VALUTAZIONE IMDb
6,3/10
4626
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, repor... Leggi tuttoA woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, report him, or take matters into her own hands.A woman narrowly escapes assault but loses her purse. Fearing retaliation, she seeks help. When her attacker returns, she manages to trap him. Now she faces a moral quandary: free him, report him, or take matters into her own hands.
- Premi
- 1 vittoria e 3 candidature totali
Recensioni in evidenza
Extremities is a story of a man, overwhelmed with guilt, one that has proved to be fatal, turning him killer. When first learning of this film, back at the start of '87, I thought it was just about some psycho getting his kicks, raping women. Little did I know. Our rapist, Joe has already raped a score of women and disposed of em'. Only his latest, Marjorie (Fawcett in a great dramatic performance) has managed to escape when first car jacked and driven to a deserted underpass. Marjorie explains her situation to the police, none too helpful, where the police woman tells her straight, there's a chance he could get off. Farrah's even mistaken for a hooker by a young cop, who interrupts the not so progressing well conversation. She leaves, irate, and by not signing this certain form, the cops can't take action. The rapist has got her wallet with her id, so we know what's gonna ensue. We too see Joe, has a family where he has been kept pretty faceless up to this point. When he's in his little shed, examining Farrah's id, his cute little daughter knocks on the glass, informing him, dinner's almost ready. So now with Farrah, it's a waiting game. Her two housemates, Patti and Terri, have been informed of the situation. Even when the pizza guy, comes delivering a meal, Farrah is rather surly, when he asks if the three of them live together, which is understandable. Then days later, low and behold, a man freely enters her house, asking after a Joe. And from here, the real drama and suspense begins, claustrophobic, one would say, as Russo, great here, gets quite physical and cruel, at one point almost threatening to toss a pan of burnt bacon onto her. He also examines her particulars, even making opportunity to indulge in some forced sex, cause in reality, there's no way in hell, she'd go out with this creep of low class status. Keeping with the stage play, she finally turns the tables on the attacker, after luring him on, when on top of her, falsely. She then sprays his eyes with insecticide, cracks a hot glass kettle of coffee over his head, before strangling him and barricading him in a fireplace, from which there is no escape. Not much sooner does her two friends return from work and cross this scene of madness. The two do not agree with her illogical plan of murder, which too could be seen as logical, if this madman gets off. We do weigh these real life options. Scarwid, a great character actress, brings an effervescent, quirky and sexy character as Terri, while the more mature Woodard, gives a very humane and real performance, I liked. She's the only one showing compassion to the not so healthy looking Russo. Farrah at one point, who's taken enough of her, says "Why don't you just f..k him. That'll make him feel better". Extremities is a real film of real situations and choices. Even near the end, Scarwid chooses to stay with Russo, when Farrah and co, get the cops, warming up to him some, as hearing his reasons. One particular moment with Farrah running her knife down Russo's lower region, may make you flinch. This is a great dramatic film, that I wouldn't suggest a rape victim should watch. It's all too real, as are the performances, and I'm not just talking the mains. You will feel pretty washed out at the end of this, too, as in these claustrophobic movies. The up tempo music score, at it's opening is all so unfitting though, even though I liked it a lot, so.
This was some strong movie. Very powerful, very different. Yet strangely, I didn't warm to it as much as I should have. That does not diminish the movie's power. This just proved very difficult to watch.
I can certainly appreciate the theme of having one's dignity stolen and the need to take back one's power. The movie itself was wonderfully acted and directed. And obviously it was SUPPOSED to be hard to watch. I just wish I had warmed to it enough to give it a 10 like "The Accused". I think part of the problem was the limited focus of the camera,these 2 people starring almost by themselves, the story mainly going back and forth between Farra's Character and her rapist.After awhile it gets to you.
All in all this was an edgy film that's certainly thought provoking and worth watching. I doubt I'd see it again but the film as a whole is very well done.
I can certainly appreciate the theme of having one's dignity stolen and the need to take back one's power. The movie itself was wonderfully acted and directed. And obviously it was SUPPOSED to be hard to watch. I just wish I had warmed to it enough to give it a 10 like "The Accused". I think part of the problem was the limited focus of the camera,these 2 people starring almost by themselves, the story mainly going back and forth between Farra's Character and her rapist.After awhile it gets to you.
All in all this was an edgy film that's certainly thought provoking and worth watching. I doubt I'd see it again but the film as a whole is very well done.
I remember catching this movie on TV a few times and it always was an extreme experience for me. Here, a vulnerable woman named Marjorie (Farah Fawcett) who falls victim to an attempted rape by Joe (James Russo) escapes and turns the tables on him, caging the criminal in her fireplace.
Seeing Joe abuse Marjorie left and right was difficult to watch, but it was thrilling to see Marjorie give her attacker a taste of his own medicine. It is also pretty suspenseful to see what will her and her two roommates, Patricia (Alfre Woodard) and Terry (Diana Scarwid), do to the confined attacker after the incident. A majority of the film takes place in the house and you get to know a little bit of background on all three women and how the course of the film's events affect them. The plot does drag after all the action but the generating suspense does keep the movie a somewhat intriguing experience.
Grade B-
Seeing Joe abuse Marjorie left and right was difficult to watch, but it was thrilling to see Marjorie give her attacker a taste of his own medicine. It is also pretty suspenseful to see what will her and her two roommates, Patricia (Alfre Woodard) and Terry (Diana Scarwid), do to the confined attacker after the incident. A majority of the film takes place in the house and you get to know a little bit of background on all three women and how the course of the film's events affect them. The plot does drag after all the action but the generating suspense does keep the movie a somewhat intriguing experience.
Grade B-
Here's a film, I'll always remember seeing that late Farrah for who died a day apart from Michael Jackson. Ironically they were good friends, and one thing that Farrah could do instead of Michael, and that was act. She scorches up the screen here, a raging queen of revenge on her attacker, who has come to attack her, for the second time, invading her home. She scarcely escapes the first attack, a car jacking, where they end up in a discreet parking spot. She manages to get away, leaving her car and wallet behind. With not much help from authorities (der, we've seen it so many times before in rape films) it now becomes a game of waiting, with Farrah, quite on edge, and rightfully so. She does share house with two other women. Diana Scarwid, very good as a wild impulsive sort, and Alfre Woodard, as a more wiser black woman, the only one partially sympathetic to the rapist after the tables are turned, and turned they are. Farrah becomes caught in conflict with her mates who return to find Joe, the battered faced rapist chained up in the fireplace. She wants to kill Joe, on the too probable count, that if tried, and he gets off, he will come at her again. This is a real life situation scenario here, Woodard of course, dead set against the idea. For rape victims, this movie is not for you. It's an intense grueling flick about the rape process, where the consequences for a criminal's acts here are extreme (hence the title) for low class sort, Joe (a wonderful Russo) But it's Farrah who engrosses us, where Extremities is an engrossing and with a wonderfully claustrophobic atmosphere, where indeed it's well shot, where most of the movie is set in Farrah's pad. For some viewers it'll be tough to watch. Too, what's shocking is Russo's admittance, and his intentions, when untied and falling to the floor, where then Scarwid surprisingly becomes sympathetic. Although I really didn't like it's ending Extremities is powerful movie making and far from escapist fare for viewers, wanting to leave reality behind. I would also like to see the play one day, but for now, I'll stick to the movie.
In Los Angeles, the gorgeous Marjorie (Farrah Fawcett) stops her car after-hours in a parking area to buy an ice-cream. However the store has just closed and when she returns to her car, a masked stranger attacks and attempts to rape her using a knife. Marjorie succeeds to flee, but the man keeps her purse with her documents. She goes to the police to report the assault but the female officer tells her that there is no evidence and no case since it is her word against the rapist's word. A couple of days later, the rapist breaks in Marjorie's house while her roommates Patricia (Alfre Woodard) and Terry (Diana Scarwid) are not at home. The cynical Joe (James Russo) submits Marjories to sadistic abuses and humiliations preparing to rape her. Out of the blue, Marjorie sprays insecticide in Joe's eyes, reverting the situation dominating Joe and then she ties him up. She decides to bury Joe alive in a grave in her garden since she does not have evidence to keep him in prison and he had promised to return to kill her. But Terry and Patty arrive and try to convince Marjorie to call the police and think about the consequence of her intention. What will she do?
"Extremities" is a film with a dramatic story and a great dilemma. Farrah Fawcett has one of her best performances in the role of a woman abused by a stranger that she finally subdues. His first intention is to kill the man but there is a debate with her roommates and the film has a moralist conclusion. James Russo is impressive in the role of a sadistic rapist. My vote is seven.
Title (Brazil): "Seduzida ao Extremo" ("Seduced to the Extreme")
"Extremities" is a film with a dramatic story and a great dilemma. Farrah Fawcett has one of her best performances in the role of a woman abused by a stranger that she finally subdues. His first intention is to kill the man but there is a debate with her roommates and the film has a moralist conclusion. James Russo is impressive in the role of a sadistic rapist. My vote is seven.
Title (Brazil): "Seduzida ao Extremo" ("Seduced to the Extreme")
Lo sapevi?
- QuizInterviews with Farrah Fawcett stated that during filming they really slapped each other just like they did on stage to simulate reality. Also, in the source off-Broadway stage production, they had to have guards on hand because the violence would be so real audience members would try to jump up on stage and help Fawcett.
- BlooperJust after Marjorie attacks Joe, she splashes boiling water in his face from a whistling tea kettle on the stove. When she and Joe were just in the kitchen two scenes before, she never filled the kettle or put in on a burner. It sat to the side, empty.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Worst Films of 1986 (1987)
- Colonne sonoreStand Up to the Night
Music by J.A.C. Redford, Richard Kerr
Lyrics by Will Jennings
Performed by Bonnie Raitt
Produced by Steve Tyrell
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 13.418.091 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2.429.075 USD
- 24 ago 1986
- Lordo in tutto il mondo
- 13.418.091 USD
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