La tredicenne aspirante scrittrice Briony Tallis cambia irreparabilmente il corso di molte vite quando accusa ingiustamente l'amante della sorella maggiore di un crimine che non ha commesso.La tredicenne aspirante scrittrice Briony Tallis cambia irreparabilmente il corso di molte vite quando accusa ingiustamente l'amante della sorella maggiore di un crimine che non ha commesso.La tredicenne aspirante scrittrice Briony Tallis cambia irreparabilmente il corso di molte vite quando accusa ingiustamente l'amante della sorella maggiore di un crimine che non ha commesso.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 52 vittorie e 150 candidature totali
Felix von Simson
- Pierrot Quincey
- (as Felix Von Simson)
Charlie von Simson
- Jackson Quincey
- (as Charlie Von Simson)
Recensioni in evidenza
Comprising recognisable, realistic and outstandingly beautiful performances, set within an uncomfortably believable and heartbreakingly tragic story, it will leave a mark, a scar, a wound on your soul; especially if you have an ounce of humanity, understanding and empathy for the circumstances within which it is told.
The superb Ian McEwan book translated into cold beautiful images by the startling Joe Wright and scriptwriter Christopher Hampton. The result is a series of powerful rushes and abrupt stops. A pacing that, perhaps, is a bit too self conscious for its own good doesn't help us to connect the emotional dots. I had the feeling I had lost something in the love story of the protagonists - something that didn't happen to me reading the book. By the time the "injustice" takes place I was taken by the pain of the injustice but not by Knightley and McAvoy's liaison. Their love story is left to its own devices. The beauty of the images is overwhelming and the assuredness of Joe Wright at his second feature after the, much better, "Pride and Prejudice" keeps you going. The score tends to be monotonous and irritating but in spite of all that I intend to see "Atonement" again and I would recommend it with just the above mentioned reservations.
At a gathering in a country house a jealous little girl meddles in her sister's love life, and things will never be the same ...
From an interesting novel that had an engrossing first half but, for me, trailed off in the second. So I had a different experience with the film adaptation, where the country house scenes are not quite satisfying but the following war story is brilliantly told. The narrator is a fascinating little character, but looking back I think her motivation needed to be colder and her atonement more problematic. In the end the story is wrapped up with a talking head, which I guess was unavoidable but not the mark of a great movie.
The long tracking shot on the beach at Dunkirk is amazing - not only a technical marvel (the amount of ground covered, the multiple interactions) but it creates a great sense of chaos and despair.
Performances are good, and it's no wonder people raved about Ronan. The music is excellent and plays about with the rhythm of a tapping type writer. Photography too, although I didn't get the sense of oppressive heat in the first act.
Overall: interesting and impressive, but some big flaws.
From an interesting novel that had an engrossing first half but, for me, trailed off in the second. So I had a different experience with the film adaptation, where the country house scenes are not quite satisfying but the following war story is brilliantly told. The narrator is a fascinating little character, but looking back I think her motivation needed to be colder and her atonement more problematic. In the end the story is wrapped up with a talking head, which I guess was unavoidable but not the mark of a great movie.
The long tracking shot on the beach at Dunkirk is amazing - not only a technical marvel (the amount of ground covered, the multiple interactions) but it creates a great sense of chaos and despair.
Performances are good, and it's no wonder people raved about Ronan. The music is excellent and plays about with the rhythm of a tapping type writer. Photography too, although I didn't get the sense of oppressive heat in the first act.
Overall: interesting and impressive, but some big flaws.
My wife and I went to see the movie last night and were totally blown away by the whole experience. So brilliantly directed and acted. The movie time just flew by and we were drawn in and captivated by each dramatic moment. Never having read the book or been an expert on WW2, I had a truly open mind on what to expect and I'm not one of those who count every rivet or go looking for technical inaccuracies however small. This was truly a masterpiece of cinematography. We were treated to wonderful performances, lavish sets, shocking and thought-provoking moments and haunting themes. I had the privilege of being an extra in the Redcar, Dunkirk scene and once seen in its full glory and effect on the big screen I was simply in awe and glad to have been a part of it. Walking along Redcar beach from now on will never quite be the same again. I am quite sure that the movie will win a number of awards within the next 12 months, but that is not what really matters. Movies are there to entertain, tell a story and affect you emotionally and by God this did it in spades! If you have not seen it yet, you must!
Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.
Lo sapevi?
- QuizDirector Joe Wright had wanted Keira Knightley to play the role of Briony in her late teens, but Knightley immediately liked the character of Cecilia, and also wanted to get away from playing girls on the brink of womanhood and play a more mature character for once.
- BlooperAny apparent continuity errors in the fountain scene - the position of the vase, the tennis shoes, Robbie's sitting position, Cecilia's strap slip, the buttons on her blouse etc. - are not what they seem: we are seeing the same event in different ways through different pairs of eyes.
- Citazioni
Cecilia Tallis: I love you. I'll wait for you. Come back. Come back to me.
- Curiosità sui creditiThe title types itself out like on a typewriter.
- ConnessioniFeatured in Friday Night with Jonathan Ross: Episodio #13.1 (2007)
- Colonne sonoreClair de Lune
Written by Claude Debussy
Performed by Gordon Thompson
Courtesy of Sanctuary Records Group Ltd
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Expiación, deseo y pecado
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 50.927.067 USD
- Fine settimana di apertura Stati Uniti e Canada
- 784.145 USD
- 9 dic 2007
- Lordo in tutto il mondo
- 129.266.061 USD
- Tempo di esecuzione2 ore 3 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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By what name was Espiazione (2007) officially released in Japan in Japanese?
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