Streetwise

I could never forget the kids in the movie, I have done some searching and found out info on some of the kids, pics too and anyone interested can email and I will fill you in. Some think it was scripted, either way it is a touching movie and a harsh look at what life on the street for anyone let alone kids is like.

Streetwise is a documentary that follows several runaway youth in the 1980s living on the streets of Seattle. Most are no older than 16, but already have made careers for themselves as pimps and prostitutes, thieves and muggers, panhandlers and dumpster divers, and doing what they can to survive.

In a 2006 edition of the New Yorker, a critic suggested that these kids are kind of led by a sense of street freedom, but as another viewer commented, it is likely that a lot of these people, even Rat, were probably miserable, despite the best attempts to hide it or convince themselves otherwise (This was made clear by Rat's opening remark about the things he hated about flying--"coming back to the f***in' earth.") Clearly, Dewayne was, as he committed suicide at the age of 16. The sad thing is that these were kids of children themselves. Not in the sense that they were born to teenagers (which may actually be the case), but that many of their parents had not yet matured beyond their own selfishness to care for these kids as they needed to be (Tiny's mother rationalized her daughter's prostitution as a "phase"). Some of the young girls, 14 and hooking, tell us about their abusive fathers and stepfathers that, despite miserable marriages, their mothers still stuck by them irregardless of the negative consequences to their own children. Rat tells about this too, where he was tired of being between his helpless, divorced parents feuding. Or just parents who seemed capable of having kids, but not raising them. And since no one cared for them as children (most of them, I'm not sure what the background was on the young black man who was pimping the girls, the one who's mother and probably grandmother later show up and ask him to come home), they took the streets and became, as Tiny's mother says, 14 going on 21. They were the city of the lost children.

Some might criticize this movie as being unrealistic, and at least the things coming from Dewayne's dad when talking to his son sounds like something from a film, although the Sound Recordist for the film has assured in his own comments that this is not the case. That there was no script. It makes the events all the more heartbreaking. If the purpose of the film was to raise awareness of the life of young runaways, it makes it point and drives it home hard. It also drives home hard that the policies of Regeanomics (joked by Dewayne later in the film) were hurting those lowest on the income scales (and consequently, moving many into the street). And it makes me wonder what the numbers of runaways and street kids are these days. Washington, DC (where I live now) has a large homeless population relative to the size of the district, but I never see any young panhandlers or prostitutes and wonder, is the situation still the same? Are the institutions working more to get kids off the streets? What has become of the Streetwise now?

If any one watched the movie & actually understood it they might understand the absurdity of that statement. When these weird people showed up & started following us around most just wanted to jump them & take their cameras & other stuff but none of us knew anyone who would buy something like that. We were on the streets for a reason & most of us had not had very good luck with adults so it was not really in our best interest to deal with them, but these folks were smart, somehow they got in good with Lulu one day Lulu told us hands off the old people, don't mess with them. So that was the way it was, after them being around for a while some of us kind of talked to them, most of us just wanted them to go away, they were strange, they didn't want sex, they weren't trying to hit or hurt us & most of us just got used to them. A lot of the others that were in the movie were trying to stay alive in some small way, the green river killer was working the crowd & that movie might be the only proof we were ever even here. Some of the kids were just trying to prove that they were making it & doing fine without their parents. D's dad was a dipstick & that is always how he talked to him. Somewhere it says that Lulu's last words were to tell these people that she was dead, that is BS, she was NOT attacked by other streetkids for no reason, she was defending her girlfriend from a drunk insane man, that is the way it was, that is the way she was. None of us got paid for this, as a matter of fact I don't even think any of us could con those folks into buying us a burger & fries at the Unique. For all of the armchair critics here who didn't have to live like this, or wasn't there, you might want to get out more. For any of those reading who may be still alive from there this is Breezy RIP Patti, Lulu, Dewaynne, John, & Bert...

'STREETWISE' the documentary film

Director & Cameraman: Martin Bell

Sound Recordist: Luther Keith Desmond

The rest of the credits are on the 'Streetwise' web site.

Recently, someone mentioned '…Didn't you have summat to do with Streetwise?….' This prompted me to look through the Streetwise website for the first time. I was more than a trifle surprised to find, there's a whole raft of you out there believe this remarkable film was 'scripted.' As the only soundman on the streets of Seattle during the filming of Streetwise, had there been a script, it would have been necessary for me to have a copy. There was no script - period.

The relationship between Dewayne and his father was later developed into a story by Peter Silverman. Martin Bell, Mary Ellen Mark and Peter Silverman wrote a screenplay, which became the 1992 movie 'American Heart' directed by Martin Bell.

Cheryl McCall, who is down as the writer on the website, is most certainly a writer, and also the credited producer of Streetwise. The entire film was inspired by an article in Life magazine (1983) entitled 'Streets of the Lost'- text by Cheryl McCall, photographs by Mary Ellen Mark. All of the action on the street and all of the dialogue in the film is that of the kids. How do I know? Well I recorded the stuff. No-one could write dialogue that good.

Some have thought 'Streetwise' was too beautifully filmed to be a documentary. For the UK television audience, the quality of the images in Streetwise was standard documentary TV in the early 80's. I only mention this, as the crew shooting 'Streetwise' were Limey's. Martin and I had worked together for fifteen years - cutting our teeth on documentaries shot for UK television.

The Limey factor proved to be a stumbling block at the outset. The kids on Pike Street were confused by the accents of two bearded characters, unable to speak American properly, and it took us two to three weeks to convince them we were not the CIA. In two and a half months we shot close on 50 hours of film. This is normal for obtaining enough content to give the editor a chance of constructing a truthful account.

Some of you on the web indicate disbelief as to how some sequences were gathered, indicating a possibility of manipulating the contributors.

The only manipulation of any contributor was administered by myself, in placing radio microphones on the characters involved. It could also be argued that it was manipulation to put a radio microphone on Tiny in her prison cell, prior to filming the visit by Rat. Likewise, with Dewayne's father, also in jail. If this was manipulation, I stand guilty as charged. This was the only way I could gather dialogue from contributors.

Many have expressed dismay or doubt, about the Coke can on the coffin of Dewayne. This was not orchestrated by the crew, simply a forgetful gesture by a father, out of jail for the day for the funeral, distraught at his failure towards his son. What you do not see in this scene is Dewayne's father giving his son a drink of coke from that can.

Some of you may be unaware of the dedication and involvement of the film editor and the editing crew. The skill, sensitivity and integrity of editor Nancy Baker and her sharp shooter assistant, Jonathan Oppenheim is overwhelming. These people make my stuff 'sound' good, and they gave us a memorable film.

I cannot offer you hopeful news on most of the street kids in Seattle, I only wish I could.

The last I heard was that Tiny (Erin) had now given birth to eight children – and is about to give birth to her ninth.

Lulu was killed by street kids, without provocation. Over 300 attended her funeral.

Shadow is now working in construction in Seattle.

Munchkin is a chef in a Seattle restaurant.

Patti died of AIDS.

Kim married a Navy Seal and has a child.

Rat, could be almost anywhere.

The rest, Dawn, Shellie, Lillie, I know nothing of.

Someone asked, who sang 'Teddy Bears picnic?' – this was not Tom Waits, but a street musician in Seattle known as 'Baby Gramps' – wasn't he good?

Luther Keith Desmond Sound Recordist London. U.K. November 2004

Do the subjects of this film know that most everyone who viewed it still thinks about them and wonders what happened to them? Does Martin Bell know this? How the world would eat up a sequel...a follow-up on the people who can be located...