Beaufort

Considering the sanitized pulp that the United States military participates in the filming of, it is refreshing to see a movie about soldiers that rings true and does not shy away from controversy. The IDF must also be commended for actively participating in the making of a film that does not shine the best light on the occupation of southern Lebanon.

Ultimately it is Israeli politicians and inept commanders that take the brunt of the blame for the appalling conditions the soldiers portrayed in this movie endure while holding on to their mountain top position.

Hezbollah obviously plays a part in this story, yet they are an unseen presence. They are always just out of the frame and sporadically, sometimes shockingly so, they remind everyone involved of their lethal potential.

Set aside your preconceived notions of the Israeli-Arab conflict and see this movie.

Right-wing audiences have criticized "Beaufort" for being left-winged, while left-wing audiences have criticized the movie for being right-winged. Immediately that should tell you this is a movie worth watching.

Like all great war films, "Beaufort" avoids situational politics and instead focuses on the broader, universal issue of war which all sides can agree upon: war is hell. Or specifically in this case, war is pointless hell. Here we have an excellent illustration; "Beaufort" is the story of a handful of soldiers who fight admirably to defend a fort, simply so that they can abandon it as planned a few days later. Folks, it don't get any more pointless than that. I would tip my hat to the genius who came up with such a great metaphor, but the funny thing is that the story came straight out of history.

(Note: although this film depicts the Israeli withdrawal from Castle Beaufort which was returned to Lebanon in 2000, it was actually filmed at a different fortress at the Golan Heights in Syrian territory currently held by Israel.)

Joseph Cedar directs this film in a tense, claustrophobic way with narrow, labyrinthine corridors that burrow deep into the mountain. I was instantly reminded of the classic submarine film "Das Boot" and wasn't surprised one bit when I read that Cedar was highly influenced by that film. "Beaufort" shares several qualities with "Das Boot" such as the facelessness of the enemy (all we see are the incoming mortars & missiles), the youth & inexperience of the soldiers (Beaufort's commander is 22 and most of the soldiers are 18- 20 years old), and of course the constricting, suffocating feeling of being stuck in a steel tube while, outside, the powers that be are deciding your fate.

One notable difference between "Beaufort" and "Das Boot" are the infrequent but powerful shots of the gorgeous landscape, the humbling presence of the 12th century ruins, and other scenes of nature which lend a positive breath of fresh air to an otherwise dismal setting. This, I'm sure, was very deliberate on the part of the director, and at one point there's a nice speech where one soldier says to another, "This will all be a tourist attraction, and you can bring your girlfriend here and tell her this is where Outpost Green once was."

And that, to me, is what separates "Beaufort" from the standard "war is hell" stories. Regardless of how the story ends up, you get a feeling that eventually the majesty of nature will prevail--or should I say the stupidity of humans will fail. Same thing, I guess.

Peculiar highlights of this film include a powerful, sad song sung by one of the soldiers in the barracks, and one of the cutest war dogs ever. (And if, like me, you always cringe at animals being used in films that aren't regulated by the AHA or RSPCA, don't worry I don't believe there was any animal cruelty here.)

Other great (anti-)war films that focus on the psychology of the soldier rather than the action of battle include: the aforementioned "Das Boot" set entirely in a German submarine, "None But the Brave" about an American & a Japanese platoon each stranded on a remote island together, and an excellent war-drama-comedy from Korea called "Welcome to Dongmakgol" about N & S Korean enemies meeting in a remote village where none of the villagers are aware that a war is going on.

All of these great films can be viewed free of politics if you just ignore the uniforms. Both right-wingers & left wingers alike can find common ground with the universal thought (to quote ex-Marine talk radio host Kim Peterson), "the only point of war is to kill people and break things!"

I'm not a fan of the war genre, but Beaufort plays out more as a psychological thriller, and I find it hard to fault. There was an amazing blend of naturalism, stylistic devices, humour, touching human drama and suspense - at one time I jumped in my seat like I never have before.

The camera movements and cinematography are excellent and reinforce a sense of claustrophobia as a group of Israeli soldiers keep guard at an historic fort within southern Lebanon, but are virtually under siege by Hezbollah forces. Character development is also excellent with much authenticity. The film focuses on the idiosyncrasies of various characters and how they interact with each other under the circumstances. Respect for the commanding officer is sometimes lacking, resulting in a lack of discipline and friction at a difficult time.

I count this film as one of my favourite films in the genre, kind of a cross between Stanley Kubrick's Full Metal Jacket and Sam Mendes' Jarhead, and as good as either of these. Like these two films, there is an understated political critique in how young men are pawns in the games played by those who live comfortably away from the field of battle and death. Whether you like war films or not, this is must-see cinema.

I saw the film's screening at the Melbourne International Film Festival.

This movie is simply amazing - but as mentioned else where - might be extremely problematic for the non Israeli, non IDF serving audience. Despite that - the movie has a universal notion that shines through: occupation wars that last for years on end with no clear objective except to stay in the occupied land cannot be won. This is hardly even war - its the use of naive young men, using their sense of patriotism and love for their country and willingness to serve it for a twisted, outdated political machination that ends up killing them and putting them in impossible situations. The movie was criticized for being far too left winged, but I view it as mostly right winged - it shows the camaraderie of soldiers, the bonds that can only be created, or so it seems, in a close knit military unit. Also - there are no women in the movie, not even by voice - which further serves to show a society built on macho-ism and the devotion for young men and their sacrifices to the country. There are no talks of peace here, no talk about negotiations or even viewing the enemy as human. There is only running away or fighting. Despite all that - the movie captures a sense of reality, filled with all variants of humor and pain and longing to get home that captured me completely. I served 4 years in the IDF and this movie manages to get to the core, to the essence of the unbelievable situation of serving, fighting and dieing without knowing why, without seeing any goal or reason in the madness - only following orders.

This is one of the best Israely movies created - if you have any interest in Israely cinema, regardless of your political or other views, don't miss it.

Beaufort is an impressive israeli movie with fantastic photography and With excellent cast but some of the scenes are stuck and prolonged too Much. Beaufort is a movie that make you look on the other side of the war,of the mental and the physical side of the soldiers.it makes you understand the difficulties,dilemmas and the unbearable fear with some excellent And Impressive action scenes that makes us feel the soldier's situation in the war. This is a movie that can show the world the condition and the position of the Israelis soldiers that know the Israeli-Palestine conflict and can show the human side in the war and not only the wild and savage side.

There aren't any real winners at war but there are real injured and dead soldiers and people.This movie show you.