A un poliziotto alcolizzato anziano viene assegnato il compito di scortare un testimone dalla custodia della polizia a un tribunale a 16 isolati di distanza. Ci sono forze caotiche al lavoro... Leggi tuttoA un poliziotto alcolizzato anziano viene assegnato il compito di scortare un testimone dalla custodia della polizia a un tribunale a 16 isolati di distanza. Ci sono forze caotiche al lavoro che impediscono loro di farlo in un unico pezzo.A un poliziotto alcolizzato anziano viene assegnato il compito di scortare un testimone dalla custodia della polizia a un tribunale a 16 isolati di distanza. Ci sono forze caotiche al lavoro che impediscono loro di farlo in un unico pezzo.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- Eddie Bunker
- (as Mos Def)
- Ray Fitzpatrick
- (as Mike Keenan)
Recensioni in evidenza
This is a surprisingly tense thriller from director Richard Donner. Bruce is playing an older drunk John McClane. Mos Def is pretty fun as jittery talking machine. David Morse has great intensity. The cat and mouse game is very compelling. And the chemistry between Jack and Eddie develops very nicely. This is a great tense thriller. The ending is a bit unnecessarily messy. A simpler finish would be much better.
Willis is impressive with his burnt-out-edness. His character does not resemble any kind of action hero here; unfit, overweight, unattractive, shuffling, gasping for a drink. Well done. And while I like David Morse his character was a bit over-the-top. I mean, I get that they're crooked cops but really, shooting wildly into a crowded NY street and a bus full of civilians. Did the bad cops think they were completely above the law or any repercussions? That they could just do whatever they wanted without consequence? Reminded me a bit of that opening scene with Dwayne Johnson and Samuel L Jackson from "The Other Guys" except that was a comedy. I will say that this grew on me by the end though. 06.13
Recalling the 1977 Clint Eastwood vehicle "The Gauntlet" (to name just one possible influence), "16 Blocks" explores fairly familiar territory. Still, the idea of watching this seriously burnt-out cop begin to redeem himself makes it all pretty compelling. Richard Donner (in what was his last film for the past 13 years) guides it all in style, with top action scenes and good use of NYC locations. The film starts off in a rather low-key manner, then ratchets up the tension and quickens the pace as the first attempt is made on Bunkers' life. The chemistry between cop and witness is effective enough to carry the story through to its ultimate conclusion, especially as Mosley realizes that Bunker is really not a bad person, despite what his colleagues try to tell him. (It's worth noting that the naming of this character may be a deliberate nod to the real-life Eddie Bunker, who'd spent time in prison and turned his life around by becoming a novelist and screenwriter, and actor, in things like "Reservoir Dogs".)
When he actually gives a damn about a project, Willis can still deliver a riveting performance, as he does so here. Despite his flaws, Mosley comes off as an all-too-human protagonist, one with some rooting interest. Since it's Willis in the role, the viewer has no doubt that he's still capable of kicking some ass when necessary. As for Mos Def, his affected, nasal voice CAN grate on the nerves, as well as the characters' incessant chattiness, but the performance is basically sound. Familiar faces in supporting roles include the always great David Morse (as the ringleader of the crooked cops), David Zayas ('Dexter'), Casey Sander ('Grace Under Fire'), Cylk Cozart ("White Men Can't Jump"), Kim Chan ("Lethal Weapon 4"), and Donner's actor cousin Steve Kahan, whom action fans know as Captain Murphy in the "Lethal Weapon" franchise.
A good, enjoyable action-thriller overall, which finds all of its key participants in fine form. One memorable sequence has Jack and Eddie trapped on a bus and surrounded by the authorities.
Seven out of 10.
Anyone who doubts that Bruce Willis can act needs only watch his standout performance in "Pulp Fiction" to see what depth this actor can bring to a demanding role. The role of Jack Mosely may not be challenging to Willis, but he still gives it all he's got which is plenty. Playing the part of an over the hill New York cop with a game leg, nothing to live for, and a drinking problem seems easy for Willis to make it all believable.
The criminal, Eddie Bunker, Jack must deliver to testify within a certain time frame is played with gusto by hip-hop artist Mos Def. Eddie is the most verbose prisoner ever. He rattles on and on about anything that comes to mind, some of it funny, some of it trite. He also has a riddle that is not answered till near the end of the film.
A standout performance is delivered by David Morse as the leader of the dirty cops, Frank Nugent. Morse is in danger of becoming typecast as a dishonest lawman. I'm hopeful he will become more diversified in his roles since he is such a talented actor.
This is another winner from action director Richard Donner. If you like his other successful concoctions such as the "Lethal Weapon" flicks, "Superman," "Conspiracy Theory," and "The Omen," then you will certainly enjoy "16 Blocks."
Lo sapevi?
- QuizIn order to make Detective Jack Mosley's limp look realistic on screen, Bruce Willis put a pebble in his shoe and kept it there throughout the length of the shoot.
- BlooperWhen the bus drives down the alley, knocking down air conditioners, one of them falls apart, revealing it to be an empty metal box.
- Citazioni
Jack Mosley: [as an answer to Eddie Bunker's riddle] You give your car keys to your best friend, who takes your car and drives the old lady to a hospital. You stay behind with the love of your life.
- Curiosità sui creditiThere are no opening credits save the title "16 BLOCKS".
- Versioni alternativeSPOILER: On the DVD is a version with an alternate ending, where Nugent calls off killing Jack after they talk in the basement of the courthouse, but can't get through to Torres. Nugent runs upstairs to stop Torres. After Jack tells the ADA he's willing to testify, Torres shoots him when he pulls the tape recorder from his pocket just as Nugent reaches him. They both fall down the stairs. But then Nugent moves as the playback starts on the tape recorder. The ADA rushes to the jury with the recording as someone covers Jack's face with a blanket. Later a voice over (when Diane gets the cake) by Eddie reveals that Diane came to see him in Seattle to tell him that Jack is dead.
- ConnessioniFeatured in HBO First Look: 16 Blocks (2006)
- Colonne sonoreBesame
Written by Jeeve and Von Shock
Performed by Sapien
Courtesy of Where's My Cut Productions
By arrangements with Blast! Management and Pen Music Group
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Muerte súbita
- Luoghi delle riprese
- Toronto, Ontario, Canada(As NYC:)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 52.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 36.895.141 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.855.260 USD
- 5 mar 2006
- Lordo in tutto il mondo
- 65.664.721 USD
- Tempo di esecuzione
- 1h 42min(102 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1