Spiral

Series 1:

Magnifique! - gritty French police procedural buried on BBC4, each episode enmeshing you in a darker and darker world of crime, pain, and - as everywhere - a convoluted legal system that is best summed up by a brief exchange mid-series: "It's cruel." "It's only justice." With great performances and a coldly verité mise en scene, this holds its own among the best US & UK police/legal dramas. Oh, and need I say how refreshing it is to see a non-US drama on British screens? A large cast perform excellent dialogue, an engrossing single theme backed up by numerous sub plots, each one driving the characters forward as all the best drama should. The lead characters are attractive/repellent as required, but always interesting, without looking like an advert for a shampoo. In fact there's none of that slippery high-gloss (where every 'goodie' is always right, and never makes a mistake) that has marred some US series. Spiral attracted a good deal of support on BBC comment pages and is already being replayed on BBC4, with series two on the way. If it doesn't get a showing here there may be a riot.

Series 2:

Now season two is over - all too quickly - I'm left actually gasping for more. It's the kind of show that makes the rash of 'CSI' type programmes looking plastic and rather basic. Is it because I'm so cynical that this show suits my way of thinking about the world so well? That dark, messy, morally ambivalent universe they live in is recognisable even past the cultural differences, such as the astonishing blurring of the boundary between investigative police work and judgement – it's not so much uniquely French as uniquely modern. I recognise this world: you could find desperate council estates and desperate police departments just like it all over the less photogenic parts of London and the UK. And as for the relationships – they're as fleeting, unresolved and problematic as everybody's are.

I wasn't sure if they could top the tour-de-force complexity and classy storytelling of season one; and I'm not sure they did; but it doesn't matter - the quality is still so high, and the series-long story arc so engrossing, that you don't waste too much time comparing them. Some familiar faces, and some new characters, keep things ticking along nicely. My only criticism really is that the 'villains' (as if it were really possible to separate them from anybody else!) of season one were so nasty, so venal, so atrociously amoral, that it was always going to be difficult to find new villains that didn't make you wonder where the bad stuff was happening. This lot were kind of old school. The final episode did leave me slightly confused and was I think underwritten in the haste to get to the end. Isn't the crucial difficulty of policing - everywhere - precisely that no one ever does really have that last minute change of heart, so that les flics must tread their dirty path alone?

I just watched my last ever episode of Engrenages. No more, supposedly, will be made. I've seen every single one over the years and watched the characters grow and change as well as the new ones introduced.

It's showing a harsh reality of the underside of glamorous Paris. Corruption, poverty, slavery, immigrant crime, drugs, murder and robbery. Having used the word "reality", one mustn't go overboard. The series requires a hefty dose of acceptance of the absurd to be able to believe in the plot. Cops, judges and lawyers don't act like this in the real world. Some of the coincidences are contrived. However, the excellence of the acting and the overarching plot lines mean that one simply forgets about the inconsistencies and exaggerations.

Everyone has to have their favourite characters in the series and mine was Judge Roban. I missed him in the final season, which I thoroughly enjoyed, and I don't think he would have put up with some of the shenanigans that the two new judges allowed.

Of course, without the character of Laure, there would be no series at all. It's hard to imagine another actress pulling this off throughout the seasons. And the disaster zone of Gilou simultaneously ruining and solving investigations.

The series could not have been about dry police procedure only and therefore opened out onto the private lives of the characters. Usually this is done in a cosmetic way to add some purported human interest, but here the personal meshed with the professional and drove the plots along in unforeseen ways.

The producers weren't afraid to kill popular major characters off either which was a definite plus. It added a frisson and new blood to the overall story. And neither were they frightened of losing sympathetic minor ones either that other series might have shied away from. These deaths weren't wasted as they were drivers of the plot and development itself.

All in all, a super series that kept the tension up for far longer than many others could have. So many are burnt out after two or three seasons but not Engrenages. I'm perfectly devastated that it's all come to an end.

Fast-paced, like NY in the 70's, dirty cops with hearts of gold, people you despise but grow to love, there are car chases, bombs, gangs, vice, serial killers, very little glamour, nothing fake (like US TV) - colleagues, family, friends, bereavement, retirement, freemasons, wrong steps, putting the wrong steps right. Oh la la - so much going on and it just keeps on going on, not one slow episode as far as I can remember. I just don't know what I'm going to do when it all ends in a couple of episodes. So sad to be no longer spending my evenings with Gilou, Laure and Josephine.

While the approach is not new, the execution is excellent.

Firstly the stories interweave and become more engrossing with their machinations, the "engrenages".

Secondly the pace is engaging so its impossible to foresee the next part, and that is because it's well written and intelligently for the viewer; not disguised by quick cuts to dazzle the eye but then frustrate by its tedium or obviousness.

Thirdly, the cast is right and well directed. Characters are alive with a range of human flaws. Maybe Albert Camus was the script editor overseeing the lines of each character's arc.

Unlike some police dramas this one doesn't pull its punches - quite literally - and for those of us all too bored with the US legal system, the presentation of the way the French one does its business, is another interesting aspect to the show.(Along with all the slang.) And finally, watching Caroline Proust and Audrey Fleurot (the former plays a strong brigade police captain; the latter plays a lawyer without morality) is the coup de grace.

I stumbled across this looking for to improve my French, I've ended up being gripped by the characters. There is a unifying theme but every week there is more blood and seediness and sub-plotted nastiness. It's enough to put one off Paris, however, you do get a vivid impression of reality as in "NYPD" and such work as Steve Bochco is famous for. The photographic effect is nearly monochrome, in keeping with the subject matter. Believe me this not a laugh a minute show, but it is a correction to the romantic view of France that Francophiles like me have. As a cop show it works, although there are enormous differences in legal procedures from those I know. There is also a cynical view of the wielding of power, both judicial and political. Aside from the action there is an indefinable Parisian gloss on the actors, it's no wonder falling into bed happens so easily, all the main leads are good looking and even the cops have a certain "je ne sais quoi".I am hooked on this series to find out what is going to happen to the main characters both good and bad.