A est di Bucarest

A very good piece of work that seems slow when you watch it and is very effective in the end. It makes you sad and hopeful at the same time. After having gone through revolution the actors are sucked up by their daily struggles about money, love and dignity. The pictures are dark and don't make you want to go to Romania in December. Nevertheless it is a must for everybody who is interested in understanding Romanian culture. But first of all it is a contribution to the national discourse in Romania itself. I would like to see more of the process of Romanian self-reflection. Unfortunately Romanian films are hardly available on DVD outside of the country.

A wonderfully quirky movie, rooted in the deep inner conflict experienced by many people who have to re-conciliate their Communist-era mentalities with(in) a post-Communist society.

Most Romanians (and East-Europeans alike) will understand it very well, since many clichés are present here: the vain, non-professional media, the desolate streets, the people without perspectives or hope, the arrogant new-rich former secret service people, the successful immigrants coming from even lesser parts of the world... all grafted on top of a nagging general feeling of guilt and shame, emanating from the sheep-like population.

Let's face it: the real (and only) Romanian heroes of 1989, "before 12:08 on December 22", were the several thousands of mostly young folks who defied the authorities in the streets of Timisoara and Bucharest... the rest of the country just watched and waited, much like the viewers of Jderescu's "talk show".

PS. - To the pretentious prig from Denmark: I think you were supposed to post your "art cinema" commentary under the latest creation of your much-ballyhooed co-national, Lars von Trier, "Direktøren for det hele" (2006). Your comments fit that film to a "T"!!!

If you have absolutely no idea what Porumboiu's minimalistic film is all about, and no respect or understanding for another culture, I think you should refrain from posting. Sadly, your inane text was at some point featured on the main page for this Romanian film, even though you - thankfully! - represent an insignificant minority of malcontents.

Strong film about social realities of deep Romania. Revolution as myth and self legitimation, lives like gray shadows, society as symbol of failure. Don quixotic gestures and illusions like warm refuges , strange games and paper heroic values, disillusions and questions without answers.

An old man, an alcoholic teacher, a local television boss and a Chinese. Memories about December 1989 as occasions to present the social mud,hate and fear beyond the hideous masks, the slices of unhappiness and sterile search of life's sense. A sad show about horrible reality, nooks of desperation and traumatic dreams.

In fact, reflection of gray tones. Bovaric isle in a far East.

The viewer needs to understand that this is a Romanian film for Romanians. You'll catch all the inside jokes of the film if you've been there. The point of the film is that indeed the revolution was different for everyone . Even in late 1990 when I was there, the people were still scared of the Securitate, or secret police. Even during the one year anniversary of the revolution, it took courage to go and march, much less right after Ceausescu fled. The emphasis on 12;08, the reaction of the students when the teacher asked why they were so interested in the French Revolution, the interviewers emphasis on the time of the protests, and the accusatory views of the callers on the TV program, let alone the long shots of the bare dilapidated concrete buildings, all lend to the whole idea of the plot. Not only does one ask did the revolution occur in this one town, but did it occur at all? After all, Ceausescu's right hand people took over after he was gone. The people themselves ask if anything has changed.

The film can seem long and tedious to some viewers, but if you've lived in Romania, you get it.

There is really a lot to this movie. Even thought there is almost no evident action, except for the long television broadcast of an obnoxious talk show - even some apparently loose ends or inconclusive stories - the fact is you can ponder on days on this beautiful work of art. Acting is superb in most cases, and images of dusk and dawn in the freezing Romanian winter - so gray, so hard - are pure poetry.

The reference to dogma, among other keen jokes, talks about a clever story writer, and a cultured film maker.

I'm really glad I got to see this movie as a part of the "Eurocine" European movie showcase that visits us these days (april 08) in Bogota and the rest of Colombia. We get a chance to see the best of Romania, a country apparently so far away, yet so close to our hearts.