all great movies made in India.
If you fall into any 2 categories out of the 4 mentioned above then its a movie for you.
Review -
This is one movie created by a very intelligent director who is absolutely comfortable with his intelligence and skill of movie making and does not go over board to show the intelligence. The plot of the movie is defined in a sleepy small town of Rajasthan. The beauty about the plot is that it shows a lot about a small town of Rajasthan without spending too much time in creating the backdrop. This is not just true for Plot but for characters also. The characters of this movie unfold with the course of movie and no extra effort is done by director to over simplify or over explain it. By the end of the movie you would be absolutely ready to answer any question asked about the character. Not because director told you all about the characters but because you would know these character so well. In terms of story its little slow in the first hour but if you fall into any of the above categories you would not mind waiting for next eventful hour. Once the story picks up the pace then you have to sit tight to assimilate all the details or you would get into the trap of post processing. Its not like a conventional suspense movie where you get to know the bad man at the end. Some where during the movie you would realize who is the bad man but why and how are the questions which will be answered later. In the initial part of the movie you would question why the protagonist of the movie is so confident and sure about his ability but you would get the proof of that by the end of the movie. At the end protagonist does not get fame or revenge or pleasure of killing the villain of the movie but you would have a subtle smile when at the end protagonist gives all the answer and takes sweet unconventional revenge. Acting wise it 10/10. Abhay Deol is a class actor, who knows his character in and out. Gul Panag has done full justice to her role. Vinay Pathak is as usual his best. But I think the credit goes to director who has carved out his characters so well that even you would feel that "I can also do this role, I know this person so well." At the end, its a must watch movie. Its a disappointment that this movie could not get commercial success but I guess that the fate of all great movies made in India.
Manorama Six Feet Under is akin to reading a novel. Viewers who are not fond of reading might judge the pace of the movie to be slow. It takes a while to build the atmosphere, characters gets established, suspense builds up and races ahead to a grand finale.
Screenplay and cinematography is commendable, you can almost feel the heat of the desert and sand on your face. A few places you can see the shades of Tarantino style of movie-making.
MSFU is the story of Satyaveer who stumbles upon a mystery and the (failed!) writer in him itches to seek the truth redemption or quest?
Abhay Deol apparently is focusing on building his competency in the "new-age cinema" genre (there is too much competition in the mainstream anyway). As Satyaveer he puts on a convincing get-up coupled with a restrained performance.
Gul Panag uses the usual sarcastic house-wife lines to portrays a convincing character.
Vinay Pathak goes to shows that he is good at everything and not just comedy. Minor hitch here: why does he carry a strong accent while her sister doesn't? Convent studies maybe?
Raima Sen character staunchly believes "Men and coffee are good rich" and the tension which prevails between Abhay and Raima over the game of snake and ladders is truly amazing, especially the come-hither passes.
Sarika has a small but effective role. Its goes to show that acting is akin to ride a bicycle.
Khulbhushan Kharbanda is as usual dependable.
The two henchmen have portrayed their parts well (apologies for not knowing their names).
Finally I must add that gone are the days where Bollywood used to paint the perfect world. Its emotionally gratifying to see just like true-to-life, the movie also depicts shades of grey.
Screenplay and cinematography is commendable, you can almost feel the heat of the desert and sand on your face. A few places you can see the shades of Tarantino style of movie-making.
MSFU is the story of Satyaveer who stumbles upon a mystery and the (failed!) writer in him itches to seek the truth redemption or quest?
Abhay Deol apparently is focusing on building his competency in the "new-age cinema" genre (there is too much competition in the mainstream anyway). As Satyaveer he puts on a convincing get-up coupled with a restrained performance.
Gul Panag uses the usual sarcastic house-wife lines to portrays a convincing character.
Vinay Pathak goes to shows that he is good at everything and not just comedy. Minor hitch here: why does he carry a strong accent while her sister doesn't? Convent studies maybe?
Raima Sen character staunchly believes "Men and coffee are good rich" and the tension which prevails between Abhay and Raima over the game of snake and ladders is truly amazing, especially the come-hither passes.
Sarika has a small but effective role. Its goes to show that acting is akin to ride a bicycle.
Khulbhushan Kharbanda is as usual dependable.
The two henchmen have portrayed their parts well (apologies for not knowing their names).
Finally I must add that gone are the days where Bollywood used to paint the perfect world. Its emotionally gratifying to see just like true-to-life, the movie also depicts shades of grey.
After 'Johnny Gaddaar' here's another amazing thriller. 'Manorama 6 Feet Under' is clearly an inspiration of 'Chinatown'. Note inspiration, not ripoff nor remake. In one scene you even see Chinatown playing on TV. The writing is clever, the visuals are impressive and the performances are very good. Director Navdeep Singh stays with his sub-heading 'In the desert nothing is as it seems'. So in 'Manorama 6 Feet Under' nothing is indeed as it seems. Singh smartly unfolds the mystery and springs a lot of surprises. The film is set in sandy Rajasthan which is portrayed as mysterious, dry, isolated, illusive and frightening. Thus, it's a perfect set-up for the film.
Coming to the performances, Abhay Deol scores again in yet another different role, not just different from what he's done but also from what other actors of today are doing. The actor is certainly here to stay and hope he continues the good work. Gul Panag has a simple role but she does her part very well. Raima Sen shows tremendous versatility. Sarika is stunning in the title role and Kulbushan Kharbanda and Vinay Pathak are very good.
The songs are minimal. But the few that we have are pleasant and adequate for the screenplay.
'Manorama 6 Feet Under' is one exciting puzzle and a treat to watch. It's bizarre. It's dark. It's funny. It's thrilling.
Coming to the performances, Abhay Deol scores again in yet another different role, not just different from what he's done but also from what other actors of today are doing. The actor is certainly here to stay and hope he continues the good work. Gul Panag has a simple role but she does her part very well. Raima Sen shows tremendous versatility. Sarika is stunning in the title role and Kulbushan Kharbanda and Vinay Pathak are very good.
The songs are minimal. But the few that we have are pleasant and adequate for the screenplay.
'Manorama 6 Feet Under' is one exciting puzzle and a treat to watch. It's bizarre. It's dark. It's funny. It's thrilling.
Lo sapevi?
- QuizThis movie is said to be loosely inspired by Roman Polanski's Chinatown
- BlooperAfter Dr. Poddar being murder when satyaveer calls at home telephone the telephone ringtone was also ringing in his phone too.
- ConnessioniFeatures Il topo va in guerra (1943)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 141.551 USD
- Tempo di esecuzione2 ore 17 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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