Un cuore grande

Essentially what we have here is a pretty well done, seemingly step by step account of the investigation into the kidnapping of Wall Street Journal reporter Daniel Pearl in 2002, which of course ended with his tragic murder. It is not without weaknesses. Primarily, watching close to two hours about an investigation that doesn't seem to be going anywhere and eventually accomplishes nothing gets a bit dry after a while - especially because we know how this is going to end. There comes a point when you just want to fast forward through it to the end. Having said that, the strengths definitely outweigh the weaknesses.

Director Michael Winterbottom does a pretty good job of establishing atmosphere. From the very beginning, the chaotic nature of Karachi sets a foreboding tone to the movie, and, although I sometimes find archival footage in movies to be of little use, in "A Mighty Heart" I thought Winterbottom did a pretty good job of blending the archival stuff (particularly clips of Colin Powell and Pervez Musharaff) into the story. Throughout the movie the viewer wonders how Pearl's murder is going to be portrayed, and, again, kudos to Winterbottom. In fact, and thankfully, the murder isn't portrayed at all. What we see are the reactions of those who see the video for the first time and their reactions to the ghastly scene on the tape is sufficient to establish what happened. There was (to me at least) an interesting scene that lasted only a couple of minutes dealing with a typical "ugly American" female FBI agent, who bursts into the Pearl home, ignores the Pakistani authorities, tries to take charge and orders the room "cleared" because she gets a phone call she wants no one else to hear. She disappears immediately after this scene and was never seen again. I just for some reason found it rather typical of how I would expect U.S. authorities to act in a foreign country, and her portrayal was, of course, balanced by the very sympathetic portrayal of the kindhearted Randall Bennett (Will Randall) - an official from the U.S. Embassy who provides great support to Mariane Pearl.

Angelina Jolie was, I understand, a bit of a controversial choice for the part (largely for ethnic reasons) but she put on an excellent performance as Mariane, hopelessly lost in the situation, pregnant with Daniel's baby and totally dependent on others to try to save her husband. Her reaction to the news of Daniel's death was raw with emotion. Ethnic controversy aside, no one can deny that Jolie was superb in this role. Her performance and Winterbottom's direction make the movie worthwhile. 8/10

Taking away how others may view the Pearle's story and the question of whether or not the family should have been there in the first place, the story was excellent in conveying the emotions felt throughout the whole search of Daniel. Those who are opposed to the purpose of Daniel Pearle being there after 9/11 even with other journalists vacating will only enter and leave the theater wondering if Mariane is trying to give more credit to her husband then what people expect. It's important to walk into this movie with an open mind so that the story will be more real. Major kudos to the creators of this film for bringing a new view on a part of American history that seemed so easily cast aside.

This is one of the more intelligent and well constructed movies of 2007 thus far. Touching on the human element as it collides with the unpleasant realities of hot-bed issues including politics and religion, the brutality and evil this story depicts is at times difficult to watch.

Difficult to watch because the content is disturbing, which is the intent of the film. We see a very human dimension to the real life characters who are depicted sensitively, making the grotesque outcome all the more horrifying. The story is fair to the innocent parties involved, and honest in rightfully assigning the blame to those responsible for these heinous acts. Dramatically and artistically, this is a superior movie.

Angelina Jolie's portrayal of Mariane Pearl feels sincere, but she appears miscast. Little dimension is brought to her real-life subject, a woman inexorably thrust into the limelight amidst painful circumstances. The film would have been better off with another actress in this challenging role.

Still, the movie is outstanding, and worthy of your time.

Telling the truth is generally considered to be the first step on the path to righteousness. It brings redemption to some and relieves the guilt of others. Many people have a hard time accepting the truth when faced with it. That difficulty in dealing is perhaps the main reason some run far away from the truth altogether. Given how troubling facing the truth can be in everyday reality, being subjected to it in celluloid on the big screen is a very hard sell. This is even more relevant when the film in question is based on an event that was played out to the point of emotional exhaustion in the media. (Just ask the producers of UNITED 93.) This is the plight of A MIGHTY HEART, an adaptation of Mariane Pearl's novel of the same name, about her experiences during the search for her kidnapped husband, Daniel Pearl, in the winter of 2002. For director Michael Winterbottom, this is only the beginning though. Assuming he manages to get people to see the film, (casting Angelina Jolie in the role or Marian Pearl certainly doesn't hurt the film's chances), Winterbottom must then get people to forget that they know how it's all going to end.

Winterbottom is too smart to go against the grain. Instead, he uses the audience's prior knowledge of the story to incite an even deeper emotional reaction. He begins by establishing his style. A MIGHTY HEART is not a documentary but rather a fictionalized reenactment of actual events that is shot and edited like a documentary. There are no talking heads but the camera is an active participant in the drama that unfolds. Hand-held movement, jump cuts and an omnipresent observer's point of view lend realism to the film's already tense premise. For those who aren't aware, Jewish-American journalist, Daniel Pearl (played here by CAPOTE scribe, Dan Futterman) was kidnapped in Pakistan in January of 2002. The violent act became an international scandal as the group that claimed responsibility for the crime demanded the liberation of prisoners from American detainee prison, Guantanamo Bay, in Cuba. The American government does not give in to the terrorists' demands. It doesn't end well. The film focuses on the efforts made by Mariane, the Pakistani police, the C.I.A. and the journalistic community throughout the search for Daniel. Knowing Daniel doesn't live through the ordeal and that this search is fruitless may leave the audience without hope but the dedication and fervor with which the case is attacked carries enough hope to inspire an overwhelming sympathy that sinks our hearts when what we know is coming actually comes.

A blustering soundscape and tightly framed street and crowd shots elevate stress levels to unimagined heights. Mariane is alone in a foreign country, searching for the most important person in her life. Knowing the odds are against her, holding on to hope becomes all the more complicated when she is surrounded by strangers, traffic and the sounds of incessant honking, cell phones and random farm animals. The chaos is absolutely inescapable. Yet still, Mariane must remain calm. After all, she is the heart of this operation. If her heart fails, all hope is lost and all efforts will fall apart. Jolie exhibits both outer strength and inner fragility at the same time as Mariane. She is direct and focused in face of this horrific reality, holding it together for Daniel, herself and her unborn child but Jolie's distant eyes and suddenly fidgeted demeanor suggest just how difficult maintaining all this composure truly is. Being a journalist herself, Mariane's most endearing quality is perhaps her ability to remain hopeful in spite of all the horror she has known in her own career without coming across as naïve. Jolie's balancing act upon such a tightly wound rope is truly genuine in both its intention and execution.

Any movie entitled A MIGHTY HEART cannot spend all its time entrenched in fact. After all, there is a delicate, growing love between Daniel and Mariane that is also being held prisoner. This love though cannot be held captive and gives life to hope. Their love comes back to Mariane in flashes throughout her suffering. Insignificant moments like the last time they saw each other take on new meanings, making the loss feel larger while still reminding her what she is fighting to find. The truth behind A MIGHTY HEART is that it takes one to live through something like this and, more importantly, live past it.

I just saw this film and I really liked. The story is very well told from the point of view of a professional journalist who has to experience with integrity and courage the whole process of losing her husband. I think Angelina Jolie makes AN EXCELLENT JOB. Many times I forgot was the sexy actress, and reminded me several great parts she have achieved in her career, including an Academy award. There is not any importance or relevance that she is a white woman developing an African woman... She is an actress. Until when we are going to play with racial issue. In many countries Hamlet is not from Denmark or Othello is not always a black actor, or Don Giovanni is not an Italian. The directing and several acting in this film are great. And the development of the film showing constantly the misery of this country to understand better their political situation and fanaticism.

It;s very comfortable to enjoy this film and going out in cities where we have so much comforts. I connected with Marianne Pearl, I felt I was with her watching her experience.