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7,2/10
1413
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaUtilizing hours of unseen archival footage, The Beales is a new take on the women of Grey Gardens.Utilizing hours of unseen archival footage, The Beales is a new take on the women of Grey Gardens.Utilizing hours of unseen archival footage, The Beales is a new take on the women of Grey Gardens.
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Recensioni in evidenza
David Maysles, the primary editor of the brilliantly edited "Grey Gardens" died in 1987 and was therefore not involved with this project.
According to his brother and cameraman Albert (his interview is the only extra on the DVD), he and David filmed for about 6 weeks for several hours a day in the early autumn of 1973. Presumably, this film was culled from the best of what remained of that material.
It's disjointed to the point of really just being a roughly assembled collection of outtakes. We see much more of the Marble Faun as well as quirky artist friend Lois who only appeared in the birthday party scenes in "Grey Gardens". Little Edie in particular comes across as both more rational as well as more flirtatious with the Maysles brothers, especially the younger David. And the extent to which the brothers engaged with and encouraged the Beales becomes much more obvious in these segments.
Still, this is a must-see for fans of the Beales, if only for a view of all of Little Edie's amazing costumes of the day as well as her general philosophies of life. Little Edie was a true free-thinking early feminist, trapped by the circumstances of her time and social status, but I'm sure it would please her endlessly to know she has so many admirers more than a decade after her death.
According to his brother and cameraman Albert (his interview is the only extra on the DVD), he and David filmed for about 6 weeks for several hours a day in the early autumn of 1973. Presumably, this film was culled from the best of what remained of that material.
It's disjointed to the point of really just being a roughly assembled collection of outtakes. We see much more of the Marble Faun as well as quirky artist friend Lois who only appeared in the birthday party scenes in "Grey Gardens". Little Edie in particular comes across as both more rational as well as more flirtatious with the Maysles brothers, especially the younger David. And the extent to which the brothers engaged with and encouraged the Beales becomes much more obvious in these segments.
Still, this is a must-see for fans of the Beales, if only for a view of all of Little Edie's amazing costumes of the day as well as her general philosophies of life. Little Edie was a true free-thinking early feminist, trapped by the circumstances of her time and social status, but I'm sure it would please her endlessly to know she has so many admirers more than a decade after her death.
While watching "The Beales of Grey Gardens" I was simply amazed at the amount of priceless footage that did not make it into the original film! Edie is truly a legend and icon of her time. It is not surprising that her style has been copied by numerous fashion designers; that woman definitely had a sense of style and it seems could make virtually any piece of clothing look good on her. If you are a fan of the original film, the new documentary is a MUST-SEE. Just when you thought you knew the two girls, along comes all the stuff you've never seen before, and you will fall in love with them all over again. The only down side is that at the end you will feel sorry that there will be no more antics of Big and Little Edith Beale to delight you for hours on end, but you be grateful for what we do have, and what these delightful characters provided us with.
The Beales of Grey Gardens (2006)
*** (out of 4)
Albert Maysles and David Maysles took the unused footage from their 1975 documentary GREY GARDENS and came up with this new film. As with the first, we take a look at Big Edie and Little Edie, the relatives to Jackie Onassis who lived in an estate that was pretty much ran down and which they shared with a various of creatures including cats and raccoons. Having just watched the original film a few weeks before this, I was very familiar and it was still fresh in my mind. I don't think viewing the two so close hampered this film but at the same time I think it's clear that this one here isn't nearly as good. I think you could point to several different factors but for some reason I just kept saying to myself that this footage wasn't included in the original for a reason. That reason was probably that it simply wasn't all that interesting or at least it wasn't as interesting as what we got in the first movie. I thought GREY GARDENS was a pretty weird film because it really didn't seem to have a point other than to show how weird these people were. It at least had a structure to it but that's not the case here. It really does seem like the entire movie was just thrown together for the sake of the filmmakers having another picture for the credits. That's not to say that this is a bad movie but at the same time it really does feel as if you're watching 90-minutes worth of deleted scenes that you'd typically just see on a film's special features. Some of the highlights in this film include a sequence where a fire breaks out and you can see the damage in the original film but there it doesn't have an explanation. Another highlight is hearing the two ladies talk about their thoughts on the Catholic church and men in general. Fans of the first film will probably get the most out of this but the rest should certainly seek out the original first.
*** (out of 4)
Albert Maysles and David Maysles took the unused footage from their 1975 documentary GREY GARDENS and came up with this new film. As with the first, we take a look at Big Edie and Little Edie, the relatives to Jackie Onassis who lived in an estate that was pretty much ran down and which they shared with a various of creatures including cats and raccoons. Having just watched the original film a few weeks before this, I was very familiar and it was still fresh in my mind. I don't think viewing the two so close hampered this film but at the same time I think it's clear that this one here isn't nearly as good. I think you could point to several different factors but for some reason I just kept saying to myself that this footage wasn't included in the original for a reason. That reason was probably that it simply wasn't all that interesting or at least it wasn't as interesting as what we got in the first movie. I thought GREY GARDENS was a pretty weird film because it really didn't seem to have a point other than to show how weird these people were. It at least had a structure to it but that's not the case here. It really does seem like the entire movie was just thrown together for the sake of the filmmakers having another picture for the credits. That's not to say that this is a bad movie but at the same time it really does feel as if you're watching 90-minutes worth of deleted scenes that you'd typically just see on a film's special features. Some of the highlights in this film include a sequence where a fire breaks out and you can see the damage in the original film but there it doesn't have an explanation. Another highlight is hearing the two ladies talk about their thoughts on the Catholic church and men in general. Fans of the first film will probably get the most out of this but the rest should certainly seek out the original first.
I have watched this movie 5 times in the past month. I think I am a little obsessed with Edie Beale. She shows such joie de vivre in this film and is full of joy and wonder. The movie is wistful and at times bittersweet. I wish I could have known the Beales and visited them. They show such love and respect for each other. I also love Lois. This movie makes me nostalgic for the 1970s. I feel like I am in a time capsule. I actually prefer this movie to Grey Gardens; I felt that Edie's true personality, charm and joy was shown in a better light. Lois was also highlighted more. Love love love this movie. I will probably watch it a million more times. When I watch it, I feel like I am a friend visiting with them, passing the time and singing songs. It puts me at peace. Namaste.
Certainly the easiest way to put this is if you liked GREY GARDENS, you'll like this, and if you didn't, it's not going to change your mind. A pastiche of outtakes for those who love Edith and Edie, it's a mellower selection of clips which are all pretty captivating, thanks mostly to Edie's larger than life personality. I think I could listen to her talk and ramble on all day long. This is a less revealing and focused film than its predecessor, however... the scenes are shorter on average, focusing less on the odd family dynamic and history, and more on the amusing. Still, it's a treat for fans of the Beales.
7/10
7/10
Lo sapevi?
- QuizEarly in the film there is a conversation between Little Edie and the Maysles brothers in which they speculate on who might play the two Edies in a dramatized movie version of their lives. Little Edie says she doesn't want any actress to play her. Off screen, one of the Maysles brothers suggests Ethel Barrymore for the role of Big Edie. Ethel Barrymore was the great-aunt of actress 'Drew Barrymore', who ultimately played Little Edie in the 2009 dramatized movie Grey Gardens - Dive per sempre (2009).
- Citazioni
Edith 'Big Edie' Bouvier Beale: I went to Mass up until the time I was 28 years old!
Edith 'Little Edie' Bouvier Beale: That's how she got so fat, not getting up on Sunday to go to Mass.
Edith 'Big Edie' Bouvier Beale: Oh! What a whopper!
Edith 'Little Edie' Bouvier Beale: It keeps you very thin!
Edith 'Big Edie' Bouvier Beale: I'm not going to church to keep thin! I'm going to go because I love the Lord!
- ConnessioniFollows Grey Gardens (1975)
- Colonne sonoreYou Oughta Be in Pictures
Music by Dana Suesse
Lyrics by Edward Heyman
Published by Warner Bros., Inc.
Performed by Edith 'Little Edie' Bouvier Beale
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Dettagli
Botteghino
- Budget
- 400.000 USD (previsto)
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