VALUTAZIONE IMDb
6,1/10
2958
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThree women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.Three women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.Three women take a road trip to Santa Barbara in order to deliver the ashes of one of their dead husbands to his resentful daughter.
- Regia
- Sceneggiatura
- Star
Robert Conder
- Taxi Driver
- (as Bob Condor)
Ivey Lloyd Mitchell
- Evelyn Brimm
- (as Ivey Mitchell)
Recensioni in evidenza
BONNEVILLE creeps up on the viewer. It is a solid marriage of light comedy and sentiment and the somewhat slight story is brought to life by the natural gifts of a trio of superb actors. Why it did not find popularity in the theaters is probably due to the topic of death and the cast of 'older actresses', but it is a solid little film that deserves more attention.
Arvilla (Jessica Lange) has lost her husband of 20 years and promised to scatter his ashes over places the couple loved. Her step daughter Francine (Christine Baranski) demands the 'ashes' be buried next to her mother's grave in Santa Barbara, threatening her stepmother with eviction from her Pocatello, Idaho home if Arvilla doesn't comply. Two of Arvilla's friends - the restless widow Margene (Kathy Bates) and the oh-so-Mormon Carol (Joan Allen) support their friend and plan to fly with Arvilla to take the ashes to Santa Barbara. But circumstances begin to change when the threesome bond tightly and decide to take Arvilla's husband's old Bonneville on a road trip to California. From here on the film is a Road Trip - a time when the three women learn lessons about life and death and love and compassion from each other - and from a young hitchhiker Bo (Victor Rasuk of 'Saving Victor Vargas', 'Stop- Loss' etc) and trucker Emmett (Tom Skirrett). The trip from Idaho to California passes through some of the Southwest's most beautiful scenery, places once shared by Arvilla and her late husband, and slowly the urn of ashes is distributed along the way to the dreaded Santa Barbara funeral.
Christopher N. Rowley directs this sweet story by Daniel D. Davis with great respect for the gifts of the three fine actors, allowing them to show us just why they remain some of our finest talent on the screen. It is not a great film, but it has such a fine heart that we can relax and just ride along with it. Grady Harp
Arvilla (Jessica Lange) has lost her husband of 20 years and promised to scatter his ashes over places the couple loved. Her step daughter Francine (Christine Baranski) demands the 'ashes' be buried next to her mother's grave in Santa Barbara, threatening her stepmother with eviction from her Pocatello, Idaho home if Arvilla doesn't comply. Two of Arvilla's friends - the restless widow Margene (Kathy Bates) and the oh-so-Mormon Carol (Joan Allen) support their friend and plan to fly with Arvilla to take the ashes to Santa Barbara. But circumstances begin to change when the threesome bond tightly and decide to take Arvilla's husband's old Bonneville on a road trip to California. From here on the film is a Road Trip - a time when the three women learn lessons about life and death and love and compassion from each other - and from a young hitchhiker Bo (Victor Rasuk of 'Saving Victor Vargas', 'Stop- Loss' etc) and trucker Emmett (Tom Skirrett). The trip from Idaho to California passes through some of the Southwest's most beautiful scenery, places once shared by Arvilla and her late husband, and slowly the urn of ashes is distributed along the way to the dreaded Santa Barbara funeral.
Christopher N. Rowley directs this sweet story by Daniel D. Davis with great respect for the gifts of the three fine actors, allowing them to show us just why they remain some of our finest talent on the screen. It is not a great film, but it has such a fine heart that we can relax and just ride along with it. Grady Harp
10Pipukwes
Bonneville is a movie that is more like what Hollywood used to make for films. A movie with a real believable story and not all a bunch of digitized magic. Finally a movie where the actors can act like real people we can all relate to in our own lives.
Lange,Bates and Allan did a wonderful job of portraying three Mormon friends rebelling against her step daughters wishes to fulfill her late husbands desires. A wonderful film with feeling and happiness. Should be more like this..
Christopher Rowley did a wonderful job of directing this cast in a heart felt film. Drop of Water productions should go along way in the future.
Lange,Bates and Allan did a wonderful job of portraying three Mormon friends rebelling against her step daughters wishes to fulfill her late husbands desires. A wonderful film with feeling and happiness. Should be more like this..
Christopher Rowley did a wonderful job of directing this cast in a heart felt film. Drop of Water productions should go along way in the future.
Very little in Bonneville differs from numerous other road-trip movies. I watched it mainly for Joan Allen, and she did not disappoint. The three road-trip ladies were all worth watching, and it was good to see a story where most of the people get along and enjoy it with good humor. There's lots of fantastic Western scenery along the way. The bitter daughter was a major stereotype. All in all, glad I watched it but no desire to see it again.
Three of the four leads have strong theatre backgrounds (Jessica Lange has been on stage, but not to the extent of the other actors), all have extensive movie and TV backgrounds, and all four were hung out to dry with a wretched script and inept direction. No surprises in the script - one knew where and how it was going after the first five minutes. The actors were reduced to playing one dimensional characters with no assistance or inventiveness from the director. I live in hope that when the actors signed on, it was done mainly to have the chance to work together and the expectancy that they could bring depth to a shallow work. No such luck. Hope the paycheck was good. For the audience, it was a loooooooong 90 minutes.
I have to write about Bonneville in light of the user comment by some of these other users and critics.. I am sick of reading negative or poor reviews from films from all of these sour men. I read a few sub par reviews and thought to myself, Bonneville can't be that boring and it wasn't. I was happy to see a film that fits an older demographic. I went with my grandmother and it has been about 10 years since she has gone to the movies, she was pleased there was something out there she could relate to and not be offended by everything that is on the screen, without giving away much about the film, it was a warm film that highlighted 3 relationships and went through feelings that affect many woman as they reach older age. Worth the ticket, movies like this don't come around every year... all these old men get off these boards and out of the papers and get a life, take films for what they are and why they are made, don't be a hater just because you are sitting at your desk writing about 3 awesome woman.
Lo sapevi?
- QuizThe car used in this film was a 1966 Pontiac Bonneville Convertible, of which about 11,000 were produced. The standard model came with a 389 cubic inch (6.4 liter) engine with 2-barrel carburetor that produced about 325 horsepower. It was also available with an optional 421 cubic inch (6.9 L) engine with 4-barrel carb or GM's "Tri-Power" carb. Turbo-Hydramatic 3 speed transmission was standard, manual optional. The front seat in the movie car was a standard split-back bench seat, but bucket front seats were also available. The dark copper-red exterior of movie car was not an authentic color offered by Pontiac-General Motors in 1966. Original available colors included Black, White, Milano Maroon, Nocturne Blue, Martinique Bronze (aka Martinique Gold), and a creamy shade of Yellow. The interior of the movie car appears original (judging by the door panels) and is white/ivory. Other available interior colors included Black, Nocturne Blue, and Martinique Bronze. The rear-view mirror had been removed from all of the movie cars, probably to prevent the chrome mirror housing from casting a reflection of the film crew. The opaque black steering wheel appeared to be an aftermarket replacement, as the originals were transparent acrylic, tinted to match the interior color, overlaid on a chrome circular rod.
- BlooperA stretch of highway with a large distinctive rock formation in the background is seen right before the scene in which Arvilla gives her friends their sunglasses and scarves. Much later in the film, when they are supposedly in another state, the same stretch of road with the unique rock formation (also same trees, etc.) is seen again.
- Colonne sonoreUnder the Waves
Written by Pete Droge and Elaine Summers
Performed by Pete Droge
Courtesy of Puzzle Tree Records
By Arrangement with Coda Music
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 488.393 USD
- Fine settimana di apertura Stati Uniti e Canada
- 174.571 USD
- 2 mar 2008
- Lordo in tutto il mondo
- 1.338.570 USD
- Tempo di esecuzione1 ora 33 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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